There was absolutely no stopping the fans in Seoul, South Korea last month from capturing a glimpse of their Korean idols at RIMOWA's official debut of its new seasonal colours—Mint and Papaya. It may have been raining in the morning of the event, but fans were already forming behind a barricade; a number of astute individuals had even placed placards with their information the evening before as a way of securing a spot.
RIMOWA's list of invited celebrity guests had everything to do with the congregation of fans. It was a diverse range with third-generation K-pop idols Baekhyun and Xiumin of EXO, Rowoon (formerly of SF9), and Seventeen's S.Coups and Wonwoo, fourth-generation group Treasure's Haruto and Junkyu, Thai actor Mile Phakphum, Lewis Hamilton, and Rosé. It was also the first time that RIMOWA global ambassadors Hamilton and Rosé were brought together for the same event.
The organised chaos outside and inside—as journalists and editors scrambled for content and soundbites—the venue was a reflection of the spirited Mint and Papaya colours. Fresh and inviting, the colours were inspired by the vibrant charm of tropical destinations. Mint, a pastel shade of green, draws inspiration from the hues of buildings typical in tropical cities (a RIMOWA staff also painted a scenography of eating mint ice cream while strolling along the beach). Papaya, on the other hand, is a shade of orange reminiscent of the fruit that it's named after as well as the hue of a beachside sunset.
The duo of colours are predominantly available in RIMOWA's Essential series albeit in different combinations. Mint is available in Cabin, Check-In L and Trunk Plus sizes, while Papaya colours the Cabin, Check-In M and Trunk Plus sizes. Save for the wheels and telescopic handle on each suitcase, both colours appear on every facet for a seamless appearance. A trio of packing cubes are also offered in both colours, as well as a sticker set and luggage charms.
For those who prefer hints of the latest colours, Mint and Papaya are now part of the customisable RIMOWA UNIQUE experience. Wheels, handles, and tags in Mint and Papaya can be fitted onto RIMOWA's Classic suitcases in whatever permutation one sees fit.
But with RIMOWA increasingly becoming more than just a luxury travel accessory brand, Mint brings fresh interpretations of its more lifestyle offerings. The emblematic RIMOWA Personal crossbody bag is updated with a White Gloss polycarbonate body trimmed with Mint-coloured webbing strap as well as a Mint leather interior. The Signature range—newly introduced in November last year—adopts Mint as a Flap Backpack in a large size, and its roomy Duffle bag, with both designed to easily integrate with any RIMOWA suitcase.
So the question now is: Mint or Papaya? It's not an easy pick. Whichever you end up choosing, RIMOWA's lifetime warranty on all its suitcases (only for those purchased after 25 July 2022) guarantees that there's hardly a wrong choice.
The new RIMOWA seasonal colours Mint and Papaya are now available in boutiques.
Travel is no longer about getting to a destination. It's become an extension of one's personality and lifestyle. For some, it's a hobby; some find it to be an essential part of living—travelling and experiencing different cultures and ways of life only make us more in touch with being human. And with all things personal, there's an increasing inclination to want accompaniments that fit in with that lifestyle.
Let's face it: we all want things that are aesthetically pleasing and work well at the same time. We invest on quality that lasts for as long as possible with the added boon of aesthetics.
The BOSS | Samsonite capsule collection is the latest entry in this no-compromise balance of style and function. Combining the sophisticated style leanings that German fashion brand BOSS is known for with the already trusted combination of form and function by Samsonite, the collection is a sleek offering of luggage meant to make one look, well, boss throughout every journey.
The base of BOSS | Samsonite is the latter's premium aluminium hardcase luggage. Rendered in an all-black exterior, it is then dressed with a subtle, tone-on-tone BOSS monogram that beautifully complements the architectural ridges of each luggage's body. An anodised finish ensures that the look stays locked in for as long as possible, especially through the many different immigration points that a piece will be subjected to throughout its lifespan.
Each piece is made to be tough on the outside, but on the inside, there's a softness brought about by a luxurious quality and feel. A soft-textured lining envelopes the interior of each BOSS | Samsonite piece, done in the former's signature camel colour. The interior is spacious with the addition of zipped compartments (removable if one has no need for them) helping to make organisation a breeze. Adjustable webbing straps help to hold everything in place with the added touch of co-branded leather handles to tie in the sophistication of every element together.
There are four sizes to choose from, each designed for different lengths as well as intensity of travel. The smallest is the cabin-sized Spinner 55 that measures 40 x 55 x 23 cm, two check-in sizes, and the Trunk that's a taller, more oblong-shape and boasts a roomy dimension of 41 x 80 x 37 cm. But whichever one ends up with, there's no denying that they all are extensions of a sophisticated, well-travelled individual.
The BOSS | Samsonite luggage capsule collection is now available in selected Samsonite stores as well as online.
Sustainability is the name of the game at Samsonite’s new Suntec City outlet. We are in an unprecedented moment where more action is needed to combat the urgent climate crisis. Consumers are looking for more eco-friendly alternatives to their products. For Samsonite, its key products—luggages—aren't the only area for the brand's commit to sustainability. Samsonite decided to tackle the project of making its latest outlet as an example of its promise to sustainability.
At Samsonite’s new store, Balau wood sculptures frame the space. It goes beyond infusing the store with a touch of elegance though as it also tells the story of rebirth. Each piece spent at least 30 years in shipyards at Tuas. Then it's recrafted and given a second life, further adding to the store’s timeless charm.
