When not collaborating with audio brands, Fendi sees fit to cater to the homeware crowd. To complement the Shanghai monobrand boutique, Fendi Casa has opened flagship stores across Asia—Jakarta, Phnom Penh and Seoul. Now, they have finally arrived in Singapore, marking another milestone for the brand.
Alberto Da Passano, CEO of Fendi Casa states that "Asia is a key market for us". In strengthening connections with both local and international clientele who appreciate the Fendi universe, the brand offers new opportunities for growth and development.
Occupying more than 468sqm across two floors, the new boutique is situated at The Rise @ Oxley. Visitors are greeted by the brand's iconic FF logo upon entering the ground floor. Maxi logos adorn the windows of each floor, specially customised by Fendi headquarters architecture department.
The staircase, crafted from Arbescato Vagli marble. This is a distinctive feature of the maison, is accompanied by three Louis Poulsen Pequin chandeliers gracing the ceilings.
Bathed in natural light, the second-floor showroom exudes elegance. It features meticulously crafted furniture and accessories, resin floors, and Pozzolanica walls. This refined space is brought to life by world-class designs under the creative direction of Silvia Venturini Fendi. The combination of exquisite craftsmanship, rich heritage and visionary ethos set within a refined, luxurious setting... this captures Fendi Casa's values and aesthetics.
Fendi Casa is located at 71 Oxley Rise, #01-05 The Rise @ Oxley, Singapore 238698
We return to the intersection of "Style" and "Tech", where the Fendi x Devialet Mania mash-up resides. The Italian fashion house teams with the French audio maestros for a portable speaker that turns heads. It's a Devialet Mania—a high-fidelity speaker boasting 360° stereo sound—wrapped in Fendi's iconic monogram.
Earlier in the year, the Fendi x Devialet Mania edition made its first appearance at the Fendi Autumn/Winter 2024 menswear runway show in Milan. At first, it looked like a male model sauntering with a rotund carrier before finding out that it was a Devialet Mania model covered with Fendi's two-tone monogram in tobacco and brown with a sand handle and gold details (which we are told is actual gold).
Originally launched in 2022, the Devialet Mania model utilises its own proprietary acoustic mapping technology and Active Stereo Calibration (ASC) to adjust its sound to suit any room. This means, as a listener, you'll get the optimal delivery of pitch-perfect treble and bone-rattling bass. Each edition comes complete with an add-on wireless charging dock, the Devialet Mania Station. And with a staggering 30–20,000 hertz audio range, an IPX4 splash resistance and Devialet’s first built-in battery offering up to 10 hours of wireless bliss, now with the Fendi motif, it elevates this piece of tech into a piece of art.
The Fendi x Devialet Mania edition retails for SGD4,100 and is available online and at Devialet outlets.
The fit: Elegance was the assignment at Dolce&Gabbana. One of the opening looks was a full black ensemble consisting of a high-neck-collared blouse cut oversized and paired with slim trousers. It was a fine example of the Autumn/Winter 2024 menswear collection title: Sleek.
While “sleek” could mean a simplification and the stripping off of excess and unnecessary flourishes, Dolce&Gabbana opted for refinement and elegance.
Sleekness was apparent across the entire collection with black taking prominence. But like most designers, black was the foundation where textural play and tasteful embellishments helped to further refine the looks. Even in a number of the opening looks, black sheens and shines differentiated the components of each outfit, whether they’re subtly done or not.
There was also no stopping the brand from executing exaggerated forms and show-stopping looks. A plush fur coat, for example, wouldn’t necessarily be thought of as “sleek” (although I’m sure the feel of it would be absolutely divine) but again, sleek in the sense that it’s a restrained Dolce&Gabbana where the focus of that particular piece was the grandeur of it with no added details. And trust me, the brand knows how to go over-the-top.
The details: Like many of the brands that have shown a this far, Autumn/Winter 2024 is set to be one where sparkle and shine reign supreme. At Dolce&Gabbana, they’re done sparingly with a standout look included a blazer completely riddled with rhinestones worn over a scoop-neck tank done in the exact same way—sleek. On the tailoring front, suits were cut with slightly cropped blazers (at times with tailcoats) reminiscent of what a conductor would wear, worn with pussy bows blouses (a Dolce&Gabbana classic). Prints and lace too were incorporated in a number of looks—styled either as a quiet statement or paired with pieces of the same make such that the entire look is rather homogenous.
Three exceptional looks: Look 19's super clean and minimal take on a biker jacket that still retains an element of cool; the peacoat in look 34 cut at just the right length and beautifully paired with riding boots; and look 53's take on formal eveningwear—one I'd wear right now.
The takeaway: Even Dolce&Gabbana is adhering to a quieter (I mean, sleeker) fashion movement. But how long will the brand stick to it?
View the full Dolce&Gabbana Autumn/Winter 2024 menswear collection in the gallery below.
The fit: Something’s happening with Silvia Venturini Fendi. The artistic director has become quite a rebel of late—a perfectly good thing, in my opinion. What first started as a shocking Spring/Summer 2022 collection that involved severely cropped blazers and tops with waist chains, has continued on with other deviations from traditional menswear.
