"I mean, that's my least favourite sport, to be honest," a then 23-year-old Tyler, The Creator told Billboard in 2014, referring to the name of his brand Golf Wang. "I don't know. The word just looks sick." Golf Wang has zero connections to the sport—save for the occasional sweater vest that's a golfwear staple. It's really a playful spoonerism of Wolf Gang, short for the hip-hop collective Odd Future Wolf Gang Kill Them All that Tyler was a part of.

Tyler's sentiments may have changed since. In his first collaboration with Louis Vuitton in its Pharrell Williams era, you'd find a series of golf-inspired accessories, golfwear and actual, usable golf paraphernalia. The Louis Vuitton Spring 2024 Men's Capsule Collection by Tyler, the Creator's golf bag is an impressive piece crafted from Damier Golf coated canvas (a grass-green rendition of the maison's signature Damier pattern) trimmed with leather and gold-coloured hardware, and comes with a set of three balls and four tees. It's fitted with a number of nifty pockets, has an umbrella holder, and can carry around a full set of clubs. Louis Vuitton and Tyler are definitely not joshing around.

This isn't Louis Vuitton's first entry into golf. In 2023, the maison introduced a new golf trunk geared towards both professionals and lovers of the sport. Not only does it have dedicated compartments for everything and anything golf-related, it even comes with a Louis Vuitton-branded putting mat for on-the-go practice. The collaboration with Tyler is an indication that the sport is quickly becoming a luxury fashion darling—another avenue for a brand to expand into.

Golf became a way of maintaining a social aspect of life while keep distant during the pandemic.

What was once a somewhat exclusionary sport guarded by the confines of a country club has opened up to a wider audience with golf courses made more accessible. Golf's elitist rep has changed of late too, thanks to (as with a lot of other things) the Covid-19 pandemic. With social-distancing protocols in place and indoor spaces seen as potential super-spreader hotbeds, golf became the perfect way of blowing off steam and keeping a safe level of social interaction at a time when congregating in large groups was potentially dangerous. Teeing off in the open space, surrounded by a maximum of four other people, made golf ideal as a much needed mental health break.

The numbers don't lie. The National Golf Foundation in the US noted a record number of people who played golf for the first time in 2023 at 3.4 million. It's a figure that has been consistent since the pandemic; a pre-pandemic record was set in 2000 with 2.4 million beginners. What's even more telling about golf's growing mainstream appeal is that young adults (aged 18 to 34) make up the sport's biggest segment with over 12 million playing both on and off courses.

Unsurprisingly, Louis Vuitton is far from the only brand attempting to capture a growing number of younger players, whether new or seasoned. adidas and BAPE dropped what they called a "golf ready" collection in October 2023 as part of a year-long celebration of the duo's 20th anniversary of collaborating together as well as the latter's 30th anniversary.

Much like Louis Vuitton, adidas and BAPE played up the colour green with a custom pair of Stan Smiths featuring a removable kiltie lace cover rendered in a camo print, a matching heel moustache, a green outsole and green sock liners. The sneakers were complemented by a range of ready-to-wear made to perform on the green while also having a streetwear sensibility. A camo print windbreaker and trousers aren't typically what you'd see on golf courses where plain polo tees and chinos have traditionally reigned supreme, but they're indicative of the kind of energy that the sport is now engaging with.

If adidas and BAPE's collaboration is too much of a statement on the green, brands like Fendi and Berluti offer more timeless proposals with elements of traditional individual iconographies. Released in tandem with the 2023 Ryder Cup, Fendi's golf capsule collection focused on comfort. Cotton bermudas and polo shirts trimmed with the FF logo formed the foundations of the capsule. A hooded windbreaker and a knit gilet completed the ready-to-wear portion, each providing semblances of protection and style.

Berluti took a similar approach. Its golf capsule collection was a classic assortment of jackets, gilets and lightweight knits emblazoned with the Berluti B. A new pair of leather derbies was also introduced, fitted with soles crafted specifically for golf, but with Berluti's signature leather patina panels differentiating it from any other golf-appropriate footwear.


It's always a tricky strategic manoeuvre that brands have to be cognisant of whenever attempting to break into a new segment. Whether it was skateboarding or tennis or basketball, it was always the we're-not-reinventing-the-wheel kind of approach that worked best to capture the attention of a burgeoning scene as well as existing players of the sport. Fendi and Berluti, like Louis Vuitton, offered their own interpretations of the golf bag without straying far from familiar designs. They function just the same—packed with added functionalities for some—and are masterful showcases of the kind of craftsmanship that each brand is known for.

"Following the success of Mr P.'s first golf collection, we are delighted to bring our customers a new range, this time with pieces in partnership with leading golf brand G/FORE," says Olie Arnold, style director at MR PORTER. The online menswear platform launched its latest golf collection last month under its in-house brand Mr P. with a collaboration with G/FORE—a Los Angeles-based golfwear brand.

G/FORE had already found its footing as a contemporary golf brand that's unapologetically youthful, fun and whimsical. You'll find staple classics sitting right next to its brightly-soled Gallivan2r shoes, and patterned polos in tech materials you'd want to wear on the regular. Tapping on the expertise of an existing presence in golf offers a level of credibility that assures consumers the capsule collection isn't mere aesthetics.

