When an Italian luxury automaker steeped in tradition meets a Japanese streetwear pioneer, magic happens. Maserati’s latest move—teaming up with Hiroshi Fujiwara—feels as surprising as it does inevitable, a collision of two worlds that somehow makes perfect sense. The result? Fuoriserie By, a bespoke collection that redefines the boundaries of personal expression in the realm of super sports cars.
At the centre of the collab is the MC20 Cielo, Maserati’s open-top masterpiece, now reimagined through Fujiwara’s minimalist yet rebellious lens. The collaboration offers two distinct editions—one in Nero Vulcano and the other in Bianco Audace—each making its mark with the Fragment Design lightning bolt replacing Maserati’s iconic Trident emblem. It’s a bold, almost subversive statement, further cementing Fujiwara’s legacy as a disruptor in every field he touches.
Inside, the details continue to impress: black leather sport seats with white stitching, an Alcantara steering wheel, and a commemorative metal plate between the headrests that make this car a rolling piece of art. Yet, the MC20 Cielo is far more than a showstopper. With its F1-inspired V6 Nettuno engine and a smart glass roof that transitions from clear to opaque at the push of a button, it’s a testament to Maserati’s commitment to blending high performance with cutting-edge luxury.
Maserati’s Fuoriserie program—translating to “out of the ordinary”—offers car enthusiasts the chance to craft something uniquely theirs. Fujiwara, often known as the godfather of streetwear, has elevated this concept to new heights, proving that cars, like fashion, can be deeply personal expressions of identity.
It’s not just about craftsmanship or heritage anymore, butt about individuality, culture, and the unexpected partnerships that push both to the forefront. If the Maserati x Fujiwara MC20 Cielo is any indication, this is a ride we’re all lucky to take.
Originally published on Esquire ME
Jae Tips wears a grin on his face for the entirety of our 20 minute(-ish) video call.
The designer/rapper is getting taxied around Taranto, Italy as he speaks with me by way of Google Meet (on his phone, which means I get a lot of low angles of his shiny pink grills).
The launch party of his latest sneaker with Saucony, the Jae Tips x Saucony Matrix “No Shoes In The House” – which, fyi, marks the first time the silhouette has been released since the year 2000 – is what brings him to Europe. The affair is being held at footwear boutique Sneakers76, which is cool with Jae as this trip marks his first time in Italia.
The 34-year-old has been brainstorming with the Michigan-based sneaker-maker since 2021, but it was only last year that their collaboration made its debut. It's already very popular, to the point where sneakerheads are turning to resale marketplaces such as StockX to cop a pair.
Jae can't be mad at the game since flipping sneakers is something he used to do himself. He also worked at Footlocker. “I've learnt a lot about the sneaker industry from a lot of different angles,” he reckons.
“I started meeting people in high positions in the big brand, and it made me realise that there was more to the game that what I knew it for. So I kept pushing myself to learn.
“Fast-forward a few years later, I'm here talking to you.”
“It's a long way from the Bronx,” he says, referring to his home where he was born John Cotton.
Yet, he looks out the window to see a – to all appearances – local passerby on a scooter wearing shoes of his design.
“How does it feel to see that?” I ask.
“It feels amazing,” he says, his grin somehow growing wider. “It's amazing to design on this level. I don't want to take it for granted that I get these opportunities. Saucony keeps believing in me and keeps giving me space to design. I just want to keep making everyone proud, and make everyone feel that a project they spent a lot of hours on and time is worth it.”
Here's how the rest of our conversation – about the Matrix shoe, about his come-up, about Disney, My Hero Academia and all sorts of other things – panned out.
I'm just grateful Saucony decided to partner with me. I was designing hats in my own style and the brand saw this as something it wanted for its shoes. So, you know, I'm grateful the team chose to work with me instead of looking me over like others.
You're taught to wear muted colours and stick to the basics these days, I feel, but I remember growing up in times when everything was colourful and everything was inspired by something loud. Those were the best times. To me, when I see a blank piece of paper, all I see is colour... All I see is excitement. I see is the adventure you can go on. I never want to leave any room thinking, 'I could've done better.' I'm always learning how to put colours together like no one else.