Similarly, the store’s external facade was fabricated from recycled aluminium. Plastic waste are cleaned, shredded into flakes, and then reformed into a new cashier counter. The shelves are made from recycled plastics that were intentionally crafted to look identical to glass and laminate sheets.
“We are not just creating luggage, we aim to shape the industry to be more sustainable, one journey at a time,” Satish Peerubandi, Vice-President of Samsonite SEA, declared. This new outlet is a testament to the brand's commitment to lead the sustainable transformation of the lifestyle bag and travel luggage industry.
Besides increasing the use of sustainable materials in its products and packaging, Samsonite is also moving towards a future where this practise will be the norm. Their Magnum EcoTM line is crafted with recycled yoghurt cups for its shells. And the interior lining is made from repurposed PET bottles.
Additionally, until 28 April, Samsonite opens its annual Luggage Trade-in campaign. All brands, sizes, and conditions of luggage are welcome, with materials of pre-loved luggage being recycled and repurposed into eco travel memorabilia. Trade-ins at any Samsonite store will nab you 30 per cent off on Samsonite’s Myton and Magnum EcoTM collections. Samsonite will also donate SGD10 to the WWF-Singapore Earth Hour campaign for every trade-in. In further commitment to the cause, all non-essential lights in all Samsonite stores will be turned off on 23 March 2024, Saturday, from 8.30pm to 9.30pm to coincide with the Earth Hour Switch Off.
When people say they don’t like camping, it’s usually because they’re attached to the comforts of city living. But what if you didn’t have to stray far from conveniences like running water, restaurants and bathrooms?
What if you could camp right in the middle of your city?
That’s the idea behind “urban camping.” Eager fans waiting for concerts or a store’s opening may have pioneered the practice, but it’s grown beyond securing your spot at the front of a queue. So, why not camp in the city for the joy of the experience itself?
As strange as it may seem, urban camping is having a moment, and it’s hard to ignore.
Urban camping is exactly what the name suggests— camping out in an urban area. More than half of the world’s population lives in cities, and remote wilderness areas can be hard to get to. Urban camping brings the thrill of sleeping outdoors to the concrete jungle instead of making you hike for hours to get to your spot.
“Camping in a city” is rather vague. That broad umbrella definition can mean several different things, and that’s part of the appeal of urban camping. The practice has a lot of variety—arguably even more so than conventional camping.
For some, urban camping is less about pitching a tent on a sidewalk and more about being near a metropolitan area. That could mean finding a nearby campsite or rolling out your sleeping bag in a park. This way, you get near or even within city limits but still have some more traditional hallmarks of the camping experience.
More hardcore urban campers ditch the grass for asphalt. They may sleep on the roofs of their apartment buildings, find abandoned buildings to camp in, or even opt for sidewalks or parking lots.
Of course, not every city dweller—including some public officials—takes kindly to urban camping. This conflict has led to an extreme subcategory called “stealth camping,” where the idea is to camp where no one will notice you. That could mean sleeping in a car or setting up a hammock in an area with minimal foot traffic.
Whether or not you need to stealth camp, why would you pitch your tent in the city? For some, it’s a matter of convenience. Urban camping lets you enjoy sleeping under the stars without trekking far outside of civilisation. If you forget to pack something or would like to eat out, you can easily run out to a store or restaurant.
Urban camping can also be a thrifty way to travel. Even New York City has camping spots within 50 kilometres of the city, offering a far more affordable alternative to a hotel or Airbnb. Why not save money on lodging to give yourself more to spend on food, drink and entertainment?
Urban camping can be a nice middle ground if you’re a fan of the outdoors but your friends and family don’t share your enthusiasm. Everyone can enjoy the tent experience without worrying about bugs or potentially dangerous wildlife. The proximity to proper toilets, hot showers and good coffee is also hard to overlook, even for the most outdoorsy adventurers.
If nothing else, there’s an undeniable thrill to urban camping. What you lose in connection with nature, you gain in the excitement of the concrete jungle. Willingly pitching a tent on asphalt is so unorthodox that it’ll undeniably draw eyes and attention.
How many others can claim they’ve done the same? If you’re looking for a unique experience or cool story to tell, this is a relatively easy way to get one.
Urban camping also scratches a certain rebellious itch some may have. Even if it’s perfectly legal—which it isn’t always, but more on that later—it’s unusual enough to make a statement. You could see it as a stance against urban sprawl or the monotony of city living.
As unique and exciting as the urban camping experience can be, it carries unique dangers, too. Most prominently, it’s not always legal. Singapore has five authorised camping sites across three parks, and many cities around the globe restrict where you can sleep or pitch tents. If you don’t read up on these regulations before camping, a hefty fine might ruin your weekend.
If you’re not careful, urban camping may also be unsafe. Sure, there aren’t any lions, tigers or bears to worry about, but, oh my, humans can be just as if not more dangerous.
Camping out in the wrong part of town with little more than a tent to protect you is ill-advised if you value your safety. That’s especially true if you’re travelling and don’t know the area well.
Even if you’re not in a riskier part of the city, know that people probably won’t leave you alone. Urban camping is a strange sight, so if your spot sees enough foot traffic, you’ll get a few passers-by staring at you, taking pictures or talking to you about it. For some, that attention is part of the draw of urban camping. For others, it may feel like an invasion of privacy.
Camping purists may also find city landscapes too distracting for an ideal camping experience. Even if you’re in a park, you’ll likely hear more cars going by than you would in a more remote campsite. Cities’ light pollution also makes it harder to see stars, so if you’re looking to reconvene with nature, you’re better off in the woods.