Golf is slowly going the way of how tennis has been embraced by the luxury fashion community. Louis Vuitton was an early adopter by signing Naomi Osaka as an ambassador in 2021, followed by Carlos Alcaraz last year. We have yet to see a pro golfer fronting luxury fashion campaigns but that doesn't seem too far away. As it stands, the number of celebs taking up the sport is becoming more visible. DJ Khaled shared a photo of himself on Instagram with his Louis Vuitton golf accessories; Justin Bieber has been consistently playing recreationally for a couple of years now; Travis Scott is also a fan, as are many others.

Yes, there is a renewed resurgence for the sport, marked by a continuous intersection between luxury fashion and lifestyle. But will it stay? That is anybody's guess and it depends on how the golfing community will tap on this uptick to evolve the sport. There needs to be a way to not only make golf more exciting, but also more accessible to a range of income brackets so that not only the Tylers of the world can partake in the joy of the swing.

Victor Sanz, creative director at TUMI.

ESQUIRE: We’re told the spring 2024 collection is inspired by Singapore. Can you tell us more about that and why Singapore in particular?

VICTOR SANZ: Every season, the design team and I sit down and we look for a destination to become our muse. We’re always looking at things that have a cultural relevance—we saw that Singapore was one of the first places to open their doors to the world again. We started focusing into Singapore and realised that everything that’s happening here is in line with what we’re doing as a brand. The idea of balancing heritage with modernity; embracing technology but not abandoning where your roots are; of balancing this world of architecture and progression, but also supporting the environment and nature.

We then started to really dive deep from a cultural standpoint: How are the people living here? What are they doing? How are they doing this? We were inspired by places like Sentosa where we kept seeing these beautiful images of the sunsets. Then the shutters in the market streets with these bright colours of contrast, and they felt very spring to us. We also looked at buildings like the Art Science Museum where it’s a very modern building, but feels very natural and very organic at the same time. So from there, we started building our colour palette and the collections like Asra, where you can see this idea of a soft structure, which continues on to even within the Alpha Bravo series.

ESQ: What are some of the newer innovations you have devised for the collection that you’re proud of?

VS: We continue to bring new innovations every season. There’s a continuous partnership with McLaren and we were able to introduce a new chapter with the Extreme collection where we did these welded waterproof bags. Obviously, Asra, our women’s collection, and of course the 19 Degree series, which was born as a travel collection, but we were figuring out how do we continue to expand this 19 Degree design language into day-to-day uses? This 19 Degree Aluminum minaudière that I carry has a really simple detail. I can just rotate this element and I can put a shoulder strap on there. It becomes now that same archetype of 19 Degree but in a crossbody. And we’ve done a backpack as well. You’re going to continue to see these types of products evolve. We’re kind of pushing in all these directions and always looking at things from the lens of technology and luxury, and always ensuring that we’re bringing something new to our core customer but also bringing in that new customer as well.

ESQ: TUMI is also known for its Alpha Bravo series but there seems to be a more conscious decision to move away from just luggage and into a more lifestyle space, with a golf collection as well as Asra. Is this something that we can expect more from the brand?

VS: Absolutely. I mean, I would say we’re not moving away from the travel side. What we’re doing is we’re continuing to enhance our portfolio. Our biggest muse is the customer. We look at the lifestyle that they’re living. How are they evolving? What does their day-to-day look like? What does it look like when they’re at work? What does work look like for them? What happens post-work? And the more we begin to evolve the world we’re in, we’re bringing products that are enhancing their lives. That’s why you’re seeing things like the golf collection. We see our customers being increasingly engaged in golf and how it’s a new way for them to connect with their friends and peers. It’s a great opportunity for us to bring the very best of what we do at TUMI to a type of collection like that. Additionally, we’re doing fragrances now—we have seven fragrances in the line—eyewear, the crossbodies, women’s products, engaging in the world of sport… It’s really about evolving the brand for our customers.

ESQ: You talk about the customers’ lifestyles when designing for these lifestyle-specific items. Is the design approach slightly different from the travel series, or is it the same?

VS: When we started looking at products that may be more geared towards lifestyle—or what we call the more fashion-forward type products—one aspect where we’ve evolved as a brand, I think at times, is that aesthetics weren’t viewed as a feature. We’ve changed that thinking where aesthetics are a feature. If you feel good or confident about what you’re wearing, you perform better. With a collection like Asra, the thought process was how do we create something that’s very easy and that doesn’t look like it’s burdened with all this extra functionality, but the functionality is there? Similar to even this 19 Degree minaudière. It’s a very simple crossbody, but on the inside, it has a removable leather pouch that magnetises to the back so that when I need to pay for something, I open up the minaudière and I have my money and cards ready to go. Maybe in the past, we’ve had the mentality of always leading with function. Now, the beauty is part of the function.

ESQ: I’m curious to know, because when you talk about the minaudière and having that extra element inside, how many prototypes do you go through before you’re done with editing?

