In the infinite scroll of social media, between the blur of selfies, sponsored posts and pictures of brunch, sometimes all it takes is a single image to catch the attention of fate. For Jaylerr, it was a photograph from a modest jean modelling gig at a mall in the serene city of Chiang Mai. It was hardly the stuff of a star-making moment—a makeshift runway, amateur photographs and the casual poses of a 16-year-old at the end of his walk. Yet, through some cosmic design, those images found their way to prominent Thai director Ma-Deaw’s screen.
Ma-Deaw, the visionary behind critically acclaimed works like The Love of Siam (2007), saw something in those mall photos that others might have scrolled past. Perhaps he spotted something in Jaylerr that exuded the same ineffable quality he captured in his masterpieces—raw, authentic, uninhibited. Perhaps it is as a much younger Jaylerr jokingly recalls in a 2013 interview, “My good looks caught the attention of the staff”. Whatever the reason, a team was dispatched, a mother was contacted, and suddenly Jaylerr found himself cast as Oat in the 2013 coming-of-age film Green Fictions.
What Jaylerr found himself holding at 17 was the entertainment industry’s most precious currency: opportunity. It’s what young actors dream of, what seasoned performers still chase. But in the unforgiving world of show business, opportunity alone doesn’t guarantee survival.
The industry is strewn in what-ifs and could-have-beens, lined with the photographs of child stars who blazed across screens only to disappear into oblivion. Success demands a rare alchemy—the perfect collision of opportunity and readiness, and Jaylerr had both. He used his initial success as a launchpad to propel himself across the spectrum of entertainment from film, television and web series. The trajectory of his career may have started with a stroke of luck, but everything that came after was determination.
Perhaps this is why QOW Entertainment, his latest talent agency venture with partner Thanaerng, feels less like a business and more like a mission. Perhaps it’s his way of completing the circle—creating opportunities for others and showing them how to seize their own destiny, just as he once did.
ESQUIRE SINGAPORE: What drives you to act? Is it the love of storytelling, personal expression, or something else entirely?
JAYLERR: It’s something else. In my view, acting has become a major part of my life. I started young, and at first, it was just an opportunity I wanted to seize. But over time, it became something I truly fell in love with and grew deeply passionate about.
ESQ: What do you think draws international audiences to Thai drama productions?
J: I think a lot is coming together, especially with the rise of Asian entertainment. Thai drama is growing fast, and I believe we have strong production quality and talent.
ESQ: Are there any international collaborations or crossovers you’d be interested in exploring?
J: I really want to collaborate with many artists. Over the last two or three years, I’ve explored a lot of works by Asian artists, and I think they’re amazing. There’s so much talent out there, like Yung Raja from Singapore, SB19 and James Reid from the Philippines, among others.
ESQ: Many international viewers watch your work with subtitles. Do you think anything gets lost in translation, especially when conveying emotions or humour?
J: In my opinion, something does get lost when we’re watching and reading subtitles at the same time. That’s why we often have to rewatch things to catch all the details.
ESQ: What is your favourite movie?
J: Forrest Gump.
As a kid who grew up on the outskirts of Chiang Mai, procuring and owning music was anything but easy. As with any adolescent that grew up with the internet in the 2000s, he resorted to downloading music illegally. However, after much wrestling with his musical conscience, he ended up doing the right thing. With only 1,000 baht to his name and a burning desire for music, Jaylerr made his first legitimate purchase on the Apple store—Kid Ink’s My Own Lane. It was here where he committed the proverbial “sin” of judging a book by its cover. What he thought was just a pretty album cover introduced him to hip-hop, a genre that would quietly shape his artistic DNA long before he knew that it would.
The beats and rhymes of My Own Lane planted seeds that would take years to bloom. Once Jaylerr found his footing as an actor, music was a direction he found himself exploring. He was invited to join the nine-member boy group Nine by Nine.