If you don’t mind the noise and attention, urban camping is an experience like no other. Like ordinary camping, though, it requires some preparation to make the most of this adventure.
The most important step is to read up on your destination before planning to camp in the city. Make sure it’s legal before you try it. In most places, you’ll find that some forms of urban camping are totally permissible, but others will get you into trouble.
You’re more likely to be ok in a park or rooftop than you are out on the streets but read local regulations carefully to know for sure.
You may need to get a camping permit, too. You can get one online for one of Singapore’s five legal camping grounds, and many other areas have online portals, too. A parking permit may also be a good idea, depending on your specific urban camping approach.
Next, be sure to camp in a safe area. If you’re unfamiliar with the city, ask locals which places to avoid. Choosing a place with plenty of light and going with a group will make it safer.
One of the best parts about urban camping is that packing is less of an issue. If you realise you need something you forgot, you can run out to a nearby shop to get it. Even so, ensure you have a few essentials—namely, a sleeping bag, lights, a portable charger and appropriate clothing.
You probably can’t build a fire on the sidewalk, so don’t worry about firewood, but you may be able to simulate the experience with a portable gas stove. Just review local regulations before the police take away your means of making s’mores.
Urban camping may not offer all the same things as going into the wilderness, but that’s the point. It’s a unique experience you won’t get with conventional camping or staying at a hotel in the city.
If you’re looking for a way to switch things up, give this weird, unconventional kind of camping a shot. You may just find it’s for you.
The idea of form versus function is often a conundrum that's faced by designers. Should the former supersede the latter or vice versa? Or is there a middle-ground where both tenets of design balance out each other such that there isn't much of a compromise to either? The considerations are heightened further when it comes to meeting the needs of travellers who now care more than just getting from one point to another.
For TUMI, that steely balance of form and function is best exemplified in its innovative 19 Degree Aluminum series. Launched by creative director Victor Sanz in 2016, the 19 Degree Aluminum series was a breakthrough for the performance luxury lifestyle and accessories brand as it manipulated aluminium in its own vision for the first time. Each piece is crafted with the now-signature sinewy lines enveloping the entirety of its contours—both as a bold, visual manifestation of the toughness of the material as well as an engineered element for added rigidity. It helps too that the look is as striking as it is durable.
As we said, good looks would only get a design so far, especially in the travel space. TUMI clearly knows this too. The 19 Degree Aluminum series is packed with nifty technical specs that make travelling with one—on pretty much any kind of journey—as beautiful as the intended destination. Rollers are fitted with dual-recessed, ball bearing wheels to ensure smooth, effortless glides, while the telescoping handle fits comfortably when gripped. These innovations (and more) add to the beauty of having a 19 Degree Aluminum piece as a companion—they're beautiful, and essentially so.
In the latest chapter of TUMI's "Essentially Beautiful" campaign, global ambassador and pro-footballer Son Heung-Min makes a return to introduce an expansion to the 19 Degree Aluminum family. Highlighting both the aesthetics as well as the inner-workings of the series that make it essentially beautiful, the campaign is arguably TUMI's boldest yet as Son traverses an abstract world inspired by the elements of the series. His main companion of choice? A 19 Degree Aluminum Backpack that once again, sees TUMI challenging the idea of form and function.
The backpack design is a first of its kind for TUMI, allowing the already iconic luggage design to be carried in a new way. But instead of simply slapping on leather straps to the existing design, the brand reconfigured the entire construction. The leather straps of the Backpack are connected to a leather back panel—marked with the same 19 Degree contours—that's fitted with a top handle and a sleeve meant to easily slip over extended luggage handles. The Backpack itself opens up from the top with a frame opening, while a front pocket reveals itself with the push of the leather monogram patch.
But that's far from what TUMI has to offer. The new line-up includes a Compact Carry-On that's essentially a scaled down version of the 19 Degree Aluminum, designed for travellers who prefer something smaller. It also comes with a removable file divider, making it quite an upgrade for those looking to transport documents. If not, there's the new Briefcase that's categorically sleek at every angle yet still sturdy and durable.
Form versus function? That's certainly hardly the case here.
The new TUMI 19 Degree Aluminum series is now available at the TUMI ION Orchard, Mandarin Gallery, and Marina Bay Sands stores. And check out the other signature TUMI lifestyle bag styles too while you're at it.
The novelty of being a big city lad, strolling into a sexy London glass office with a latte in hand (as they do in the movies) doesn’t last long. By the time I was 30, on paper, I’d made it. I was working at a top television network, with a comfortable salary and business trips to Manhattan. I had a bachelor pad, bought nice clothes, and partied weekends. It was exactly what I pictured growing up, but I wasn’t happy.
The traditional outlook on life has always been to work hard, get married, buy a house, and at least for millennials, allocation of ‘fun’ is slotted in at the end, for retirement. That’s assuming we’re lucky enough to make it to our 60s. Spending the next 30+ years of my life in an office cubicle and mind-numbing marketing meetings was, to me, pure torture. I decided enough was enough.
In 2016 I sold my things and moved to Tokyo on an English teaching visa, interning part-time as an entertainment reporter for a local paper. It was a chance to go to free gigs, make new friends, and get out there. Months later, came the big break. A friend moved to Singapore as editor of an airline magazine, and they needed a travel writer in Japan. I was now getting paid to write and explore.
The lack of English-speaking reporters in the region, at least compared to back home, meant I was able to secure a steady flow of work covering Japan. Eventually, I ditched the English teaching job to write full-time, forfeiting the visa. That was fine as I could work anywhere with a good Wi-Fi connection.