The advice I give people all the time when it comes to my designs is wear what you already have on – you don't need to switch it up. Let the shoes do the speaking for you. You don't have to match everything with everything; you can put them on with whatever you're comfortable with, with what you were already going to wear, anyway. It's all about what's going to make you feel good and happy.
We were always set to release around this time of the year, the time when everything is about family. So, it's “No Shoes in the House” – the message is to put your loved ones before work.
The design is inspired by a Ralph Lauren x Disney collaboration that they did in the nineties. I released some hats a few years ago inspired by the same thing. I may be telling my secrets but I find a lot of inspiration in Disney.
I didn't tell the story so well then because hats are different to shoes, but I used wool on this sneaker to nod to the headwear that came before this. The result is a shoe that feels authentic to me, my story and the things I'm interested in.
I watch more animation now because of my son who is currently big into anime. He falls in love with things and watches them again and again. An anime he watches a lot of is My Hero Academia. Outside of anime, he keeps watching the Pixar movie Elemental. I watch them all with him for the aesthetics.
Restaurants. I think a lot of the best marketing comes from restaurants, coffee shops and things like that.
I wear Omnis a lot. I wear every colour that Saucony send me. I feel like it's just the most comfortable and you can just slip them on and head out.
The first silhouette I worked with: the Grid Azura 2000. It was a shoe that Saucony was ready to throw away, and then I came in with me re-design which was very off the wall. I think I put life back into the shoe – I put another spin on it.
I think Joe Freshgoods; I think Salehe [Bembury]; I think James Whitner. These are people that have reached out to me and, you know, told me about their experiences and things I can do different, or ways that I can navigate the industry. I appreciate them. I don't see them as competition, I see them as part of my community.
Yes, definitely. I'm excited to be working with different silhouettes and colours. I hope people are excited about what's to come. There are some different things coming up that are different to what people have come to expect.
Originally published on Esquire UK
London is a city of manifold facets, and there's a home-grown fashion brand that represents every last one. On occasion, they align—taking the city's fluid, mutable nature as inspiration. The latest example of such a collab is between the respective figureheads of the metropolis' punk and skateboarding subcultures: Vivienne Westwood and Palace.
Following a teaser simultaneously posted by both brands' Instagram accounts, a lookbook shot by Shoichi Aoki (founder of FRUITS magazine) for the incoming drop—what's seemingly the first of a series of collections—has revealed its vibe.
Suitably, it's very Camden x Southbank.
For those who reside outside the M25, that means oversized graphic tees and shirts styled with slightly slouchy utilitarian trousers and conspicuously avant-garde accessories; co-ord denim, co-ord tartan and co-ord graphic sweats; and lots and lots of opportunity for layering. This is England, remember.
“This collection is a true reflection of our shared values and influences,” says Palace co-founder Gareth Skewis, “bringing together two distinct perspectives united by a common ground of independent thought, all with a uniquely London twist.”
“It felt natural for us to join forces, it was a very playful exercise,” adds Vivienne Westwood's creative director, Andreas Kronthaler.
The sharp-eyed will spot that the collection is littered with Palace and Westwood earmarks of past and present. Of course, the Vivienne orb makes several appearances; as does the Palace triangle.
Beyond that, the nods are more obscure. For example, a print named "salon" that harks back to Vivienne Westwood SS92 decorates several pieces, including a Gore-Tex jacket made ready for wandering through bustling markets and strolling beside the Thames this autumn.
Palace x Vivienne Westwood launches in the brands' respective boutiques—including their webstores.
Originally published on Esquire UK
Given the increasingly intertwined realms of fashion and design, it's expected that major fashion labels continue to expand their design repertoire into furniture during Milan Design Week. As the world's largest furniture fair, the event showcases the latest in furniture and design, drawing hundreds of thousands of visitors annually. Below, we take a closer look at a number of furniture collections and collaborations by fashion brands that were released and showcased during the week.
Titled the "MCM Wearable Casa Collection", the collection by MCM was created in collaboration with Atelier Biagetti and curated by Maria Cristina Didero. This was the MCM's first time taking part in Milan Design Week, yet the collection effortlessly showcased its authenticity. MCM is known for its rebellious spirit, and this collection reimagines the role of furniture through unconventional designs that fit into the avant-garde. The collection brings the audience out of this world with its portable and multifunctional pieces in thought-provoking designs.
