While researching her role for a new film Past Lives, Greta Lee watched a South Korean reality show in which a celebrity is reunited with a childhood sweetheart. Being confronted by your first love is, unsurprisingly, a physical experience. “It’s initial shock, terror, a look of death, then ecstasy, joy and a desperate, deep sadness, all within a matter of seconds,” says the 40-year-old Korean-American actor on a video call from Los Angeles, where she lives with her husband, the writer Russ Armstrong, and their two sons.
It was a specific feeling she needed to tap into for the romantic drama from writer-director Celine Song, which is out now in cinemas and was released earlier this summer in the United States to considerable critical acclaim. The film charts the story of two friends from South Korea: Nora, played by Lee, and Hae Sung, played by Teo Yoo, who were separated when Nora’s family emigrated to Canada. A couple of decades (and relationships) later, the pair reconnect for an intense week in New York.
Before Nora and Hae Sung’s reunion was filmed, Song asked the actors not to interact. “Admittedly, at the time I felt like, ‘Oh, this is kind of hokey and manufactured,’ but I’m glad we went along with the experiment, because it really helped me hone in on the biology of longing and what it does to your body,” says Lee. Yoo and John Magaro, who plays Nora’s husband Arthur, actually met for the first time on screen; for months, Lee had acted as a “conduit” between the two, a distance that Song encouraged. “She’s supremely manipulative,” Lee jokes.
Taking on Nora, a nuanced romantic lead, “felt really, really radical at the time—and very nerve-racking”, says Lee. While she was starting out as an actor, doing theatre in New York, the roles available for Asian-Americans were scarce and, as Lee points out, she wasn’t cut out for stereotypes: “I was not very good at playing a lab technician or a doctor.” Later, however, she proved very cut out for scene-stealing turns in Girls, as the clueless and cut-throat gallerist Soojin, and more recently as Maxine in Netflix’s time-bending hit Russian Doll and Stella in The Morning Show, which is about to start its third season. In 2025, she is set to star alongside Jared Leto in the third instalment of Tron.
Central to Past Lives, says Lee, is the Korean concept of in-yun. Not precisely translatable, it refers to the time-spanning connections between people: if you meet in this life, you encountered each other in a past life. “Now that I’ve done the movie, I can’t not see in-yun everywhere,” Lee says, with the air of a recent convert to a niche religion. “You and I have in-yun now,” she says, pointing to me. “You can have in-yun with a chair,” she adds, pointing at her chair. Wherever you stand on the idea—as Nora says in the film, in-yun is “just something Korean people say to seduce someone”—it’s an effective way to raise the romantic stakes; both balm and delusion. “It’s really a coping mechanism, isn’t it?” says Lee, cheerily. “We’re all just trying to make sense of the injustice that we only get to live once.”
This interview took place before the SAG-AFTRA strike.
Originally published on Esquire UK
First seen on the Autumn/Winter 2016 menswear runway, the Hermès Bolide Shark makes a return seven years later. This time it’s been shrunk to the size of a bag charm with the shark’s teeth-baring smile appearing as playfully menacing as ever. It could probably fit a few coins and some keys if you need, but amusing design—coupled with Hermès craftsmanship—takes priority over functionality with this one.
Think of the Morning Machine as an automated professional coffee maker. It’s been thoughtfully designed to maximise the extraction and flavour in every brew—no matter the capsules used. The design is sleek with an interactive interface that allows one to customise settings ranging from brewing methods to temperature and amount of water used. Or simply select from a gamut of built-in recipes created by baristas from specialty roasteries the world over, to experience artisanal coffee right in the comfort of your own home.
There’s decadent and then there’s Celine perfumed soap level of decadence. Does anyone actually need soaps infused with Hedi Slimane’s curation of olfactory sensations for Celine? Maybe not, but if you’re already a fan of the scents, the soaps enhance the experience, packaged in a dodecagon shape topped with the Celine Triomphe motif. It’s a throwback to bar soaps and helps to promote a more sensorial routine, whether that’s for washing your hands or body.
We’re getting ready for hat season once again. It’s still somewhat cold down south and getting colder in some parts of the world—a good time to have some sartorial fun with hats. Zegna’s collaboration with Los Angeles-based The Elder Statesman revolves around the former’s traceable Oasi Cashmere material, which only means that everything’s made from carefully sourced cashmere of the highest quality. This bucket hat will keep you warm, no doubt, but will also add panache to any fit.
It’s all about being a first adopter with this one. The mini Shield Sling bag is one of Daniel Lee’s first designs for Burberry, named after the shield seen on the brand’s revived Equestrian Knight Design logo. It’s definitely on the small side but with almost everything now available in a digital wallet on your mobile device, no one needs to carry much around these days. The bell charm is a curious addition and thankfully, is not designed with a ball bearing inside to jingle with every movement.