Though short-lived, it caused something to stir in Jaylerr's musical memory. Between everyday life and performances, he found himself closely observing his groupmates who rapped. What started out as a tentative question of “Can I try?” evolved into late-night writing sessions, countless hours of practice and hip-hop listening sessions. He would pour everything he absorbed into “Empty King”, a collaboration with his former groupmates Paris and Captain under the “Human Error” project. This would be the first song ever composed and written by him (Insert Q-Tip nodding in approval). This creative liberation led to Jaylerr x Paris, a duo where Jaylerr could fully indulge his hip-hop side. Now, as a solo artist at 28, he’s no longer the guilt-stricken boy who could barely afford one album. The restraints have fallen off, leaving an artist with both the freedom and artistic integrity to explore every corner of his musical identity.
ESQ: Between music and acting, which feels more personal to you? Do you find that one feels more like an extension of your true self?
J: Both feel really personal to me. Acting has become personal because I’ve been doing it for so long, while music is personal because it allows me to express my true self.
ESQ: What’s your favourite song?
J: “Limbo” by Keshi.
ESQ: Aside from being an artist, is there anything you’ve been interested in developing but never had the time to pursue?
J: I really want to develop my music production skills, and learn to play the piano. It’s on my list, but I haven’t had time to pursue it yet.
ESQ: What’s one hobby or passion outside of acting that keeps you grounded and helps you recharge creatively?
J: Night drives. I don’t know why, but most of my creative ideas come when I’m driving at night. Sometimes I have to stop the car to jot down ideas that pop into my head.
The blur of streetlights, the quiet of the night, the world rushing past windows. It makes sense that night drives get his creative juices flowing, it’s this sense of movement that seems to spark something deeper within him. After all, staying static and stagnant is hardly the environment where unique ideas are born. Perhaps this is why travelling to different countries seems to inspire Jaylerr as well. As he ventures into unfamiliar sights and different environments—whether he’s walking on the streets of a foreign city or simply observing the way people live, Jaylerr absorbs the nuances of each place.
ESQ: Where’s somewhere you have travelled that has impacted you deeply?
J: Kood Island in Trad, Thailand. It’s a very quiet and peaceful place.
ESQ: How do you balance your creative process when travelling, whether for work or leisure? Do you find it easier to focus on music or acting while you’re on the move or when you’re settled?
J: I don’t have any trouble being creative because the places I visit and the people I meet always inspire me. But when it comes to focusing on music or acting, it’s definitely easier when I’m settled.
ESQ: What are some of your must-have essentials when you’re travelling?
J: Earbuds, analogue headphones, my phone and perfume.
ESQ: How has visiting other countries changed your worldview?
J: Experiencing new cultures while visiting other countries always broadens my perspective.
ESQ: Do you ever get homesick?
J: All the time. I’m the kind of person who gets stuck in places and the past.
This cover story with Esquire Singapore feels emblematic of the journey Jaylerr has taken—not just across physical borders, but across the boundaries of artistry itself. In the end, maybe there’s no real difference between his travels and his artistic evolution. Both are about forward motion, about finding new territories to explore, about the courage to venture into the unknown with nothing but instinct as a guide. Travel broadens the soul but it is home that is ultimately the anchor.
Photography: Chee Wei
Creative Direction: Izwan Abdullah
Fashion Direction: Asri Jasman
Art Direction: Joan Tai
Styling: Kelly Hsu
Hair for Thanaerng: Panithan Summa
Makeup for Thanaerng: Yothin Chuaysri
Grooming for Jaylerr: Sukwasa Khadphad
Photography Assistants: Thanakit Meecharoen and Thanakorn Kantaponthanat
Producer: Ratchada Tubimphet
Lando Norris, the McLaren Formula 1 wunderkind has clinched first position at the recent Singapore Grand Prix. Even with his brief respite at the winner's podium, Norris' is off to another track to eye his next pole position. As someone on the go, Norris' partnership with TUMI exemplifies their shared values of precision, performance and innovation.