Longchamp held an exhibition at its boutique on Via della Spiga from 15 to 21 April, spotlighting on studio högl borowski—headed by Viennese design duo Stefanie Högl and Matthias Borowski. Through the their careful selection of materials used, unique sensory experiences are constantly being explored. Ranging from furniture to sculptural objects, studio högl borowski’s innovative pieces create new dialogues between fashion, art and design. Borowski’s fascination for craftsmanship, shapes and proportions and Högl’s love for colour, materiality and telling stories often lead to their unique compositions in designs.
Saint Laurent Rive Droite teamed up with the Gio Ponti Archives, Ginori 1735 and the Fundación Anala y Armando Planchart to exhibit the Villa Planchart Segnaposto Plates collection. Originally designed by Gio Ponti, the collection is decorated with various symbols of the villa of Anala and Amando Planchart. These traditionally crafted decorative porcelain plates are painted by hand in Ginori 1735’s Italian Manifattura. The Gio Ponti-Villa Planchart exhibition was held during Milan Design Week at the Chiostri di San Simpliciano. The limited-edition plates are now available for sale online as well as at the Saint Laurent Rive Droite boutiques in Los Angeles and Paris.
Versace opened their doors to their original Milan home and design Atelier at Palazzo Versace, Via Gesù 12, to showcase the latest Versace Home collection. The collection's designs prominently feature iconic symbols like the Medusa, Barocco, and Greca, exuding luxury in true Versace style. Visitors immersed themselves in the rich history of Palazzo Versace through an audio experience titled "Versace Home: If These Walls Could Talk". It narrated stories of the Palazzo's significance in fashion and culture, including the historic Fendace fashion show that saw the coming together of Fendi and Versace.
Bottega Veneta collaborated with Cassina and Fondation Le Corbusier to present On the Rocks at Palazzo San Fedele, focusing on the LC14 Tabouret Cabanon. Le Corbusier originally designed the Tabouret for his cabin, and took inspiration from a washed-up whiskey box. It features masterful dovetail joints and oblong openings. The exhibition showcased custom editions of the Tabouret, including a new limited-edition tribute in signature Bottega Veneta's Intrecciato. The wooden editions feature a traditional Japanese charred-wood technique, providing natural protection to the wood while revealing the unique patterns of the wood grain. On the Rocks also offered a glimpse into Palazzo San Fedele, that's soon to become Bottega Veneta's headquarters.
Hermès presented a captivating blend of contemporary home collections with iconic heritage designs, showcasing their enduring commitment to craftsmanship and excellence. Inspired by vibrant jockey silk jersey motifs, leather goods and intricately crafted blankets in subtle shades take centrestage alongside luxurious cashmere bedspreads featuring intricate patterns. The new Diapason d’Hermès lounge chair in leather and hammered aluminium, along with ethereal lamps inspired by equestrian vaulting, reflected Hermès' innovative design approach. The showcase epitomises Hermès' spirit of merging artistic excellence with impeccable craftsmanship, creating timeless pieces imbued with sophistication and style.
Giorgio Armani reopened the doors of Palazzo Orsini, the brand's historic headquarters, to present the new Armani/Casa collection entitled "Echi dal mondo" ("Echoes from the World"). Each room in Palazzo Orsini corresponded to a geographical area that inspired Armani throughout his career, identifiable by nods to different aesthetics and fashion cultures. Inspired by atmospheres, colours and shapes encountered during Armani’s travels or research, the collection is presented in settings never been seen before, offering an intimate experience. It was seamlessly integrated with Armani’s personal memories and travel mementos, weaving a narrative that celebrated creativity, craftsmanship and diverse cultural influences.
Loewe engaged 24 different artists to create a new collection of lamps as part of its Milan Design Week effort titled, "Loewe Lamps". Utilising a wide range of mediums, the collection centres around the manipulation of light. The floor, table, and suspended lamps—presented in the Palazzo Citterio—were materialised using bamboo, paper, leather, and glass into innovative forms inspired by natural and man-made objects. Among the featured artists, Genta Ishizuka's suspended lamp stood out, reflecting an organic cell with glossy lacquer layers and gold finishing.
