It has been a century since the Cartier Trinity series was first created, and the three-band style has remained an enduring icon since. The Trinity has seen multiple iterations throughout the years but the tri-gold combination is the truest representation of its spirit—now available in an XL version for an even bolder expression.
It’s made entirely out of recycled ocean-bound plastics from Indonesia, and fixing it is idiotproof, as its name suggests. You won’t need complicated tools or glue. Simply connect the five pieces and you have your very own stable stool put together with your own hands. At the end of its lifespan, the pieces can easily be dismantled and put up for recycling—circularity at its easiest.
The baseball cap is a wardrobe staple, whether as part of one’s style or deployed on days when the hair isn’t cooperating. Celine’s iteration possesses a retro charm with a denim wash that’s as striking as it is timeless. It’s a simple design that doesn’t deviate much from traditional baseball caps... but therein lies the charm—why reinvent the wheel when a slight tweak changes the game?
You can count on finding avant-garde styles at Gentle Monster any day. This pair of Memento V3 sunglasses, however, traipses the line between futuristic and familiar. The goggle shape is a reimagined classic, rendered in a modern violet hue with added metal detailing on the temples—a bold piece that’s easily wearable.
Pharrell Williams’ update of the Louis Vuitton Speedy bag is crafted from supple grained calfskin and lined with lambskin. So soft is the construction that there’s a drape to the overall silhouette. They are also available in a range of vibrant colours that are unapologetically in-your-face—a defiant swing at any mention of quiet luxury.
Made in collaboration with designer Vincent Darré, the Martell Cordon Bleu Limited Edition gets a vibrant and uplifting design to the bottle. Darré created an allegory in which the Martell iconic swift bears the universal message of warmth and generosity. Such a message certainly calls for a round of drinks with friends.
Hermès pulls off a truly playful accessory as it mixes the distinctive Kelly swivel clasp with the Kelly Multipocket To Go. With its multitude of compartments, everything can be kept organised in a bento-esque manner. The piece also comes with a versatile adjustable strap for two wearing styles: vertically and horizontally.
The slouchy Burberry Knight Bag is one of many signifiers under Daniel Lee’s era at the brand. A metal horse-shaped clip—a clever way of integrating the Equestrian Knight motif—attaches to two different parts of the bag, giving you the option to alter the shape according to whim.
Even a house as storied as Dior continues to add new branded motifs to its design vocabulary. A new circular logo acts as the centrepiece to the Buffalo loafers—a chunky, rubber-soled piece as part of the Dior Men Summer 2024 collection. This variation further exemplifies how something as traditional as tweed, can be reimagined into a contemporary piece.
Need better assistance on the green? The MARQ Golfer smartwatch may just be better than a caddy. Designed specifically for golfing, it is preloaded with engineered features that include recommendations of the types of club to use depending on the weather, as well as how best to approach each shot. Do it, embrace AI.
Photography: Jaya Khidir
Styling: Asri Jasman
And with that, the 96th Academy Awards aka the 2024 Oscars have concluded. Celebrating films released in 2013, the awards show continued last year's "Barbenheimer" phenomenon (although Barbie received only eight nominations as compared to Oppenheimer's 13) with two musical performances from Barbie, and Oppenheimer bringing home 7 awards. The latter included Cillian Murphy's first nomination and win for "Best Actor".
Murphy took home the award in an Atelier Versace ensemble that complemented his penchant for contemporary stylings while still adhering to traditional dress codes—an aesthetic that seemed to be the unspoken rule for almost all of our best-dressed attendees. Colman Domingo's Louis Vuitton double-breasted tuxedo consisted of flared trousers and embellished buttons, while Riz Ahmed's Marni fit was finished with raw edges with minimal flourishes.
The red carpets at awards shows as important as the Oscars have had a history of being an avenue for celebrities to show allegiance to a cause. This year was no different. Like Ahmed, attendees the likes of Ramy Youssef, Billie Eilish, and Mark Ruffalo took the opportunity to show their support for a permanent ceasefire in Gaza by wearing red lapel pins. These pins represent Artists4Ceasfire, a collective of over 400 artists who have all expressed their stand through an open letter to US President Joe Biden.
View the best menswear looks at the red carpet of the 96th Academy Awards in the gallery below.
The Saint Laurent Winter 2024 runway show was a departure from its Summer 2024 one, but only conceptually. Saint Laurent doesn't shy away from the duality of the male spirit. It's apparent in the House's throng of global famous faces adopted into its fold—from rock legend Lenny Kravitz to younger upstarts the likes of Austin Butler, Mark Tuan, and Ten Lee of NCT U—who all, while exuding an air of elegance, are more than stereotypical masculine tropes.
Creative director Anthony Vaccarello has been reiterating Saint Laurent's masculine-feminine tension for a few seasons now. While typically shown during different fashion week calendars, the womenswear and menswear collections have effectively been mirror images of each other. There's been a consistency in aesthetic where Vaccarello would borrow womenswear silhouettes and fabrications for menswear, while the latter's cut would dictate the form of the womenswear collections.