As TUMI is the perfect companion for the professional who isn't content to remain still, Norris is the embodiment of a lifestyle that demands efficiency while traveling globally. We spoke to Norris before his historic win about what he does in Singapore, what he brings whenever he travels and about his association with TUMI.
ESQUIRE SINGAPORE: What do you look forward to the most at the Singapore Grand Prix?
LANDO NORRIS: It's where I first started the lando.jpg account, so I try to go around and capture bits whenever I'm in Singapore.
ESQ: Given the Singaporean climate, how does it affect your performance?
LN: I’d say it doesn’t affect my performance but we do prepare for this race differently than we usually would for others by doing more heat training beforehand and ice baths straight after the session.
ESQ: How do you and your team adapt your routine during the race weekend to align with the night race schedule?
LN: We pretty much stay on European time for the whole weekend, meaning we have dinner when people are having breakfast and vice versa.
ESQ: Where do you usually head to whenever you’re in Singapore?
LN: I've started playing Padel over the last year or so and there's a court I went to last year so I'll try to go there again this year!
ESQ: What are some things that you’d always take with you when you travel?
LN: I’m a big gamer, so I usually bring my gaming laptop which is why I love the TUMI Navigation Backpack—it’s large enough to fit it along with my other stuff. I’m also always bringing an LN4 hoodie. I love wearing comfortable clothes when I travel.
ESQ: What does being a TUMI ambassador mean to you personally and professionally?
LN: This is my third year as a TUMI ambassador, and it’s been fun working with the team. TUMI and I both value the importance of innovation and functionality while still looking good. TUMI products—from the packing cases to backpacks to accessories like the shoe bag and packing cubes—have optimised my travel experience and allowed me to focus on being my best. Whether it’s preparing for a race weekend or being present with those around me.
ESQ: What aspects of TUMI's values and products resonate most with your personal and professional ethos?
LN: Both TUMI and I are always striving to succeed and evolve. I’m always looking to optimise my performance, and similarly, TUMI is always innovating and evolving its products.
ESQ: How do you incorporate TUMI products into your daily life and travels? Are there any specific items you find indispensable?
LN: Since I’m travelling so often, I always have some TUMI with me—usually my carry-on case or backpack. It’s hard to pick a favourite, but I find myself reaching for the 19 Degree Aluminium carry-on case the most often. It’s extremely stylish and also functional—really can’t go wrong.
ESQ: What excites you most about the new Turin collection? Which bag from the Turin collection do you personally prefer and what makes it stand out to you?
LN: I love that Turin is super sleek, the standout item for me has to be the Allora Tote with the silver “T” logo.
ESQ: What role does travel play outside of racing and how do TUMI products enhance that experience?
LN: Travel, beyond the realm of racing, offers an opportunity to connect with people and experience different cultures. TUMI ensures that these experiences are as seamless as possible by providing functional and durable products. Whether I need a compact sling for a day trip or a spacious packing case for a two-week journey, TUMI has everything I need for smooth travelling.
ESQ: Any memorable story or experience where TUMI products made a significant difference for you?
LN: I'd say it's being able to get all of my things back into my bags by the end of the weekend, it seems like no matter how badly I pack it all goes back in!
ESQ: Looking ahead, how do you see your role with TUMI evolve?
LN: Both TUMI and I share a deep commitment to performance and excellence in our respective fields. As our partnership evolves, I look forward to us pushing boundaries and driving innovation together.
Check out TUMI.
It's not often that we're afforded the opportunity to bear witness to the birth of a legend—they're considered "legendary" for a reason. Son Heung-Min is one, a legend whose football skills have earned him critical acclaim and a number of accolades, while at the same time, possessing the charm and charisma of a seasoned public personality. And let's not kid ourselves, Son also has the mug of a model.
We'd go as far as to say that the partnership between Son and TUMI has been a seamless fit based on those attributes alone. The global ambassador embodies TUMI's dedication to quality, innovation, and style that the latter prioritises in pretty much all of its creations across the different facets of its ever-growing universe.