Gucci’s creative director Sabato De Sarno’s gravitation towards Rosso Ancora was further established in Design Ancora. Curated by Michela Pelizzari, Gucci exhibited its new furniture collection at its flagship store at via Monte Napoleone, 7. Five iconic Italian furniture pieces were reimagined and customised in Gucci’s signature Rosso Ancora, featuring works from Italian design masters including Mario Bellini and Tobia Scarpa. “Through Design Ancora, Gucci doesn’t simply celebrate old icons, it creates new ones,” explains Pelizzari. “The aura emanating from the brand spotlights five pieces by Italian masters that are perfect from a design standpoint but less known to the general public.”
Designed under the creative direction of Silvia Venturini Fendi, the new Fendi Casa 2024 collection introduced new products while maintaining iconic elements like the FF logo and Pequin pattern, showcased in luxurious materials and meticulous craftsmanship. Fendi further ventured into tableware and home textiles with its new home accessories collection, featuring elegant designs in French Limoges porcelain, artisanal woven leather, and blown glass. The collection intertwined Fendi's fashion universe with exquisite home decor, offering a luxurious and distinctive aesthetic.
Louis Vuitton unveils a range of exquisite offerings at its Garage Traversi store in Milan. The new Bed Trunk, a modern interpretation of Louis Vuitton's original design from 1865, combines tradition with innovation. The trunk features the iconic Monogram Canvas exterior and an interior crafted from aluminium and beechwood, and transforms effortlessly into a sturdy bedframe. Iconic Objets Nomades designs like the Cocoon and Bell Lamp were also showcased, blending Louis Vuitton's craftsmanship with contemporary design. Additionally, an expanded tableware collection introduced a new beige colourway, showcasing a fusion of classic and modern aesthetics.
For Milan Design Week, Saint Laurent Rive Droite teams with the Gio Ponti Archives, Ginori 1735 and the Fundación Anala y Armando Planchart to showcase a plate collection. But these aren't ordinary plates. These are Villa Planchart Segnaposto Plates and for such an exceptional collection, it is showcased at the Gio Ponti—Villa Planchart exhibition. Saint Laurent's creative director, Anthony Vaccarello, curated the exhibit.
This collaboration dates back to 1953. That's when Anala and Armando Planchart commissioned renowned Italian architect, Gio Ponti, to construct an avant-garde villa for them on the highest hill overlooking Caracas, Venezuela. While designing the villa, Ponti employed exceptional Italian artisans with traditional expertise for the interior decor of the Villa Planchart. This included the Florentine manufacturer Ginori 1735, for which he had previously worked as artistic director. He designed a set of porcelain tableware decorated with the various symbols of the villa. This pays homage to the village and Anala and Amando.
Saint Laurent will reissue 12 original plates from the Villa Planchart Segnaposto collection designed by Gio Ponti. These traditionally-crafted decorative porcelain plates are painted by hand in Ginori 1735’s Italian Manifattura. Available in vibrant hues, the plates feature the same motifs that appeared in the porcelain tableware designed for the villa. This included the sun, the crescent moon, the polar star and iterations of the letter “A”—referencing the initials of the villa’s owners.
The limited-edition plates will be available online, at SAINT LAURENT RIVE DROITE Los Angeles, SAINT LAURENT BABYLONE in Paris. Also, for a limited time, by appointment at Saint Laurent’s Milan flagship on Via Montenapoleone during Milan Design Week.
Held at the Chiostri di San Simpliciano, the Gio Ponti—Villa Planchart exhibition will be open from April 16th to 21st. To pre-book tickets, register here.
Multi-Grammy-winning musician John Mayer’s relationship with watches goes far deeper than your average celeb horologist. He’s been a collector of watches since 2001 (very early in his musical career). And his passion for and critically deep understanding of high-end watches has paralleled his musical success ever since. It's also made him something of an oracle for collectors. For much of his collecting life, Audemars Piguet has been a firm favourite.
In Milan last week, Audemars Piguet unveiled with Mayer a collaboration two years in the making. It was the white gold Royal Oak Perpetual Calendar John Mayer, limited to 200 pieces. The insider gossip about this impending Mayer launch ahead of the event did nothing to stem the excitement when the new watch was unveiled. Instantly eye-catching, it was given a decidedly modern vibe with a dial described as "crystal sky" for its granular blue surface. The dial was created by electro-forming the 3D surface one atom at a time, then individually polishing each of the hundreds of facets before applying a deep blue PVD coating. The result is a mesmerising light show. Whichever way you look at it, over which the all-important sub-dials float with ease. For a watch as complicated as a perpetual calendar—regarded as the pinnacle of high watchmaking—it's surprisingly legible.