Being used to a routine, things were tough in the beginning. You never know when the next job is coming, and finding a new place to set up shop can be stressful. Things have got easier, especially post-pandemic now that digital nomads have surged (131 per cent since 2019, according to Forbes). I’ve spent extended time in Da Nang, Bali and Kuala Lumpur, meccas for remote workers, thanks to special digital nomad visas, flexible co-working spaces and value long-stay rentals and travel.
Every day isn’t coconut cocktails on the beach. I still go to an office. I make my own hours and choose when and where I want to work. I’m based between the US and the UK. I rented desks or WFH, but you’ll find me and my laptop all over the place. Mostly in coffee shops and hotel rooms. I also try to make the most of transit time that can sometimes be a challenge. For example, on the Caledonian Sleeper train to Inverness, though the purpose was to sleep, I stayed up all night to meet a last-minute deadline. A couple of weeks later I sailed the Indian Ganges on a boutique rivercruise called Uniworld. It was pretty remote, and l got frustrated with Internet speeds. Maybe it was a sign to switch off and enjoy the ride.
Though the money I earn now is far less than before, so are my outgoings. I used to live rather excessively. But now I don’t need the latest gadgets, a car, or a swanky downtown apartment. Why? Because I get plenty of enrichment on the job. One week I can be surrounded by rescued elephants in Chiang Mai. And the next I’ll be surrounded by celebrity chefs at The Dorchester in Mayfair. In a single year, I can check off more bucket list activities than one could in a lifetime. I’ve had to make a whole new list, actually. Things I've done: hot air ballooning, snowmobiling, and safari; interviewed Sir Richard Branson and Michelle Yeoh. I’ve even written two best-selling guidebooks.
Before leaving the rat race, my stories weren’t particularly noteworthy. Unless you’re into drunken anecdotes, but everything that’s happened in recent years would make a real page-turner of a biography. I skim my travel journals in disbelief. Best of all, I’ve been able to share many special moments with the people I care about. Working remotely means more time with loved ones and less time with Karen from advertising. It’s ironic because we all know time is finite. And yet,most people prioritise making money in the hopes of using it later to live their best lives. Think about all the things that make you happy. Travel, music, cooking, sports, spouse, kids…How much time are you dedicating to them? Are you justifying a lack of time now for more later? I’m always conscious that later often becomes never, and remember, never is the saddest thing anyone could work toward.
James Wong can be reached here.
The flight between Singapore and Bali is close to three hours long and, already, I’m imagining scenarios of what happens if the plane starts to malfunction. Oxygen masks will drop like hanged men; the steel cabin that we are in may close in, turning into a collective metal coffin. One doesn’t usually start a travel piece with downed plane imagery but when you are travelling with a child who has never flown before, the mind tends to wander into dark territories.
That’s not to say that we didn’t plan ahead. We drafted out a checklist of possible outcomes that our child might end up in during the flight, and preventables: restlessness (a colouring book); blocked ears (a lollipop or sweet to suck on); loud engine noises (headphones that are hooked to a laptop with kid-friendly programmes); hunger (a packet of trail mix). But to paraphrase the Yiddish proverb: “Make plans. God laughs.” Our child, wee but shockingly inventive, found ways to stymie us. After an hour of colouring, he is now fidgety and reluctant to remain in his seat, let alone, be strapped into his seat.
The distractions have lost their powers and we’re left with nothing but hushed threats and calls to reason with this emotional terrorist. My mind wanders. I picture our plane making impact with the side of the mountain.
IT WAS SUPPOSED TO BE a getaway. A slice of free time carved out from a busy schedule, a weekend that I can greedily indulge in. It will be spent at Desa Potato Head, a sprawling 226-guest room hotel that’s set on Petitenget Beach in Seminyak. Before we were married, the wife and I visited the site (then Potato Head Bali). I remember spending lazy hours on the daybed at the Beach Club. Now with a child added to the mix, we decided a sojourn at the resort would be an experience.
A lot has changed since the wife and I were last here. The hotel rebranded itself from Potato Head Bali to Desa Potato Head. “Desa”, which means “village” in Bahasa Indonesia is the throughline in which the place operates. This is a creative village where art, music, design, good food and wellness co-exist.
The place already stood out with its eye-catching aesthetics—Liina Klauss’ 5,000 Lost Soles (2016), an installation made out of flip-flops salvaged from the Bali beaches or the Beach Club’s exterior that’s built out of wooden window shutters. If you think the hotel’s Brutalist architecture set against the backdrop of the tropics looks off-kilter, the invasion of new artwork will enthral you. Take Nano Uhero’s “The Womb”, a bamboo sculpture that visitors coming in from the entrance would have to traverse through. There's Future2000’s iconic Pointman standing like a sentinel in the courtyard of Potato Head Studios. Fashioned out of repurposed waste materials collected from the waterways of Bali, the Pointman stands as a testament to the Balinese philosophy of duality—taking trash and turning it into a work of art.
Excited by the appearance of the Pointman, the kid scurries towards the legs, at first trying to scale it but eventually settling on hiding behind them. His voice in a higher register than usual, calls to us to look at the sculpture.
After registration, guests are brought to the Circle Store, where upcycled amenities and merch are sold. We were presented a zero-waste kit, which consisted of an RPET tote bag and a sustainable drinking bottle—you can ask any of Desa Potato Head staff to fill the bottle with water. No extra cost, no waste.