VS: It can depend. I wish I could say we do it once and it’s great. But it can be anywhere from three to upwards of 10, depending on how complex the functionality is. For example with the 19 Degree Aluminum backpack, we spent a lot of time making sure that when you push in the leather monogram patch that the front pocket would pop out. We also spent a lot of iterations where we’re opening up the backpack so that it stays perfectly balanced when opened. Typically, we like to do about at least three prototypes because the other part is test-wearing. And we test-wear everything. A lot of times when I’m travelling, I’m travelling with prototypes because if something’s going to fail, I’d rather it fail while I’m using it so I can fix it.

ESQ: I remember from our previous interaction in Hong Kong in 2019, where you explained how the handle of a TUMI luggage is shaped like a strawberry for better ergonomics.

VS: You remember? This one! (points to the telescopic handle of a luggage nearby)

ESQ: Yeah. It’s one of the things that, if it weren’t pointed out to me, I wouldn’t have necessarily realised it. Have you come across customers who have pointed out nuances like that in your designs?

VS: It’s a really interesting thing. People don’t notice good design because it just works. That’s the goal. It sounds a bit ironic, right? You spend so much time, energy and thought into it, and when a customer uses it, it just becomes kind of back-of-mind. But when something is poorly designed, that’s when you really, really take notice. That’s why we spend so much time really analysing the details—testing, feeling and going through these motions where they just need to feel and work so right that you don’t even notice them. From a design and creative perspective, it makes me quite happy when people say that something feels or works right. But, hey, very good memory. I’m very impressed.

ESQ: It’s definitely a takeaway that has stuck. Now, on to collaborations. The way TUMI approaches collaborations is perhaps quite different from its contemporaries. With TUMI, there seems to be a preference to collaborate with more lifestyle-driven partners and artists as opposed to say, a fashion brand or streetwear. Why is that?

VS: TUMI has always been looking at a wide breadth of people to collaborate with. We’ve collaborated with fashion houses like Missoni, athletes, jewellery designers, artists etc.. For us, it’s always been about people that are very true to who we are as a brand. But also we’re looking beyond into that future customer, right? I’m going to collaborate with people that are multifaceted, that people can relate to and understand. There’s a future-forward thinking for the brand as well. So this is why we’re always kind of looking at it through our own lens. There was a time when everyone was collaborating and you didn’t know what the hell was happening—every week was another collaboration and everyone just got very caught up in this hype. For us, we’ve always held true to what we feel is authentic to us. How do we connect with them? And then how do we support them on their mission? It’s never really been about wanting to collaborate for hype sake.

ESQ: And now we have brand ambassadors being announced every week. You mentioned how the customer is the driving force behind designing at TUMI. But when it comes to brand ambassadors, do they also influence you as well? Or are they more of like a manifestation of the TUMI customer?

VS: When we started getting into brand ambassadors, we were looking for people who embody the truth of the brand. When we started with Lando Norris, not only is he a fantastic F1 driver, but he’s also this hungry, young athlete who’s starting his own businesses and establishing himself. The same thing with Son Heung-min—an amazing, established Asian athlete within a European team, which is also quite international and it poses its own challenges. It was this amazing storyline that connects with us. As we were starting our journey within this new women’s category with Asra, we thought about having an ambassador who embodies not only who we are about but also this new customer. Mun Kayoung is an amazing person to begin with and she’s so humble. We’re saying that we want that type of aesthetic and that type of strength to come through to our products.

It’s always a challenge to find that perfect connection, but so far, we’ve been quite lucky to have people that love the brand. When we start having conversations with them, it’s very, very authentic. They travel with the brand and that always makes it very, very easy to kind of make everything happen.

ESQ: It seems very organic.

VS: Absolutely. You’d be surprised how many times we sit down, and they’re like, “Oh yeah. I’ve been travelling with TUMI for 12 years, 10 years...”

Sanz has been at TUMI now for more than 20 years.

ESQ: This is a bit of a throwback to 2019. When asked what were some of the best things about being a creative director at TUMI, you said, “It’s amazing to dream an idea and have it come to fruition.” Has anything changed since then?

VS: Yes. It’s still amazing to be able to dream something and bring it to fruition, but I think what’s changed is that the dreams now are becoming ever more vivid. It almost feels like there’s an endless sense of possibility. In 2019, I would never have imagined I’d be sitting here showing you this 19 Degree Aluminum minaudière and backpack. To be able to see the brand and customer base continue to grow but also being able to still push the brand in different directions, that’s been fantastic.

ESQ: You’ve been at TUMI now for more than 20 years, which is insane to think about.

VS: You’re telling me!

ESQ: I just want to know, what keeps you inspired?

VS: Every day I walk in, I have an amazing team. We have people on that team who I’ve worked with for the past 20 years as well as people into their first year, and every day, we are constantly pushing ourselves. I was up at 1:30am this morning on a call with the team in New York working on a project for the future. We’re talking about the smallest of details, but with the intensity of it being the next biggest collection. And that’s what really kind of continues to feed this creative energy. We want to make a difference with the elements that we put in. And I get to work on just some of the most interesting products. I’m very humbled and blessed to have had 20 years. I mean, just like that, it’s been 20 years. And you and I have been on a journey now for exactly five years. Who would have thought?

This interview has been edited for length and clarity.

Bucket bag, LOEWE

In season five of Friends, there's an episode aptly titled "The One With Joey's Bag". The central narrative was of Joey Tribbiani (played by Matt LeBlanc), having received a bag from Jennifer Aniston's Rachel as part of his desire to fit into a role of "a real clothes horse" that he's auditioning for, falling in love with said bag. But of course, given that it was 1999, his friends found every opportunity to ridicule him for even carrying the bag.