According to company lore, this special edition was born when Mayer approached then CEO François-Henry Bennahmias with an idea. An idea for a one-off watch for himself. Bennahmias liked it so much that he countered with the idea of making it a limited edition instead. Given that the movement that drives this grand complication is retiring, it’s a fitting and collectable send-off. The movement in question is the 5134. It's a self-winding, ultra-thin movement launched in 2016 but based on a legendary movement—the 2120—created in the mid-1960s.
Alongside the release of the watch came the announcement of Mayer taking on the Creative Conduit role for the brand. Somewhere between a brand ambassador and a collector, Mayer functions as a bridge between the house and its most passionate collectors.
AP also timed the Milan launch of the Perpetual Calendar John Mayer to unveil the city's upgraded and relocated AP House, a luxury space for fans and customers of Audemars Piguet to meet away from the store. Naturally enough, the latest—the 20th to open around the world, and just a stone's throw from the storied via Montenaploeone and its fashion and watch flagships—is the best yet. Spread over multiple floors in a repurposed multistory garage the Garage Traversi was built in 1938, the space features dining rooms, lounges, and meeting spaces. There’s a bar or two and a grand piano. Roof terraces wrap around the sinuous deco-style building, overlooking the rooftops of the San Babila district. One hidden dining room was designed with wall-mounted display cabinets for collectors to show off their collections over dinner. No doubt the Royal Oak Perpetual Calendar John Mayer will make a showing at such gatherings.
As true horology nerds know, provided you keep it wound, this watch will tell the correct time. Specifically, the month, week, date, day, leap year, and even the current phase of the moon, all without adjustment. That is until March 1, 2100, when the Gregorian calendar is obliged to skip a leap year. It’s a Monday, by the way.
Originally published on Esquire US
The collab between adidas and Australian fashion house Song for the Mute combines functions and looks. It may be trite but it must be doing something because this is their third team-up. For this new Song for the Mute x adidas 003 collection, Creative Director Lyna Ty reinterprets heritage silhouettes with modernist fabrication and detailing. This partnership oversees the reimagining of the iconic Country OG silhouette. This, as well as, a new apparel range that includes sportswear essentials.
At the heart of this collection lies the reinterpreted Country OG silhouette. Now dubbed simply as the “SFTM-003”, it is available in three 90’s inspired colourways. You've grey and teal, those hues are reminiscent of vintage windbreakers, and finally, in black. Each pair arrives with an additional metallic D-ring hardware combined with a custom paracord-inspired toggle lacing system. A perfect synergy and a nod to "futuristic nostalgia". Keeping to its roots, the kicks retain its beloved soft cushioning, grippy outsole and low-profile build. Finally, to cap it off, the flexible leather upper blends everyday comfort with an elevated look.
As for the collaborative apparel essentials, Ty dabbles in new textile directions and techniques in the apparel range. You've your sherpa fleece zip-up jackets that's accompanied by digital printed contrast sleeves. There are distressed jersey hoodies, an oversized blazer and press-stud track pants in a lightweight coated cotton. Rounding up the range is a custom jacquard knitwear that comes with an intricate contrasting colour-work.
Song for the Mute x adidas 003 is readily available at adidas Brand Centre Orchard, adidas VivoCity Originals B1 as well as online and the adidas CONFIRMED App.
Baccarat and MO BAR join forces to create an enchanting celebration for the Year of the Dragon. The partnership, a highlight of Baccarat's Cocktail World Tour, unfolds at MO BAR. Patrons will have an exclusive experience with dragon-inspired cocktails. MO BAR Singapore presents four signature cocktails as part of the "Ripples of Pleasure" collection. Each cocktail is a manifestation of the "joie à vivre," an ode to finding delight in life's little pleasures, symbolised by the elegance of crystal glassware. The cocktails will, of course, be served in Baccarat’s dazzling crystal barware.
First on the list, the "Blue Manhattan" pays homage to classic New York City vibes, blending Johnnie Walker Blue Label with the oaky finish of Hinoki Bitters.