Throughout our stay, we are sequestered in the Oceanfront Studio at the Potato Head Studios wing. The room is larger than imagined. It faces the ocean and is filled with tasteful furnishings by Max Lamb—a recycled plastic desk chair; volcanic glassware and ceramics. The coffee table hides a drinks cabinet. There’s music coming in from the Beach Club. Even with the windows shut, you can still hear the cloth-wrapped notes. The kid is jumping on the bed before his feet make a resounding thud on the floor. The sky looks clear. Time to hit the Beachfront Pool.
THERE ARE LOADS TO DO at Desa Potato Head. There’s live music playing at Potato Head Beach Club or the Amphitheatre. But if you’re looking for a more intimate activity, there’s the Headphone Bar. There, you can sift through the site’s vinyl collection for a listening session.
On the second floor of Potato Head Studios, the Library (Studio Eksotika) is a quiet spot to peruse a variety of curated reading material. In a rare moment to myself, I polished off the entire photo collection of battle jackets by Peter Beste.
Next to it is the spa and gym. Above it, is Sunset Park, a rooftop bar that overlooks the Indian Ocean. Later that evening, we would eat at Tananam, a casual restaurant that serves plant-based cuisine. Taking ingredients that are locally sourced, chef Dom Hammond presents dishes that are creative without alienating omnivores like my family.
We started with a Roti (lightly salted with East Bali sea salt). Brokoli (broccoli that’s finished with coconut and chive oil sauce) dish is next as I carried the kid to peruse the rest of the restaurant. The space is suffused in a violet glow emanating from the lights of their indoor garden. It feels otherworldly, like we’re in a different clime, even though there’s nothing more natural and familiar than its dishes.
Later that evening, the child would fight against the sleep for an hour before succumbing to it. My poor wife thinks she’s down with something and pops two Panadols.
We have tickets to a Sbtrkt gig playing tonight at Beach Club. I’ve wanted to watch him ever since he stopped making music in 2014. But better judgment took over and we slept against the lullaby of electronic music.
DESA POTATO HEAD CATERS TO family, with programmes for the little ones called Sweet Potato Kids. At these sessions, children are kept busy with lessons on sustainability or with exercises like this morning’s workout. The child and I are at Desa Playground where a trainer starts with some light stretching before leading the group on a slow jog around the compound.
We climb the steps all the way to Sunset Park. It’s still early and the staff paid us no mind as they sweep up the place. The sky is overcast and already the sheen of sweat on our skin feels cool against the sea breeze. The trainer tells us that it’s time to head back and my kid gives an audible, oh man. We bound our way down the steps, my child’s energy shows no signs of abating.
With my wife still recuperating, I took the kid to Ijen for lunch. Serving primarily fresh seafood that is caught responsibly in these local waters, we dug into Sardines (crumbed sardines that are served on desa croissant loaf and drizzled with tartar and fermented hot sauce) and Roasted Cauliflower (smothered in keluwek tahini). We have a chocolate desert and, of course, he makes a mess but that’s what children do. He does not have the fine motor skills an adult have. His spills look like atolls and I wiped them up. A small annoyance but one that quickly disappears when he bared his chocolate-stained teeth. See daddy. Look at me, he says.
I take a spoonful of desert and showed him my browned chompers and we both laugh.
RONALD AKILI JUST WANTED A better future for his children.
In 2016, the founder of Desa Potato Head went surfing on the Bali coast with his eldest son. They found themselves surrounded by ocean plastics. In an interview, Akili says that moment pushed him to ensure Desa Potato Head does minimal damage to the environment. “I want to pass on to future generations a better world—something that I think is innate in all of us.”
Under the guidance of Eco Mantra, a Bali-based environmental engineering consultancy, Desa Potato Head’s commitment to a zero waste-to-landfill goal has reached five per cent. It takes a tremendous amount of legwork to get to that level of sustainability according to Simon Pestridge, CXO of Desa Potato Head. As the former VP of Nike, Pestridge has a “never settle” approach. “With this many people producing this much waste, the tourism industry needs to take a serious look,” he says. “One of the keys to making sure that you can get as close to zero waste as possible is to make sure that the waste is separated at the source. When the team separate the different types of organics that would go to the pig farms or compost, it becomes easier the further down the cycle you get. The management team hold ourselves accountable every week. Sometimes we’re at three per cent... sometimes it’ll be at five per cent and we go back to check why that happened.”
Desa Potato Head has 950 staff, at the time of writing, and every day, they adhere to a regimented process where they will weigh the waste, know what to do with it and track it. Suppliers aren’t allowed to deliver their wares in plastic. Cling wrap is banned in the kitchens. Glasses at Desa Potato Head are made out of cut beer bottles.
Dewa Legawa, Desa Potato Head’s assistant sustainability manager heads a tour for guests curious about the site’s sustainability programme. We are privy to the back of the house, where we witness how they manage the waste up until the production line. Legawa scoops out a pile of shredded HDPE plastics. These will be turned into chairs, toiletries and the like. He points out that the caps on the water bottles that we were given are made from them. At the Waste Lab, we see used plastics moulded into planks before they are fabricated into shape.
This is the “do good” portion in Desa Potato Head’s creed, “Good Times, Do Good”. Fostering a sustainability community in the hospitality sector is a long view of giving back to a planet that we’ve all been greedy to take from. But given that hospitality is still the resort’s primary objective, how does one maintain the good times even when the world is on fire?