Son's latest campaign with TUMI is perhaps the most personal yet. The entire campaign was shot at the Tottenham Hotspur Stadium, essentially the second home of the club captain. "I was personally excited for this campaign to be set in my home away from home," he says. "I always value that TUMI is there for me and has my back, whatever journey I’m on." The brand literally has had Son's back for quite a while now too. He's often spotted with an iteration of the Navigation backpack from the Alpha Bravo series that pairs stylishly with both his professional kit as well as his off-duty outfits.
It's no surprise then that the latest campaign highlights the Alpha Bravo as one of the essential companions to Son's fast-paced lifestyle. Looks aside, the Alpha Bravo series' ballistic nylon composition has been a staple signature of TUMI for over three decades. Its hard-wearing strength is a boon for just about anyone living in the fast lane and dispels any worry about their bag falling apart or belongings not being well protected. Couple that with nifty design elements that put function at the very forefront, the Alpha Bravo series is made to outlast and outperform.
Speaking of innovations, the Tegra-Lite® luggage series takes centrestage as Son's travel companion. The series is available in a number of configurations and dimensions (a select few seen in the campaign) and all feature the durable and lightweight Tegris® material commonly used in lifesaving armour, race cars, and professional athletic gear. The shell of every Tegra-Lite® luggage is a composite of many layers that further strengthens the exterior, so you're assured that it'll hold steady against any and every bump along the journey.
Both the Alpha Bravo and Tegra-Lite® excel at being the embodiment of TUMI's key design pillars. The brand takes it a step further this time around—these pieces are not only thoughtfully designed to accompany your journeys, but also to be part of every moment. It ties back to Son; the signature pose that the pro footballer is known for—connecting his index fingers and thumbs together to resemble a camera, and often paired with a smile—after every goal as a means of capturing those moments and holding on to them. TUMI intends on the Alpha Bravo and Tegra-Lite® series to do the same albeit in more tangible ways.
As much as it's uncommon to be living in the same era as a known legend, TUMI's commitment to continuously innovating its function-first approach to design while marrying that with style, is too a rarity in the arena it's in. And if you're in the habit of making memories of just about every moment, the Alpha Bravo and Tegra-Lite® series by TUMI may just be the essential companions to those journeys.
The latest Alpha Bravo and Tegra-Lite® collections are now available at TUMI stores.
ESQUIRE: We’re told the spring 2024 collection is inspired by Singapore. Can you tell us more about that and why Singapore in particular?
VICTOR SANZ: Every season, the design team and I sit down and we look for a destination to become our muse. We’re always looking at things that have a cultural relevance—we saw that Singapore was one of the first places to open their doors to the world again. We started focusing into Singapore and realised that everything that’s happening here is in line with what we’re doing as a brand. The idea of balancing heritage with modernity; embracing technology but not abandoning where your roots are; of balancing this world of architecture and progression, but also supporting the environment and nature.
We then started to really dive deep from a cultural standpoint: How are the people living here? What are they doing? How are they doing this? We were inspired by places like Sentosa where we kept seeing these beautiful images of the sunsets. Then the shutters in the market streets with these bright colours of contrast, and they felt very spring to us. We also looked at buildings like the Art Science Museum where it’s a very modern building, but feels very natural and very organic at the same time. So from there, we started building our colour palette and the collections like Asra, where you can see this idea of a soft structure, which continues on to even within the Alpha Bravo series.
ESQ: What are some of the newer innovations you have devised for the collection that you’re proud of?
VS: We continue to bring new innovations every season. There’s a continuous partnership with McLaren and we were able to introduce a new chapter with the Extreme collection where we did these welded waterproof bags. Obviously, Asra, our women’s collection, and of course the 19 Degree series, which was born as a travel collection, but we were figuring out how do we continue to expand this 19 Degree design language into day-to-day uses? This 19 Degree Aluminum minaudière that I carry has a really simple detail. I can just rotate this element and I can put a shoulder strap on there. It becomes now that same archetype of 19 Degree but in a crossbody. And we’ve done a backpack as well. You’re going to continue to see these types of products evolve. We’re kind of pushing in all these directions and always looking at things from the lens of technology and luxury, and always ensuring that we’re bringing something new to our core customer but also bringing in that new customer as well.