You'd think that the bag was in a ghastly shade of pink or a tiny purse that could barely fit anything (even so, there's absolutely nothing wrong with a man wanting to carry either) but in actual fact, it's reminiscent of a top-handle briefcase that's far from extraordinary in today's context.

How times have changed, and thankfully so.

The best bags this season are big. They're made to fit more than just the essentials, with some having the capability to be versatile enough to transition from work bag to gym bag. And of course, because we're all for longterm investments, they're crafted from sturdy and luxurious materials that'll not only last but age well too. From Loewe's latest Pebble Bucket bag to Bottega Veneta's massive tote, we've curated some of the best bags of the season made for every man that you are.

Ear cuff, HERMÈS. Bag, DIOR MEN
Ear cuff, HERMÈS. Tote bag, BOTTEGA VENETA

Photography: Shawn Paul Tan
Styling: Asri Jasman
Grooming: Kenneth Chia using KEVIN.MURPHY and TOM FORD BEAUTY
Photography Assistant: Xie Feng Mao
Styling Assistant: Chua Xin Xuan
Model: Aaron C at MANNEQUIN

Blouson, cardigan, bermudas, trapper hat and Dior Gravity Leather Dior Hit The Road backpack, DIOR MEN

Artistic director Kim Jones continues to expand Dior Men’s visual vocabulary in a manner that respects and upholds the legacy of the House. His latest—for the Fall 2024 collection—looks at reimagining the Dior Oblique motif once again.

Debuted in the Dior Men Winter 2023 collection, the Dior Oblique Gravity was the medium of choice to launch a new iteration of the Dior Saddle, dubbed the Dior Saddle Boxy. The Dior Oblique Gravity was introduced in a number of rich, bold hues that highlighted its characteristic patent leather sheen, with the embossed grooves providing a kind of tonal gradation.

For Fall 2024, Jones introduces an update. Where the Dior Oblique Gravity was visually more robust, the Dior Gravity Leather is its softer cousin in more ways than one.

Blouson, mockneck sweater, bermudas and Dior Gravity Leather Dior Hit The Road messenger bag, DIOR MEN

Unlike its predecessor, the Dior Gravity Leather employs the use of grain-textured leather for a more matte finish. The embossing technique itself is a work of art that reflects the house’s handcrafted approach in everything that it dabbles in. Instead of a typical embossing technique where pressure is manually applied to create the desired pattern, the Dior Oblique motif visible on the latest expression is created though a unique technique that delicately marks the leather with the aid of gravity. The result is an almost barely-there appearance across a selection of small leather goods and bags.

The Dior Gravity Leather is available in more muted shades of beige, black and khaki. Small leather goods, such as a belt and a cardholder, are dressed in the motif’s original scale, while bags are given a blown-up, maxi version for a play of proportions. The latter includes the Dior Hit The Road backpack that strikes a beautiful balance of luxury fashion and ruggedness in one refined piece.

Jacket, trousers, rings and Dior Gravity Leather Saddle Boxy bag, DIOR MEN
Junkyu of Treasure.
Baekhyun and Xiumin of EXO.
Mile Phakphum.
Wonwoo and S. Coups of Seventeen.
Haruto of Treasure.
Lewis Hamilton and Rosé.

There was absolutely no stopping the fans in Seoul, South Korea last month from capturing a glimpse of their Korean idols at RIMOWA's official debut of its new seasonal colours—Mint and Papaya. It may have been raining in the morning of the event, but fans were already forming behind a barricade; a number of astute individuals had even placed placards with their information the evening before as a way of securing a spot.

RIMOWA's list of invited celebrity guests had everything to do with the congregation of fans. It was a diverse range with third-generation K-pop idols Baekhyun and Xiumin of EXO, Rowoon (formerly of SF9), and Seventeen's S.Coups and Wonwoo, fourth-generation group Treasure's Haruto and Junkyu, Thai actor Mile Phakphum, Lewis Hamilton, and Rosé. It was also the first time that RIMOWA global ambassadors Hamilton and Rosé were brought together for the same event.

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The organised chaos outside and inside—as journalists and editors scrambled for content and soundbites—the venue was a reflection of the spirited Mint and Papaya colours. Fresh and inviting, the colours were inspired by the vibrant charm of tropical destinations. Mint, a pastel shade of green, draws inspiration from the hues of buildings typical in tropical cities (a RIMOWA staff also painted a scenography of eating mint ice cream while strolling along the beach). Papaya, on the other hand, is a shade of orange reminiscent of the fruit that it's named after as well as the hue of a beachside sunset.

The duo of colours are predominantly available in RIMOWA's Essential series albeit in different combinations. Mint is available in Cabin, Check-In L and Trunk Plus sizes, while Papaya colours the Cabin, Check-In M and Trunk Plus sizes. Save for the wheels and telescopic handle on each suitcase, both colours appear on every facet for a seamless appearance. A trio of packing cubes are also offered in both colours, as well as a sticker set and luggage charms.