For Autumn/Winter 2024, Silvia once again subverted menswear codes by incorporating nuances of typically womenswear tropes. What I initially thought was a pencil skirt (the collection’s standout piece made its appearance in the very first look) was actually a pair of berms cut to resemble on—an incredibly low crotch joined inches above the hem. The flow of these skirt-berms—inspired by the spirit of the Scottish kilt—too were deceptive enough to warrant that initial impression.
In a further defiant move, Silvia paired these hybrids with fine gauge knits before layering over coats made for the outdoors. At some glances, the looks appeared somewhat granny-like and eccentric but somehow, cool all the same as Silvia merged the outdoors with the more refined pieces underneath them.
But of course, there were plenty of looks that didn't make use of the hybrids and they weren't lacking any fashion-forward fervour. Tank tops were layered over polos, cardigans were fastened with a single brooch, and tops designed with extended hems.
The details: Pillow-like bags were crafted from quilted leather or shearling, adding to the tactile comfort that they exuded. The Peekaboo and Baguette bags were mainstays; this time they were interpreted with shearling and in some cases, appeared to be slashed to reveal a hidden pop of colour (they're a collaboration with MAD Architects' Ma Yansong). But perhaps, the most talked about accessory at the Fendi Autumn/Winter 2024 menswear show was the collaboration with Devialet. The handheld portable speaker was already teased moments before the show as Italian rapper Lazza got out of his vehicle with one and a song was played. Let's just say, the sound quality and volume were pretty impressive and something that could be held on your palm.
Three exceptional looks: The simplicity of look 5 with its fitted polo and cardigan in deeply rich autumnal colours; look 39's somewhat collegiate look but elevated with a delicious blue coat; and the closing look consisting of a metallic yarn polo worn with pleated kilt hybrid.
The takeaway: Too afraid to wear a skirt in public? Start with a Fendi skirt-berms hybrid.
View the full Fendi Autumn/Winter 2024 menswear collection in the gallery below.
That concludes fashion month, I suppose. Buyers, stylists, models, and celebrities have been traveling between fashion capitals over the past few weeks to learn how the world's best-dressed men will be dressing for next summer.
So, what's the verdict? Are we all going to be dressed like highlighter pens, or will neutral shades reign supreme once again? Will the silhouettes be baggy or Meet Me in the Bathroom-level skinny? Will our wardrobes be even more gorpcore-y or Y2K or... neither? Without further ado, here's our trend breakdown.
Showing at Fendi’s leather goods factory, Silvia Venturini Fendi presented a collection that played tribute to the callous-thumbed artisans that fill her team. Suits came with stitches for fitting alterations and shirts were printed with toolkits, but it was in the accessories where you could see a direct connection to workers’ uniforms. Models walked with F-monogrammed coffee cups (some in holders, some in hand), documents, measuring tape and name tags as if they were just clocking in for another day.
This trend for accessorising everyday items and elevating the supposedly mundane continued into Paris Fashion Week. Louis Vuitton also had a fellow caffeine addict walk their runway, this time with a straw poking out of the coffee cup lid, as well a model who sported a leather version of the LV shopping bag.
It’s natural for summer collections to be a bit on the brighter side, but no one was expecting the sheer amount of clothes that were imbued with a satsuma-esque shade of orange. While the colour can be intimidating for even the most extroverted dresser, designers made it look as effortless as an Easy Peeler: Dries Van Noten paired pumpkin shorts with a tucked-in double-breasted blazer, while Etro’s more brazen take—a tinsel tank and hoody combo—is for the risk takers. For a contemporary take on suiting, Zegna’s pastel pieces shouldn’t be ignored, and should prove to be a go-to for wedding attire next year, but for casual, everyday-wear, Bianca Saunders’ graphic tees are a must.
Recently, the baseball cap has had a comeback, and it appears that the sporting fervor will continue into next summer as well. Fendi, Martine Rose and Saul Nash all had their own takes, varying from Italian leather to acid-wash denim. But there was more outré headwear, too. Kim Jones had his models wear colourful beanies (at an askew angle) while at Kenzo, Nigo showed wide-brim sun hats and printed berets.
The rules of smart-casual dressing have always included a time-tested formula: pair a nice shirt with some more relaxed bottoms and... there you have it. Foolproof, which is why it featured heavily across the spring/summer ’24 shows. But for this season, you should expect shirt designs that are brasher and a lot more eye-catching. Dior, for example, bejewelled a work shirt with a load of blue crystals, while Ami and Dries Van Noten both had heavily sequinned button-downs within their collections. Prada even stuck on 3D florals and some fringing onto theirs. The message is clear: the bolder the better.
This season also saw brands embrace a concept that has been embraced in womenswear for decades: the going out top. Fendi had a halterneck shirt where the arms drape behind, and Loewe presented a metallic blouse that sparkled like a disco ball. And for more retro takes, Saint Laurent had sleeveless pussybows and sheer blouses aplenty.