ESQ: TUMI is also known for its Alpha Bravo series but there seems to be a more conscious decision to move away from just luggage and into a more lifestyle space, with a golf collection as well as Asra. Is this something that we can expect more from the brand?
VS: Absolutely. I mean, I would say we’re not moving away from the travel side. What we’re doing is we’re continuing to enhance our portfolio. Our biggest muse is the customer. We look at the lifestyle that they’re living. How are they evolving? What does their day-to-day look like? What does it look like when they’re at work? What does work look like for them? What happens post-work? And the more we begin to evolve the world we’re in, we’re bringing products that are enhancing their lives. That’s why you’re seeing things like the golf collection. We see our customers being increasingly engaged in golf and how it’s a new way for them to connect with their friends and peers. It’s a great opportunity for us to bring the very best of what we do at TUMI to a type of collection like that. Additionally, we’re doing fragrances now—we have seven fragrances in the line—eyewear, the crossbodies, women’s products, engaging in the world of sport… It’s really about evolving the brand for our customers.
ESQ: You talk about the customers’ lifestyles when designing for these lifestyle-specific items. Is the design approach slightly different from the travel series, or is it the same?
VS: When we started looking at products that may be more geared towards lifestyle—or what we call the more fashion-forward type products—one aspect where we’ve evolved as a brand, I think at times, is that aesthetics weren’t viewed as a feature. We’ve changed that thinking where aesthetics are a feature. If you feel good or confident about what you’re wearing, you perform better. With a collection like Asra, the thought process was how do we create something that’s very easy and that doesn’t look like it’s burdened with all this extra functionality, but the functionality is there? Similar to even this 19 Degree minaudière. It’s a very simple crossbody, but on the inside, it has a removable leather pouch that magnetises to the back so that when I need to pay for something, I open up the minaudière and I have my money and cards ready to go. Maybe in the past, we’ve had the mentality of always leading with function. Now, the beauty is part of the function.
ESQ: I’m curious to know, because when you talk about the minaudière and having that extra element inside, how many prototypes do you go through before you’re done with editing?
VS: It can depend. I wish I could say we do it once and it’s great. But it can be anywhere from three to upwards of 10, depending on how complex the functionality is. For example with the 19 Degree Aluminum backpack, we spent a lot of time making sure that when you push in the leather monogram patch that the front pocket would pop out. We also spent a lot of iterations where we’re opening up the backpack so that it stays perfectly balanced when opened. Typically, we like to do about at least three prototypes because the other part is test-wearing. And we test-wear everything. A lot of times when I’m travelling, I’m travelling with prototypes because if something’s going to fail, I’d rather it fail while I’m using it so I can fix it.
ESQ: I remember from our previous interaction in Hong Kong in 2019, where you explained how the handle of a TUMI luggage is shaped like a strawberry for better ergonomics.
VS: You remember? This one! (points to the telescopic handle of a luggage nearby)
ESQ: Yeah. It’s one of the things that, if it weren’t pointed out to me, I wouldn’t have necessarily realised it. Have you come across customers who have pointed out nuances like that in your designs?
VS: It’s a really interesting thing. People don’t notice good design because it just works. That’s the goal. It sounds a bit ironic, right? You spend so much time, energy and thought into it, and when a customer uses it, it just becomes kind of back-of-mind. But when something is poorly designed, that’s when you really, really take notice. That’s why we spend so much time really analysing the details—testing, feeling and going through these motions where they just need to feel and work so right that you don’t even notice them. From a design and creative perspective, it makes me quite happy when people say that something feels or works right. But, hey, very good memory. I’m very impressed.
ESQ: It’s definitely a takeaway that has stuck. Now, on to collaborations. The way TUMI approaches collaborations is perhaps quite different from its contemporaries. With TUMI, there seems to be a preference to collaborate with more lifestyle-driven partners and artists as opposed to say, a fashion brand or streetwear. Why is that?