For those who prefer hints of the latest colours, Mint and Papaya are now part of the customisable RIMOWA UNIQUE experience. Wheels, handles, and tags in Mint and Papaya can be fitted onto RIMOWA's Classic suitcases in whatever permutation one sees fit.

But with RIMOWA increasingly becoming more than just a luxury travel accessory brand, Mint brings fresh interpretations of its more lifestyle offerings. The emblematic RIMOWA Personal crossbody bag is updated with a White Gloss polycarbonate body trimmed with Mint-coloured webbing strap as well as a Mint leather interior. The Signature range—newly introduced in November last year—adopts Mint as a Flap Backpack in a large size, and its roomy Duffle bag, with both designed to easily integrate with any RIMOWA suitcase.

Essential Cabin in Mint, RIMOWA.
Essential Check-In L in Mint, RIMOWA.
Essential Trunk Plus in Mint, RIMOWA.
Essential Cabin in Papaya, RIMOWA.
Essential Check-In M in Papaya, RIMOWA.
Essential Trunk Plus in Papaya, RIMOWA.
Packing Cubes in Mint, RIMOWA.
Packing Cubes in Papaya, RIMOWA.
Classic with Papaya handles and wheels, RIMOWA.
Classic with Mint handles and wheels, RIMOWA.
Summer Sticker Set, RIMOWA.
Summer Sunset and Summer Cocktail Luggage Charms, RIMOWA.
Signature Flap Backpack Large in Mint, RIMOWA.
Signature Duffle in Mint, RIMOWA.
Personal Polycarbonate Cross-Body Bag in Mint, RIMOWA.

So the question now is: Mint or Papaya? It's not an easy pick. Whichever you end up choosing, RIMOWA's lifetime warranty on all its suitcases (only for those purchased after 25 July 2022) guarantees that there's hardly a wrong choice.

The new RIMOWA seasonal colours Mint and Papaya are now available in boutiques.

As the warmth of the Italian summer approaches, Gucci unveils a new collection, Gucci Lido—"Lido" referring to luxurious beach resorts that are plenty on the Italian coastline. The summer-ready collection pays homage to the enchanting allure of coastal living, capturing the essence of sun-kissed days and effortless, carefree moments of the season. 

The Gucci Lido campaign sees creative director Sabato De Sarno teaming up with photographer Anthony Seklaoui to capture themes of escapism and spontaneity. From swimwear to breezy resortwear, the collection offers a range of pieces that seamlessly blends luxury with comfort—the makings of a perfect summer wardrobe.

The Gucci Jackie and GG Marmont bags are refreshed in straw-effect raffia and canvas for a more laid-back aesthetic while easily set to become a summer essential. Neon-hued trims add a playful spin on the classic GG canvas that range from small accessories such as cardholders to duffel bags and luggage. And to complete the Lido aesthetic, pieces dressed in neoprene and finished with cable trims take on a more literal approach.

To bring the Gucci Lido experience to life, Gucci has erected a pop-up (the only one in the world) at The Shoppes at Marina Bay Sands. Located right outside the Gucci boutique on the first floor, the pop-up showcases the full range of clothing and accessories from the collection, as well as a number of exclusives.

The Gucci Lido pop-up is located at The Shoppes at Marina Bay Sands, Level 1 Grand Colonnade South until 19 May 2024.

Travel is no longer about getting to a destination. It's become an extension of one's personality and lifestyle. For some, it's a hobby; some find it to be an essential part of living—travelling and experiencing different cultures and ways of life only make us more in touch with being human. And with all things personal, there's an increasing inclination to want accompaniments that fit in with that lifestyle.

Let's face it: we all want things that are aesthetically pleasing and work well at the same time. We invest on quality that lasts for as long as possible with the added boon of aesthetics.

The BOSS | Samsonite capsule collection is the latest entry in this no-compromise balance of style and function. Combining the sophisticated style leanings that German fashion brand BOSS is known for with the already trusted combination of form and function by Samsonite, the collection is a sleek offering of luggage meant to make one look, well, boss throughout every journey.

The base of BOSS | Samsonite is the latter's premium aluminium hardcase luggage. Rendered in an all-black exterior, it is then dressed with a subtle, tone-on-tone BOSS monogram that beautifully complements the architectural ridges of each luggage's body. An anodised finish ensures that the look stays locked in for as long as possible, especially through the many different immigration points that a piece will be subjected to throughout its lifespan.

Each piece is made to be tough on the outside, but on the inside, there's a softness brought about by a luxurious quality and feel. A soft-textured lining envelopes the interior of each BOSS | Samsonite piece, done in the former's signature camel colour. The interior is spacious with the addition of zipped compartments (removable if one has no need for them) helping to make organisation a breeze. Adjustable webbing straps help to hold everything in place with the added touch of co-branded leather handles to tie in the sophistication of every element together.

There are four sizes to choose from, each designed for different lengths as well as intensity of travel. The smallest is the cabin-sized Spinner 55 that measures 40 x 55 x 23 cm, two check-in sizes, and the Trunk that's a taller, more oblong-shape and boasts a roomy dimension of 41 x 80 x 37 cm. But whichever one ends up with, there's no denying that they all are extensions of a sophisticated, well-travelled individual.