If it hasn’t been said enough: sunblock is essential. Even if you’re not interested in skincare (it is 2023 though, gents), at least slap on some sunblock on your face. Grail’s Daily SPF has a formulation that feels more like a serum so the skin feels hydrated without experiencing any stickiness associated with most sunblocks. It’s also free from harmful chemicals, leaves no white cast residue and is water-resistant—perfect for everyday sunny conditions.
Gentle Monster may be better known for its futuristic designs but its more classic offerings take on a similar slant while remaining wearable in day-to- day settings. The OBOE 01 for example, features a slight cat-eye shape that differentiates it from other sunglasses of its ilk. It’s also set against a black acetate frame that is multifaceted for an elevated design language.
This seminal work of fiction by George Orwell is a perennial favourite. Not only does it deal with themes that remain relatable to this day—mind-blowing considering that it was originally published in 1949—1984 changed culture by popularising terms the likes of “Big Brother” and “Thought Police”. This anniversary edition features stunning cover artwork by Jon Gray that catches the eye on the shelf as well as on the commute.
The Maison Margiela Tabis are perhaps one of the most contentious pair of shoes out there—you either love them or hate them. This new-in-season lace-up version takes the crazy down a few notches. It’s a familiar derby silhouette—save for the split-toe design, of course—fitted with a chunky cleated sole that grounds the entire look together. Wear a pair with pretty much anything and we guarantee you would at least be given credit for the brave footwear choice.
Packing eight hours of battery life on a single full charge—and at full volume too—Kipsch’s Gig XL portable speaker is one mighty audio companion. It weighs slightly more than 4kg but is easily portable without getting in the way. And because it’s splash-proof, those pool parties are about to go harder than before. Oh and did we mention the speaker also lights up in multiple colour modes to dance to whatever tunes you have on the party playlist.
Photography: Jaya Khidir
Styling: Asri Jasman
Photography Assistant: Chuen Kah Jun
This article was created in partnership with the Oval Partnership.
The Kampong Spirit has long been a part of Singapore’s history. Used to describe a positive communal attitude and solidarity of people, there seems to be a common consensus that the Kampong Spirit has been slowly chipping away as Singapore elevates its status from what used to be a small fishing port during the colonial era to its current standing as one of Asia’s most developed countries. The term has long been a part of our past, stemming from the period before Dutch and Portuguese traders landed on our shores. Prior to Western influences, our little red dot was a sleepy fishing village that contributed to Malaysian seafaring and trading.
The story of our island’s humble beginnings with trading may be common knowledge, but less is known about the time before colonial influencers took rein. What was the way of life before the rapid growth of Singapore, and how can our past and present interact meaningfully? That’s precisely what the Oval Partnership and several university research groups from Singapore Management University (SMU) and Singapore Institute of Technology (SIT) sought to answer in the Lost Cities exhibition.
The Lost Cities exhibition is a purposeful stray away from your typical replication of Singapore’s pre-colonial kampong, but a unique display that showcases the pre-colonial urbanism in Asia from a past-meets-present perspective. Guided by exploratory trips to Pulau Ubin and Lorong Buangkok—the two earliest settlements on our island, and now the last two kampongs known to Singapore, the Oval Partnership and researchers took to the local culture and its inhabitants to document and collect first-hand experience of living the kampong life, a cultural gem unbeknownst to most Singaporeans.
Mr Chris Law, Founding Director of The Oval Partnership and visionary behind the exhibition shared, “this event recreates the experience of a bygone age, and enables attendees to explore how life was lived then,” he said. “Now we have a clearer sight of where we came from, and how we were shaped. It deepens our understanding of the giants whose shoulders we stand on, so we can build a better world for the generations that come after us.”
Debuting an experiential exhibition with three key zones, each guided by a reinterpretation of kampong living—The Lost Cities exhibition takes one through a fictional journey of a 14th century kampong through a contemporary lens of the three key themes of heritage, sustainability and community. The highly curated exhibition explores the world of a fictional kampong lead by the visionary female Chief Esah, as their thriving society lives in perfect harmony with nature and progressive cultural practices rooted in equality.
Members of the public can not only expect a refreshing perspective of our island’s past, but also an admirable display of sustainably sourced exhibit materials such as locally sourced wood from ethical wood-makers and non-profit environmental organisations. From interactive displays to creative experiences rooted in cultural kampong practices, exhibit-goers can expect an engaging and unforgettable journey through a reimagined city.
In addition to the research driven exhibits, the Oval Partnership has also tapped into the talents of three multidisciplinary artists—Gilles Massot, Marc Nair and Zen Teh, to contribute their take on Singapore’s kampong heritage.
An immersive experience through time, the Lost Cities exhibition will be taking place from 18 August – 1 October, 2023 in Fort Canning Centre for all members of the public to journey through Singapore’s earliest Kampong cities and dive into the past and present of Kampong heritage.
The Lost Cities Series: Kampong Port Cities of the Pre-colonial Era Exhibition
When: 18th August – 1st October, 2023 (Weekdays: 10am – 6pm, Weekends: 10am – 10pm)
Where: Fort Canning Centre, Singapore