VS: TUMI has always been looking at a wide breadth of people to collaborate with. We’ve collaborated with fashion houses like Missoni, athletes, jewellery designers, artists etc.. For us, it’s always been about people that are very true to who we are as a brand. But also we’re looking beyond into that future customer, right? I’m going to collaborate with people that are multifaceted, that people can relate to and understand. There’s a future-forward thinking for the brand as well. So this is why we’re always kind of looking at it through our own lens. There was a time when everyone was collaborating and you didn’t know what the hell was happening—every week was another collaboration and everyone just got very caught up in this hype. For us, we’ve always held true to what we feel is authentic to us. How do we connect with them? And then how do we support them on their mission? It’s never really been about wanting to collaborate for hype sake.
ESQ: And now we have brand ambassadors being announced every week. You mentioned how the customer is the driving force behind designing at TUMI. But when it comes to brand ambassadors, do they also influence you as well? Or are they more of like a manifestation of the TUMI customer?
VS: When we started getting into brand ambassadors, we were looking for people who embody the truth of the brand. When we started with Lando Norris, not only is he a fantastic F1 driver, but he’s also this hungry, young athlete who’s starting his own businesses and establishing himself. The same thing with Son Heung-min—an amazing, established Asian athlete within a European team, which is also quite international and it poses its own challenges. It was this amazing storyline that connects with us. As we were starting our journey within this new women’s category with Asra, we thought about having an ambassador who embodies not only who we are about but also this new customer. Mun Kayoung is an amazing person to begin with and she’s so humble. We’re saying that we want that type of aesthetic and that type of strength to come through to our products.
It’s always a challenge to find that perfect connection, but so far, we’ve been quite lucky to have people that love the brand. When we start having conversations with them, it’s very, very authentic. They travel with the brand and that always makes it very, very easy to kind of make everything happen.
ESQ: It seems very organic.
VS: Absolutely. You’d be surprised how many times we sit down, and they’re like, “Oh yeah. I’ve been travelling with TUMI for 12 years, 10 years...”
ESQ: This is a bit of a throwback to 2019. When asked what were some of the best things about being a creative director at TUMI, you said, “It’s amazing to dream an idea and have it come to fruition.” Has anything changed since then?
VS: Yes. It’s still amazing to be able to dream something and bring it to fruition, but I think what’s changed is that the dreams now are becoming ever more vivid. It almost feels like there’s an endless sense of possibility. In 2019, I would never have imagined I’d be sitting here showing you this 19 Degree Aluminum minaudière and backpack. To be able to see the brand and customer base continue to grow but also being able to still push the brand in different directions, that’s been fantastic.
ESQ: You’ve been at TUMI now for more than 20 years, which is insane to think about.
VS: You’re telling me!
ESQ: I just want to know, what keeps you inspired?
VS: Every day I walk in, I have an amazing team. We have people on that team who I’ve worked with for the past 20 years as well as people into their first year, and every day, we are constantly pushing ourselves. I was up at 1:30am this morning on a call with the team in New York working on a project for the future. We’re talking about the smallest of details, but with the intensity of it being the next biggest collection. And that’s what really kind of continues to feed this creative energy. We want to make a difference with the elements that we put in. And I get to work on just some of the most interesting products. I’m very humbled and blessed to have had 20 years. I mean, just like that, it’s been 20 years. And you and I have been on a journey now for exactly five years. Who would have thought?
This interview has been edited for length and clarity.
The idea of form versus function is often a conundrum that's faced by designers. Should the former supersede the latter or vice versa? Or is there a middle-ground where both tenets of design balance out each other such that there isn't much of a compromise to either? The considerations are heightened further when it comes to meeting the needs of travellers who now care more than just getting from one point to another.