Spinner 55, BOSS | SAMSONITE
Spinner 69, BOSS | SAMSONITE
Spinner 76, BOSS | SAMSONITE

The BOSS | Samsonite luggage capsule collection is now available in selected Samsonite stores as well as online.

From the top: The modular Trinity ring and the Trinity Cushion ring.

You’d hardly forget your first brush with the Cartier Trinity. That initial experience of sliding the Trinity ring onto a finger is a mind-blowing gesture as the three intertwining elements take their turns to glide smoothly over the skin. It’s an unexpected sensation. You wouldn’t think that something as solid as gold would move in such a way; seemingly without friction.

It’s even more impressive to know that the Cartier Trinity was created 100 years ago. The earliest iteration of a three-band ring by Cartier was released in 1924. That included three intertwined bands crafted in platinum, rose gold and yellow gold. A bracelet was also made in the same year. Owing to the ring’s minimalist design—many variations of colours and materials were developed over the years. However, it went on to be seen on several men in the art world from the 1930s onwards. French poet Jean Cocteau was famous for stacking two rings on his little finger, while actors Gary Cooper and Alain Delon opted for one on the same digit.

It wasn’t until 1997 that Cartier officially adopted the now-iconic “Trinity” moniker for all of its three-band, three-gold jewellery. Although the first “Trinity” was seen earlier, in Vogue in 1925.

Since then, the creativity surrounding the Trinity has been limitless. Proportions of the Trinity have been rendered in a few different ways over the years, and the materials have only got more precious. In 2004, a Trinity bracelet was introduced as an XL version and paved completely with pink, yellow, and white diamonds. A 2011 version saw the use of black ceramic and white gold for a stunning monochromatic piece. And who could forget 2022’s collaboration with Chitose Abe of sacai where the Trinity was spliced into six modular creations, including one that could be worn as an earring or a ring?

There’s no reason to doubt that Cartier would up the ante for its icon’s 100th anniversary. Deviating from the roundness of its original—a shape that has stayed relatively consistent throughout the decades—the latest Trinity has been transformed into a cushion-shaped masterpiece. This rendition, while more geometric in expression, stays true to the original’s mechanics, sliding with the same naturalness. The cushion-shaped version comes in the classic and large model rings all in gold or paved with diamonds, a bracelet as well as a pendant.

Extra-large Trinity ring in white gold, rose gold, and yellow gold, CARTIER
Medium modular Trinity ring in white gold, rose gold, and yellow gold, CARTIER
Medium modular Trinity ring in white gold, rose gold, and yellow gold, CARTIER
Medium modular Trinity ring in white gold, rose gold, and yellow gold, CARTIER
Trinity for Chitose Abe of Sacai Two-Finger ring in white gold, rose gold, and yellow gold, CARTIER
Medium Trinity ring in white gold, rose gold, yellow gold, and diamonds, CARTIER

Pushing the limits of its creativity further is a modular Trinity ring. This creation allows the wearer to turn the three intertwining bands into a single wide, large band. In the latter state, the ring can unfold to reveal its diamond interior and function as seamlessly as the Trinity ring we’re all familiar with. “Like a Kumiki puzzle, we envisioned the Trinity bands interlocked as one structure, and then designed in reverse to deconstruct them into three. This naturally creates multiple ways to wear the same ring, which makes this Trinity so contemporary and adds to its universality,” says Cartier’s director of watchmaking and jewellery design Marie-Laure Cérède.

But of course, celebrating an icon also means paying homage to the past. Cartier has also brought back the Trinity bracelet but this time, supersized it in an XL version with an equally maximalist ring to match. Now, how's that for a three-pronged approach to celebrating a three-band icon?

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2024 is quickly becoming the year of the lapel pin as exemplified by the range seen at the recent Academy Awards. But it was two weeks prior, at another award show, that we were taken by quite an extraordinary lapel pin.

Now, we're not saying that Paul Mescal at the 2024 BAFTAs ignited a sudden re-embrace of lapel pins (and some pretty bejewelled ones at that), but the Cartier piece added to his Gucci suit was such an unexpected surprise in the best ways possible. At first glance, the sharp-edged design looked like individual pins layered atop of each other. However, they're a whole set with its connection hidden at the back of the jacket's lapel. Its name? The Cartier Libre Polymorph jacket lapel gem—crafted in white gold and decorated with garnets, onyx and diamonds.

The Cartier Libre collection isn't exactly new. As the name suggests, it's a completely free expression untethered by conventions of jewellery and watchmaking as well as Cartier traditions, and has resulted in some truly inspiring pieces by the Maison. The Polymorph collection that sits under Cartier Libre however, is the latest creative expression—a collection of watches and jewellery that all share the ability to transform.

The pieces that make up a bold brooch.

No, they don't mechanically move and turn into something else (although judging by the debut collection, it certainly isn't out of the realm of possibility). The Cartier Libre Polymorph collection is inspired by the constant motion of nature, resulting in pieces that are flexible and draws on the Maison's passion for surprise and bringing refined creations to life.

Capturing the sun

A fine example of this is a Polymorph ring consisting of four rotating discs of white gold, onyx and diamonds. The ring imitates the movement of a solar eclipse with each disc varying in design and size. The full extent of its width can be unfolded on the hand or folded inwards to create a single focal point of a spiral of discs that seems to be in constant flow. It's a show-stopping piece and definitely looks better than a fidget spinner.