Next, the "Walker Sour" challenges the line between dessert and cocktail, featuring Johnnie Walker Blue Label, Bourbon Oak Barrel Syrup, and Vanilla Bean Ice Cream in the elegant Baccarat Narcisse Coupe.
Meanwhile, the "Disaronno Expectations" in Baccarat Harmonie Highball unveils a tropical-meets-smoky fusion with mezcal, Disaronno Amaretto and Verjuice.
Closing the quartet is the "Insomniac" in Baccarat Beluga Tumbler, awakening the senses with Osmanthus Aged Rum, Mr. Black Coffee, and Coconut Water— a cool, sunrise-ready concoction.
Indulge in the artistry of Baccarat's "Ripples of Pleasure" cocktails and savour the harmonious fusion of crystal and creativity at MO BAR. Priced at SGD38++ each, these cocktails will be available until 29 February 2024. The Baccarat collection is also available at its two boutiques, the Shoppes at Marina Bay Sands and Takashimaya Department Store B1.
Formula One and watches are natural bedfellows. I mean, yes, we could yammer on about how they are both committed to the precision of timing, and how every millisecond could be in the difference between winning and losing – but let’s be honest, most of us aren’t professional racing drivers, therefore one of the most important elements of any F1-timepiece collab is how it looks. Here are our pick of the bunch…
Red Bull Racing x TAG Heuer
Helmed by two-time world champ Max Verstappen, the reigning F1 champions are going into the season as the team to beat (again). This is also the case with its long-term timekeeping partnership with TAG Heuer, which started in 2016. The Swiss watchmaker’s history is deeply rooted in motorsport thanks to its historical mastery of chronographs, and numerous timepieces dedicated to classic motorsport monikers: Monza, Monaco and Carrera. This season expect to see a new addition of its popular Quartz-powered TAG Heuer Formula 1 x Red Bull Racing Special Edition chronograph.
Mercedes-AMG Petronas x IWC
With eight championship titles between 2014 and 2021, Mercedes-AMG Petronas have won more consecutive titles than any other team in Formula 1 history. While star driver Lewis Hamilton deserves much of the credit for this, the driver himself is quick to point out that his success hinges on the team of more than 900 engineers, designers, mechanics, and support staff working behind the scenes. This teamwork is the inspiration for the new Pilot’s Watch Chronograph 41 Edition “Mercedes-AMG Petronas Formula One Team” — the watchmaker’s first timepiece dedicated to the entire team.
Scuderia Ferrari x Richard Mille
It has been said that without Ferrari, does Formula One even exist? The answer, of course, is ‘yes’, but the point is made all the same. Ferrari has long been F1’s superlative brand, which makes sense that its debut timepiece collaboration with ultra-luxury watchmaker Richard Mille comes with a world record. Released last year, the RM UP-01 Ferrari became the world’s thinnest watch, measuring at just 1.75mm thick. Inspired by the technical prowess of each other the ultra-thin timepiece exemplifies a new approach to watch mechanics in which technicity more than ever dictates aesthetics.
Aston Martin x Girard Perregaux
Most of us aren’t professional racing drivers, therefore one of the most important elements of any F1-timepiece collab is how it looks. Cue the new Laureato Absolute Chronograph Aston Martin F1 Edition from Girard-Perregaux. With its British ‘racing green’ livery, the Aston Martin team has arguably the coolest looking car on the Formula One grid. So, as the Swiss watchmaker rightfully has decided: if you’ve got it, flaunt it. The material used in the 44mm case is a first for the watch industry using a blend of titanium powder and carbon elements taken from last year’s Aston Martin F1 race cars. The result is a case that has a look similar to forged carbon fibre, but a closer look will reveal subtle green touches in the material that match the watch’s dial and the livery of the racing car.
Alpine x Bell&Ross
Last year the French racing team, Renault, changed its name to Alpine – in order to give more name recognition to the car maker’s range of sports cars. But while the name may have changed, it continued its partnership with the Parisian watchmaker Bell&Ross.
Bell&Ross took advantage of this change in branding to alter the look of its F1-themed collection quite drastically. Removing Renault’s famed yellow as the predominant colour of the range, replacing it with Alpine’s ice blue colourway for its BR 03-92 A522 model.