For TUMI, that steely balance of form and function is best exemplified in its innovative 19 Degree Aluminum series. Launched by creative director Victor Sanz in 2016, the 19 Degree Aluminum series was a breakthrough for the performance luxury lifestyle and accessories brand as it manipulated aluminium in its own vision for the first time. Each piece is crafted with the now-signature sinewy lines enveloping the entirety of its contours—both as a bold, visual manifestation of the toughness of the material as well as an engineered element for added rigidity. It helps too that the look is as striking as it is durable.
As we said, good looks would only get a design so far, especially in the travel space. TUMI clearly knows this too. The 19 Degree Aluminum series is packed with nifty technical specs that make travelling with one—on pretty much any kind of journey—as beautiful as the intended destination. Rollers are fitted with dual-recessed, ball bearing wheels to ensure smooth, effortless glides, while the telescoping handle fits comfortably when gripped. These innovations (and more) add to the beauty of having a 19 Degree Aluminum piece as a companion—they're beautiful, and essentially so.
In the latest chapter of TUMI's "Essentially Beautiful" campaign, global ambassador and pro-footballer Son Heung-Min makes a return to introduce an expansion to the 19 Degree Aluminum family. Highlighting both the aesthetics as well as the inner-workings of the series that make it essentially beautiful, the campaign is arguably TUMI's boldest yet as Son traverses an abstract world inspired by the elements of the series. His main companion of choice? A 19 Degree Aluminum Backpack that once again, sees TUMI challenging the idea of form and function.
The backpack design is a first of its kind for TUMI, allowing the already iconic luggage design to be carried in a new way. But instead of simply slapping on leather straps to the existing design, the brand reconfigured the entire construction. The leather straps of the Backpack are connected to a leather back panel—marked with the same 19 Degree contours—that's fitted with a top handle and a sleeve meant to easily slip over extended luggage handles. The Backpack itself opens up from the top with a frame opening, while a front pocket reveals itself with the push of the leather monogram patch.
But that's far from what TUMI has to offer. The new line-up includes a Compact Carry-On that's essentially a scaled down version of the 19 Degree Aluminum, designed for travellers who prefer something smaller. It also comes with a removable file divider, making it quite an upgrade for those looking to transport documents. If not, there's the new Briefcase that's categorically sleek at every angle yet still sturdy and durable.
Form versus function? That's certainly hardly the case here.
The new TUMI 19 Degree Aluminum series is now available at the TUMI ION Orchard, Mandarin Gallery, and Marina Bay Sands stores. And check out the other signature TUMI lifestyle bag styles too while you're at it.
Aesthetics matter—there's no doubt about that. We're all attracted to things that we find to be beautiful. And though that typically differs person to person, some things are pretty universal.
Like good design, for example. Tumi's 19 Degree collection exemplifies this with its distinct contours sculpted precisely at a 19-degree angle (hence the name). It's the kind of design aesthetic that's stunning on its own and unless it's an (highly) unlikely situation where the entire baggage carousel consists of variations of 19 Degree luggage, it grabs attention immediately.
But of course, aesthetics are not everything, especially when it relates to design.
"At Tumi we find beauty in elements that aren’t typically thought of as beautiful, from the smooth glide of the wheels to the resilience of 19 Degree's aluminium," says Tumi creative director Victor Sanz.
The design engineering behind the 19 Degree collection is highlighted in Tumi's latest campaign, 'Essentially Beautiful'. Fronted by Tottenham Hotspur forward Son Heung-Min and Formula 1 driver Lando Norris, the campaign showcases the effortlessness of the collection in motion. Beyond that—and something not distinguishable by look alone—the campaign stills display the full collection's signature exterior that are consciously made from post-industrial recycled polycarbonate, with lining derived from post-consumer recycled plastic bottles.
The latest Tumi 19 Degree collection also features a slew of seasonal colours. Red, hunter green, blush and deep plum offer more bold options, in addition to two new textured colourways.
So yes, aesthetics matter. But couple that with good design engineering and you'll probably end up with a luggage series that makes life a tad easier and aesthetically pleasing.