Locked and loaded

One of the collection's more curious objets d'art is a bejewelled carabiner. The precious object is smaller than the size of one's palm but is intricately riddled with baguette diamonds, brilliant-set diamonds, prong-set sapphire and emeralds. In the centre sits a rotating component showcasing a diamond-paved dial surrounded by emeralds and sapphires. At the 12 o'clock position sits a ruby, while beads of lapis-lazuli, onyx, black spinel, turquoise and chrysoprase coil around either side of the dial.


But the main point is that it's a carabiner, and like every other carabiner, it opens up. The Polymorph piece does so with a touch of a sapphire cabochon that activates the diamond-paved band bordered by rubies that it sits on. Talk about decadent.

The panther's claw

Just a glimpse of the panther.

While Mescal's lapel pin was a unique piece, this next brooch is an incomparable stunner. The panther is Cartier's insignia through and through. Hence, it's no surprise that it would make an appearance in the Polymorph collection too and this time, in quite a menacing interpretation.

Shaped like four claws of the panther, the brooch is crafted from four large moonstones and snow-set diamonds with custom-cut onyx. It sits right at the edge of a lapel, appearing to grip the and display only a hint of its power. But even then, the surprise doesn't stop there. When pressed, a hidden miniature dial is revealed. Smart, audacious and bold—a creative expression like no other.


There are of course more pieces in the Cartier Libre Polymorph collection, including a bracelet that bursts like the sun's rays. But even just these three aforementioned pieces are enough to showcase the unbridled creativity that's at the heart of the Maison. And to think that this is just the beginning.

There’s no mistaking the distinct Cannage pattern on the Dior Charm bag introduced in Dior Men’s Summer 2024 collection where the motif is renewed in various fashion.

The answer: seemingly limitless. The Dior Men Charm bag is the latest of artistic director Kim Jones’ contemporary take on Dior’s storied heritage.

Familiar motifs have taken on new forms before. We saw how Jones supercharged renewed interest in the classic Saddle bag by reimagining it with a Matthew M Williams-designed buckle. Jones also introduced sneakers into the house’s design vocabulary by featuring either the Dior Oblique or in the case of the B30, a streamlined, sporty CD logo. This time, Jones has taken things up a few notches by combining two.

For a start, the Dior Charm bag features a clasp adapted from the hardware of the iconic Lady Dior in the house’s women’s universe. While the original motif consists of connected letters, D, I, O and R (of course), as mobile charms in a calculated arrangement, the Dior Charm of the men’s universe is rendered as a single plaque fashioned from the same characters, with the ‘O’ as the base. It sports an antique silver finish for a grittier look that distinguishes itself from that of the Lady Dior.

Dior Charm Crossbody bag, DIOR MEN

But the immediate defining characteristic of the Dior Charm bag is the Cannage motif that completely envelopes the piece. The Cannage Cosmo leather—first introduced by Jones in Summer 2023—is a slightly blown-up version of the original Cannage and translated as a whole laser-cut cage stitched onto smooth calfskin. A true testament to the skills of the Dior artisans, the topstitching is thoroughly precise and serves to enhance the encasement of the motif. In the Dior Charm’s grey and black iterations, they’re subtle and sleek; the Cannage is decidedly bold in the cognac colourway, especially against the antique silver-finish hardware.

Jones is no stranger to referencing the house’s women’s universe and transmuting these references into what would later become key motifs of Dior Men. The Dior Charm is one of those once-in-a-lifetime lightbulb moments that seem so obvious now that it’s been realised. Having it as part of a new bag like the aptly named Dior Charm bag and then combining it with an equally iconic motif like the Cannage (but once again, reworked) is genius.


The past is often revisited in luxury fashion, especially when a great deal of history and heritage are involved. But sometimes, the past whispers fresh ideas, and Jones is the reigning master of listening to them.

1. Trinity rings in white gold, rose gold and yellow gold, CARTIER

It has been a century since the Cartier Trinity series was first created, and the three-band style has remained an enduring icon since. The Trinity has seen multiple iterations throughout the years but the tri-gold combination is the truest representation of its spirit—now available in an XL version for an even bolder expression.


It’s made entirely out of recycled ocean-bound plastics from Indonesia, and fixing it is idiotproof, as its name suggests. You won’t need complicated tools or glue. Simply connect the five pieces and you have your very own stable stool put together with your own hands. At the end of its lifespan, the pieces can easily be dismantled and put up for recycling—circularity at its easiest.

3. Baseball cap, CELINE

The baseball cap is a wardrobe staple, whether as part of one’s style or deployed on days when the hair isn’t cooperating. Celine’s iteration possesses a retro charm with a denim wash that’s as striking as it is timeless. It’s a simple design that doesn’t deviate much from traditional baseball caps... but therein lies the charm—why reinvent the wheel when a slight tweak changes the game?

4. Memento V3 sunglasses, GENTLE MONSTER

You can count on finding avant-garde styles at Gentle Monster any day. This pair of Memento V3 sunglasses, however, traipses the line between futuristic and familiar. The goggle shape is a reimagined classic, rendered in a modern violet hue with added metal detailing on the temples—a bold piece that’s easily wearable.