It’s lucky that the Y2K low-rise trend has barely entered the menswear-sphere, despite having dominated womenswear for seasons now. In fact, brands are rebelling against it. Waistlines were well above the belly button at Loewe and Prada in both trousers and shorts form respectively, while the use of cummerbunds at D&G and Wales Bonner gave the visual illusion of longer legs and shorter torsos.
Hemlines have also started retreating north, despite seasons of the long and slouchy silhouette. All of the longer-length bottoms at Dior were cropped just above the ankle, and at Hermès the hems were turned up to give full view of the models' fisherman sandals. Waistbands and hemlines are moving on up.
Perennial plants have been blooming in menswear for the last few years, and seeing them blooming in this season’s collections isn’t all that unusual. However, they were blown up to larger and slightly darker sizes as opposed to the more twee prints we had previously seen. As mentioned earlier, Prada had 3D lilies stitched onto shirts, but also positioned them alongside prints of slightly gloomier (potentially underwatered) styles. Emporio Armani centred their black-heavy collection around a ginkgo leaf, where it featured as cut-outs on peak lapel blazers and woven onto lattice-like tops. Valentino had singular roses, an enlarged poppy motif and peonies as part of its sartorial garden, and Kenzo had rose heads printed and stitched onto its denim pieces.
While pairing a linen suit with sandals isn’t exactly a revolutionary move, the catwalks this year were particularly... toe-heavy. Expect wedding wardrobes to follow suit, for better or worse. Dries Van Noten paired a waist-hugging black suit with leather flip flops, and the toe-dividing footwear was also seen at Wales Bonner, where it was styled with a structured linen two-piece. If you have an aversion to seeing your tootsies outside of beach locations, follow Hermès’ lead by sticking to a fisherman sandal. Suited and booted? No, it’s about being suited and sandaled.
The sheer volume of suits and tailoring on the spring/summer '24 runways proved that, despite the pandemic's best efforts to the contrary, they are still in demand. Still, it was clear that there was one cut that reigned supreme for the season: the double breasted suit. They opened the show at Givenchy, worn with hands in pockets at Loewe, paired with contrasting trousers at Ami, as part of a three-piece suit at Paul Smith and in a horse-bit check print at Gucci.
Originally published on Esquire UK
There's a reason why the Fendi spring/summer 2024 menswear collection was shown out of its usual Milan Fashion Week Men's schedule. Close to Florence in Capannuccia (part of the Tuscany countryside), Fendi recently opened Fendi Factory, a new site housing production, laboratories, offices, and services of the house. And in honour of the milestone, artistic director Silvia Venturini Fendi presented the collection within the confines of the expansive production site where the artisans could visibly be seen working at the same time.
The message was clear: craft is inherent in Fendi's oeuvre. It wasn't only in the thematic narrative of the spring/summer 2024 menswear collection; Silvia also walked down the runway during the finale, accompanied by a parade of Fendi artisans.
The fit: Fendi refers to the collection as 'corporate artisan'. Essentially, the entire collection was a hyper fictional representation of a Fendi artisan—fashion-forward flourishes of artisan-inspired tools and workwear done in luxurious materials and cuts. A bulk of the ready-to-wear looks were based around tailored workwear with an unrestrictive sense of ease and fluidity.
The artisan's apron was core to the collection and was rendered in varying permutations. In its purest, it's reimagined in leather, while other looks saw the apron broken into parts and incorporated as part of the garments themselves. The apron also became the basis for a slew of halter-neck shirting that's reminiscent of Silvia's severe cropped tops for spring/summer 2022's menswear collection—another example of Silvia pushing the boundaries of menswear within the Fendi universe.
Perhaps the most outré garment from the collection would be the ribbed bodysuits that offer a sliver of the hip to be seen, while still retaining a classic polo or tank silhouette at the top.
The details: In an extension of the art of craftsmanship within the collection, Japanese architect Kengo Kuma was tasked with interpreting the Fendi Peekaboo bag, the Baguette Soft Trunk and the Fendi Flow sneakers. Kuma utilised waranshi and yatara ami-weaving techniques to construct and differentiate his interpretations from the rest of the accessories. The former consists of washi paper made from cotton and tree bark fibres that resulted in a textural, mottled façade to each piece; while the later is used as structural foundations to the Peekaboo bags and Fendi Flow sneakers.
Three exceptional looks: Look 6's all-cream look fully embodied the workwear inspiration with precise topstitching that grounded the entire look (and peep the super decadent coffee cup holder as well as that measuring tape detail); look 34's polo bodysuit look is how corporate sexy should be like; and look 38 in its full teal moment with deconstructed sleeves.
The takeaway: If there's to be a blueprint for future workwear-inspired collections—one that doesn't take itself too seriously—this would be it.
View the full Fendi spring/summer 2024 menswear collection in the gallery below.
Cool down with Fendi's latest SS23 Menswear collection with its cool blues and striking patterns to compliment the heat during the summer period.
From: Esquire ME