“I think everybody still wants to have a good time,” Pestridge says. “Even though the world is on fire, I think there’s even more desire for people to have good times. We just want to do so by leaving as few footprints as possible. That’s why we feel good about coming to work every day.“What we’re doing with the waste facility and the waste centre, that’s an open blueprint. Anyone that wants to learn from us—or we can go to them—we can teach them what we’ve learnt. Zero waste isn’t a competitive advantage. It’s a journey that all of us should be on to make sure that Bali or wherever tourists are heading to is thriving.”
Eschewing the whole “do this or else” approach, this scrappy resort put its money where its mouth is and decided to lead by example. “If we can inspire change through our actions, then we’ve moved the world along on a better trajectory,” Pestridge adds, knowing that what they do is a drop in an ocean. But small changes repeated by many over time... that makes a difference.
I IMAGINE THE OBSTACLE BUILDING inside their heads; just the foolhardy notion of reaching that level of waste reduction. I imagine the manhours, the steep learning curves and the mistakes made along the way. But they have managed to do what all these larger hospitality institutions have struggled to do.
It’s the same with raising another human person. While my parents did what they could do in raising me, when it comes to my kid, I wanted to see if I can do it better. Fact of the matter is that it was sometimes exhausting but there were so many moments that were joyful. I hope he remembers the vacation, the good parts of it. Or, at least, be broadened by the experience that will shape him in the future.
One last memory. On our final day, I lay in the hammock outside of the balcony as tropic-laden tunes from Irama Pantai Selatan washed over me. The Indonesian band is performing at the Beach Club’s Live Sunset Sundays session, where a crowd is gathered around them. Inside the room, my wife rests, while my kid has given in to fatigue and is passed out on his bed.
I have a front-row seat to a sky on fire; the brilliant blaze brought about by the sun lazily descending into the ocean. If I didn’t know any better, it’s a picture-perfect apocalypse. My mind wanders.
At the end of the world, there’s no better place I’d rather be than with family.
Clearly, this is not a comprehensive list. There are possibly hundreds of new hotels opening each year, but 2024 marks openings that may be first of the brand in the region, like The Singapore EDITION was for Asia Pacific in 2023. Otherwise, portfolios in cities that make so much sense that we're excited to see how the rendition turns out. Here are a couple to put on your travel radar.
The edgy hospitality brand continues its expansion in the Southeast Asian market following two openings in Thailand. Located on Orange Grove Road, The Standard, Singapore will feature 143 rooms and is one of the rare ground-up hotels constructed within prime Orchard area.
Amanjunkies can look forward to the second half of 2024, where the brand will open in the Thai capital's embassy district. The unconventional skyscraper features 52 suites and 50 residences across 36 levels, as well as an infinity pool at its peak.
The boutique accommodation finds its thoughtful concept matched with the traditional landscape of the heritage city. Set to open the first half of the year, Six Senses Kyoto arranges its 81 rooms around a courtyard. From onsite spa to meeting rooms with fireplaces, guests can certainly expect a ryokan-style welcome.
The two prominent towers take aesthetic inspiration from coral reefs surrounding Qatar seas and comprise 155 guestrooms and suites, 162 serviced apartments and 276 residences for rent. The ultra-luxe destination will have a total collection of ten lifestyle outlets, including its signature Manor Club.
Alongside the recently opened One&Only Aesthesis, Athens, the second Greek outpost occupies 65 hectares worth of beachfront on the Cycladic island of Kéa. With private pools, terrace, courtyard and fireplace for each villa, the resort also offers private homes with nearly 360-degree views of the Aegean sea.
After the original in Naples, the sibling will open in spring by the city's Piazza del Popolo. In a palazzo dating all the way back to the 17th century, the hotel is also one of the last projects from the late Zaha Hadid, whose architectural touch you may observe in the furnishings and lashings of Italian marble.
Due to open this autumn, the hybrid hospitality pioneers of extended stay is developing the acquired historic property in a 145 room aparthotel across seven floors. The 18th century mansion on the Latin Quarter will see 1000 sqm of social spaces under a restored glass atrium.
On the heels and within the vicinity of Mandarin Oriental, Hyde Park, the sister hotel will sit its 50 rooms and suites in Hanover Square. Besides a rooftop bar and urban spa, amongst its lifestyle offerings is the first namesake restaurant of Chef Akira Back to open in UK.
If you're already feeling the blues about being officially back to work after a weekend of some intense New Year-partying (the hangover doesn't get any easier, does it?), RIMOWA is turning those emotions into something more pleasant. That's right, a few days in to 2024 and we're already getting a new colour for the RIMOWA Essential series.
Like the many other colours prior, Sea Blue takes inspiration from the myriad of destinations that a RIMOWA luggage could potentially bring one to. While the rest may have been more specific in their points of reference, Sea Blue takes a more generic approach but one that just about anyone can appreciate. The regenerative influence of the sea—pretty appropriate given the new year—inspired the soft, pastel-hued Sea Blue that's still richly saturated yet calming at the same time. It's best captured in the series of shorts lensed by Francesco Nazardo. Set against the interiors and poolside of a 1950s home located in the outskirts of Barcelona, the Sea Blue series is beautifully highlighted as a soothing accessory.
If you're already familiar with RIMOWA's Essential series, its interior remains dependable as ever albeit slightly reworked. What used to be two separate compartments divided by the brand's adjustable Flex Divider, one side is now equipped with fully zipped lining designed for more secure storage. The main compartment (where the telescopic handles are housed) is separated by the Flex Divider that's also fitted with a zipped compartment enough for small loose items.
Aside from the main trio of the Essential collection—Cabin, Check-In L, and Trunk Plus—Sea Blue is also available in a range of travel accompaniments. A toiletry pouch and packing cubes in three different sizes complete the offering meant to help make organisation a breeze.