5. Speedy bag, LOUIS VUITTON

Pharrell Williams’ update of the Louis Vuitton Speedy bag is crafted from supple grained calfskin and lined with lambskin. So soft is the construction that there’s a drape to the overall silhouette. They are also available in a range of vibrant colours that are unapologetically in-your-face—a defiant swing at any mention of quiet luxury.

6. Cordon Bleu Limited Edition, MARTELL

Made in collaboration with designer Vincent Darré, the Martell Cordon Bleu Limited Edition gets a vibrant and uplifting design to the bottle. Darré created an allegory in which the Martell iconic swift bears the universal message of warmth and generosity. Such a message certainly calls for a round of drinks with friends.

7. Kelly Multipocket To Go bag, HERMÈS

Hermès pulls off a truly playful accessory as it mixes the distinctive Kelly swivel clasp with the Kelly Multipocket To Go. With its multitude of compartments, everything can be kept organised in a bento-esque manner. The piece also comes with a versatile adjustable strap for two wearing styles: vertically and horizontally.

8. Knight bag, BURBERRY

The slouchy Burberry Knight Bag is one of many signifiers under Daniel Lee’s era at the brand. A metal horse-shaped clip—a clever way of integrating the Equestrian Knight motif—attaches to two different parts of the bag, giving you the option to alter the shape according to whim.

9. Buffalo loafers, DIOR MEN

Even a house as storied as Dior continues to add new branded motifs to its design vocabulary. A new circular logo acts as the centrepiece to the Buffalo loafers—a chunky, rubber-soled piece as part of the Dior Men Summer 2024 collection. This variation further exemplifies how something as traditional as tweed, can be reimagined into a contemporary piece.

10. Marq Golfer - Carbon Edition, 46mm fused carbon fibre case with rubber strap, GARMIN

Need better assistance on the green? The MARQ Golfer smartwatch may just be better than a caddy. Designed specifically for golfing, it is preloaded with engineered features that include recommendations of the types of club to use depending on the weather, as well as how best to approach each shot. Do it, embrace AI.

Photography: Jaya Khidir
Styling: Asri Jasman

The idea of form versus function is often a conundrum that's faced by designers. Should the former supersede the latter or vice versa? Or is there a middle-ground where both tenets of design balance out each other such that there isn't much of a compromise to either? The considerations are heightened further when it comes to meeting the needs of travellers who now care more than just getting from one point to another.

For TUMI, that steely balance of form and function is best exemplified in its innovative 19 Degree Aluminum series. Launched by creative director Victor Sanz in 2016, the 19 Degree Aluminum series was a breakthrough for the performance luxury lifestyle and accessories brand as it manipulated aluminium in its own vision for the first time. Each piece is crafted with the now-signature sinewy lines enveloping the entirety of its contours—both as a bold, visual manifestation of the toughness of the material as well as an engineered element for added rigidity. It helps too that the look is as striking as it is durable.

As we said, good looks would only get a design so far, especially in the travel space. TUMI clearly knows this too. The 19 Degree Aluminum series is packed with nifty technical specs that make travelling with one—on pretty much any kind of journey—as beautiful as the intended destination. Rollers are fitted with dual-recessed, ball bearing wheels to ensure smooth, effortless glides, while the telescoping handle fits comfortably when gripped. These innovations (and more) add to the beauty of having a 19 Degree Aluminum piece as a companion—they're beautiful, and essentially so.

The 19 Degree Aluminum Backpack is another first for TUMI.

In the latest chapter of TUMI's "Essentially Beautiful" campaign, global ambassador and pro-footballer Son Heung-Min makes a return to introduce an expansion to the 19 Degree Aluminum family. Highlighting both the aesthetics as well as the inner-workings of the series that make it essentially beautiful, the campaign is arguably TUMI's boldest yet as Son traverses an abstract world inspired by the elements of the series. His main companion of choice? A 19 Degree Aluminum Backpack that once again, sees TUMI challenging the idea of form and function.

The backpack design is a first of its kind for TUMI, allowing the already iconic luggage design to be carried in a new way. But instead of simply slapping on leather straps to the existing design, the brand reconfigured the entire construction. The leather straps of the Backpack are connected to a leather back panel—marked with the same 19 Degree contours—that's fitted with a top handle and a sleeve meant to easily slip over extended luggage handles. The Backpack itself opens up from the top with a frame opening, while a front pocket reveals itself with the push of the leather monogram patch.

19 Degree Aluminium Luggage.
19 Degree Aluminium Carry-On and Luggage.
19 Degree Aluminium Backpack.

But that's far from what TUMI has to offer. The new line-up includes a Compact Carry-On that's essentially a scaled down version of the 19 Degree Aluminum, designed for travellers who prefer something smaller. It also comes with a removable file divider, making it quite an upgrade for those looking to transport documents. If not, there's the new Briefcase that's categorically sleek at every angle yet still sturdy and durable.

Form versus function? That's certainly hardly the case here.

The new TUMI 19 Degree Aluminum series is now available at the TUMI ION Orchard, Mandarin Gallery, and Marina Bay Sands stores. And check out the other signature TUMI lifestyle bag styles too while you're at it.

The Alpha Bravo Navigation Backpack.
The Harrison Gregory Sling.