Question now is: Where's the destination?
The RIMOWA Essential collection in Sea Blue will be available in boutiques and online from 4 January 2024.
I was told that I would not recognise Shenzhen on my arrival this time around. In four decades, what was once a quiet fishing town has since transformed into one of China’s top smart cities. Hometown to telecoms giant Huawei, amassing skyscrapers that share centralised air-conditioning systems for sustainability, the Silicon Valley of China currently stands as a modern miracle.
So, somewhat anti-climactic to admit that I would not be able to discern the difference regardless. I was barely a fledging the last time I visited, over half that duration ago. The only thing I recall is its proximity to Hong Kong, which has not changed. A health-declared hop, checkpoint-cleared skip and a 15-minute train ride away, I find myself in the thriving tech hub.
Then, at the foot of the reason I returned: the first Conrad hotel to open in the Qianhai area. The latest addition to Conrad’s portfolio overlooks the expanding business district on one side and Qianhai Bay on the other. All 300 rooms and 28 suites offer views of either, starting from a generous 56 square metres.
While it is common for hotels not to meet the tentative launch date generally used as a guide, Conrad Shenzhen had, in fact, surpassed the targeted timeline with its early completion. Not surprising, when construction here works around the clock in shifts. It may not be an exaggeration to say new towers pop up every month.
If the rapid rag-to-riches (or rather, village-to-metropolis) growth seems familiar, there are many other parallels with our own model development. “It’s like Singapore here,” the Conrad team enthuses, “Everything is constantly changing and moves very quickly. We call it ‘Shenzhen speed’.”
It is intriguing, thus, to see how the narrative of this evolution is woven into the hotel’s aesthetics. The first to greet guests at the entrance is “The Two Forms”; a pronounced sculpture rooted in yin and yang ethos that depicts the origin of the world. Symbolising the birth of Shenzhen and the nascence of the hotel, I personally saw it as a great signifier of the artful journey that begins upon entering.
I say that because there are over a hundred artworks on display throughout the 23 floors, with 17 major ones from notable local artists. All express traditional Chinese philosophies, the cultural ties of the city, or hopeful intent to the viewer in their individual ways and mediums. Most prominently, the two fishing village-inspired installations by Palace Museum’s antique restorer and young scholar Huang QiCheng, as well as his pièce de résistance above the reception.
These elegant motifs carry into the rooms. “The Fishing Boat in the Evening” (with a far more poetic name in Mandarin) by Austrian artist Rica Belna reimagines casted sunlight and fishing nets through a contemporary lens. Its placement is also an easter egg for guests, and that’s the only hint I will give
about it.
Accents like bathroom hardware and fixtures take decorative cues from the silhouettes and navigation elements of a ship. Together with palettes of muted tans and rose-copper tones to burnished gold and ambient browns, it’s impressive how cohesive the visual direction crafted by world-renowned design firm YABU Pushelberg is.
I’m particularly fond of the lobby’s layout which draws from a Chinese architectural principle key to Guangdong and Shuzhou heritage houses. The fifth floor is partitioned into three “in” and “out” sections, clearly demarcating the front desk, lifts and dining establishments into pockets whilst still sharing the main space.
Dining is another aspect that would be unfair to leave out. There’s Chinese restaurant CH’AO, in reference to what Teochews refer to as Chaozhou cuisine, showcasing locally sourced seasonal ingredients. The experience contrasts between beholding a bold spectacle of gastronomy in the open kitchen and savouring humble but meaningful homage to ancestral food.
Things take a different turn at The Common Room. By morning, a versatile purveyor of choices. You won’t regret the Shrimp-broth Seafood Congee from the a la carte menu, but the open buffet’s variety easily makes you anticipate every breakfast. Come noon till dark, it shapeshifts into a French degustation of courses like Velouté De Fenouil à La Normande, Truffle Fois Gras Mousse, and Halibut with artichoke barigoule served under a creative fish skeleton garnish of seaweed.
The restaurant shares its nine-meter ceilings with Azaleas lounge for light bites and signature afternoon tea. The outdoor terrace leads to Collective Bar, which awakens at dusk. This is where they prove the best thing to compliment an alfresco cocktail is amazing grilled delights and front-row seats to the sunset. As you settle into the patio’s plush velvet chairs, you may just spot the next big thing the speedy city is working on.
Conrad Shenzhen is located at No. 5001 Tinghai Road, Nanshan District, Shenzhen 518066, Guangdong Province, China.
The dents and scuffs on an aluminium RIMOWA luggage tell stories. Like unintentional tattoos (unless you’re deliberately exerting force on your RIMOWA, which isn’t something anyone in their right mind does), they are truly individual and unique. They’re natural markings of the physical journeys it has gone through every time you boarded a coach, train, ship or plane.
“We consider scratches and dents that appear as the suitcase’s patina,” expresses RIMOWA. It’s almost unheard of that a luxury brand encourages the wear of its products, especially given how the price tag of luxury pieces conjures up a sense of preciousness. Yet, it’s a testament to the craftsmanship that the German brand applies to its landmark hardwearing luggage designs, including the industry-changing polycarbonate innovations that it pioneered in 2000.
RIMOWA’s journey of materiality is a reflection of the centuries-long evolution of travel itself. Its founding in 1898—then named after founder Paul Morszeck—was centred on luggage made of hardwearing wood cleverly constructed to be stable and lightweight. In 1937, RIMOWA launched its first aluminium trunk, an innovation inspired by the use of duralumin (a hardy and lightweight aluminium-copper alloy) in German aircraft. And with baggage weight restrictions becoming a modern travel concern, its introduction of polycarbonate as an engineered solution was nothing short of revolutionary.
There is almost an obsessive need for the brand to constantly craft out designs to solve industry-specific issues. RIMOWA, in 1976, developed waterproof cases to give photographers venturing out into unpredictable environmental conditions a reliable means to protect their equipment. One of the brand’s most iconic creations, the Pilot Case, was specifically designed with a hinge that allows it to be opened from the top to make its contents easily accessible by pilots in the cockpit. Then there were cases for violins, cases to fit one or 12 bottles of wine, poker attachés, watch cases and a slew of other pieces made for very specific functions—all to make one’s journey more seamless and elevated.
The proof is evident in the scores of individuals who have made RIMOWA part of their journeys. Its recent Seit 1898 touring exhibition showcased a number of well-used RIMOWA cases (owned mostly by noted international creatives), each marked by the numerous memories and experiences shared. Dents, scratches and even scuffed up stickers on the luggage add character to otherwise cold inanimate objects, not to mention stand as testimony to RIMOWA’s durable craftsmanship.
So serious is its commitment to ensuring each RIMOWA luggage builds a lifetime of memories, that the brand began offering a lifetime guarantee earlier this year. Luggage purchased from 25 July 2022 are now automatically protected by the brand for the entirety of its lifespan. Any functional issues that arise throughout a luggage’s life, henceforth, will be covered under this new directive. This means that aside from any cosmetic wear and tear, misuse or abuse, RIMOWA is dedicated to making sure that your luggage functions as originally intended, for as long as possible. Items outside of the brand’s regular luggage catalogue—from eyewear to tech accessories to special edition suitcases—are protected in a similar capacity for two years.
A RE-CRAFTED programme has also been introduced. While it is a sustainability-driven initiative by the brand to extend the life of pre-loved RIMOWA pieces, it can also be considered as an adoption of someone else’s memories. RE-CRAFTED pieces retain most of the original façade (dents and all) and depending on the condition of its other elements, they’re either cleaned and fixed or completely replaced to ensure that the piece is fully functional and just as reliable as a new RIMOWA piece.
There is no definitive answer to what a RE-CRAFTED piece might have gone through—the places it’s travelled, situations it’s caught in, or perhaps the number of times it’s made its way to an unintended destination (it happens). Therein lies the beauty.
What is next for RIMOWA? There’s no crystal ball to read. But if history tells us anything, the brand is probably already cooking up the next evolution of travel—experimenting and perfecting every nuance before officially releasing it to the public. It’s perhaps a seemingly endless journey for RIMOWA with its destination unknown. But then again, as they say: It’s not the destination that matters, it’s the journey.
Everyone is familiar with Samsonite. The luggage brand that's founded in Denver, Colorado is a juggernaut in the industry, having been around for 113 years now and with a presence in over 130 countries. If you're counting, that's an expansion into more than one country per year since its founding. Impressive.
Samsonite has achieved this by successfully striking a balance between style and functionality. It's one thing to survive any journey, but doing that while being easily recognisable on the baggage claim conveyor belt and looking like a luxurious piece of accessory is no meant feat.
In celebration of the brand's achievements thus far in the luggage space and beyond, Samsonite unveils Destination Samsonite: Voyaging Through Time. The Asia Pacific exhibition lands in Singapore for a limited time and promises to be an immersive experience in discovering the inner workings of the brand as well as its century-long heritage. With innovation constantly on the brand's horizon, Destination Samsonite: Voyaging Through Time also gives glimpses to what's next for Samsonite.
To understand Samsonite's values and how it has evolved with time, it only makes sense to revisit its heritage. Destination Samsonite: Voyaging Through Time features a number of archive pieces that date back to the 1930s, groundbreaking icons the like of the Streamlite, Silhouette, Oyster and 4-Wheel Spinner as well as present-day pieces such as the C-Lite, Proxis, and Evoa—all meant to serve as representations of Samsonite's evolution from luggage manufacturer to a creator of smart travel solutions. Innovation is key and visitors will discover that Samsonite has got it in spades.
Three thematic installations serve to highlight Samsonite's continued commitment to quality. The use of superior materials not only ensures that each Samsonite piece looks great and functions seamlessly, but also built to last. At "Zero Gravity", the Attrix and C-Lite models will be suspended to showcase their lightweight make—thanks to Roxkin™ and Curv® materials respectively—while "Discover Durability" invites visitors to put Samsonite luggage through a tumble test in order to view first-hand how they withstand force and pressure. Then there's "Abstract Terrains" where Samsonite wheels are tested on their durability and manoeuvrability over different terrains.
Through it all, the future is where Samsonite is constantly looking towards. Destination Samsonite: Voyaging Through Time ends with the introduction of the next stage of Samsonite's evolution through three new releases: the Evoa Z, SBL Major-Lite and New Streamlite. The Evoa Z is an evolution of one of the brand's best-selling models Evoa, with a new minimal and modern design. The SBL Major-Lite is crafted from the lightweight Curv® material and is designed especially for the modern traveller. A limited-edition collection, the New Streamlite is inspired by Samsonite's heritage Streamlite collection, combining modern stylings with timeless design.
Destination Samsonite: Voyaging Through Time opens to the public from 1 – 4 November 2023 at 72-13 Gallery, Mohamed Sultan Road, Singapore 239007. Sign up online to visit the exhibition.