For Winter 2024, the menswear show was somewhat of a surprise. Instead of showing during January's Paris Fashion Week Men's or completely off schedule (like Summer 2024's in Berlin), the Saint Laurent Winter 2024 show was about a week apart from the womenswear show—further blurring the lines between the two. But the actual surprise was the collection itself. After seasons of embodying a softer side of the Saint Laurent man, Vaccarello opted to switch things up at Paris' Bourse de Commerce (also the site of one of my personal favourite runway shows by the creative director).
The fit: Right from the first look, there was little doubt that the collection wouldn't be following a similar formula of collections prior. It was classic, almost too classic, veering on old-school. A grey double-breasted suit paired with a white shirt and (gasp!) a striped tie of significant width. There was a decidedly '80s feel to the entire ensemble but perhaps only on first glance. The wide, peak lapels of the blazer were matched in intensity with the shirt collar. Yet there were nuances of contemporary flair: the overall silhouette was still very languid and soft with a strong-shoulder anchor; the blazer was cut straight with a deliciously roomy give; and while still respecting the traditional rule of a peek of shirt cuff under the blazer, sleeves were lengthened just enough to strike away any old-school notion.
This classic-made-new combination continued on throughout the entire Winter 2024 collection. There were a few outerwear-focused looks interspersed—the liquid-like rubber propositions looked otherworldly—but the main star was the gradual dissolution of the formality of that very first look. As the show went on, the suit became lighter and more fluid both in construction as well as colours, while shirts returned to their Saint Laurent-silk normality with matching ties.
The details: The aforementioned rubber outerwear weren't just for mere drama. Vaccarello reimagined a '60s archival reference with a structured rubber peacoat worn with a leather hat that it's connected to (look 7). Beautiful things can indeed be functional.
If you were missing the silk blouses—seen aplenty on the front row—Vaccerello offered up a number in rich hues that echoed the tail end of the line-up. Although if you were looking out for classic Saint Laurent pointed boots and footwear, they were replaced with square-toed variants that added so much gravitas.
Three exceptional looks: Look 14's all-black drama punctuated by that rubber coat; look 28's sublime colour combination; and an olive green version in look 37 that I would've never considered up till now.
The takeaway: Covered up as compared to previous collections yes, but the Saint Laurent man is still as sexy as Vaccarello has made him to be.
View the full Saint Laurent Winter 2024 menswear collection in the gallery below.
Artistic director Kim Jones’ continuous delving into the Dior archives has resulted in a Dior Men Summer 2024 collection that is an amalgamation of ideas of the house’s past creatives. From the tailoring silhouettes of Yves Saint Laurent to Gianfranco Ferré’s couture embroidery, the collection celebrates the archetypal masculine wardrobe and elevates them into something extravagant, yet reined with a spirited elegance.
Some might say I wasted an entire Friday afternoon customising a few (dozen) Polo Ralph Lauren baseball caps at the brand's online shop. To them I say: You're really missing out. The day I discovered you can design your own Ralph Lauren cotton chino hat online was borderline life-changing. And that was before I realised how many features there are to play around with.
Sure, you could buy any classic PRL baseball cap and call it a day, but where's the specialness in that? Where's the personalisation, the style that represents you and only you? For only USD50 (and maybe an extra USD15, depending on the options you choose as you customise), getting a designer hat that's this unique to you is a steal.
You start out by picking the colour hat you want. There are no bad options, either. Polo Ralph Lauren manages to make even a deep, rich purple look classy as hell. When you've got the colour of your hat picked out, the fun part really begins. Detail time, baby.
There are a bunch of iconic PRL logos and graphics to choose from. That includes the classic pony, a big pony, two different styles of monogram, a flag, a crest, a dog, and, of course, the iconic Ralph Lauren teddy bear. You can pick your colour pony, if that's what you select, or a flag representing anywhere from Japan to Brazil. If you pick the dog option, it's time to choose what kind—a German Shepherd, perhaps? Or a King Charles Spaniel?
My personal favourite is the Polo Bear, though. You can have your pick of which version of that little guy you want on your hat. Golf Bear or Basketball Bear, Gentleman Bear or Martini Bear (my style icon, by the way), Sweater Bear or Trench Coat Bear. Oh, and who could forget Polo Player Bear?
Now that the front's taken care of, it's time for you to decorate the back. Here, you have your pick of what colour embroidery you want the pony logo to be. You even have the option of adding a name embroidered.
Think of all the colours! All the designs! All the possibilities! There are endless formulas to experiment with on the site, and once you start making one hat, it's impossible to not make a few. They make damn great gifts, being a personalised touch on a timelessly classy accessory, so feel free to go crazy and start handing out custom PRL hats like candy. This little tool is more addicting than all of my social media feeds combined—I already cleared my weekend to make time for playing with the custom scarves and bags, too. And don't even get me started with the customisable sweaters...
Originally published on Esquire US
Materiality is something that Zegna is exceptionally familiar with, having established itself as a fabric producer long before dressing discerning men around the world. It has been well over 110 years since the very foundations of Zegna were laid and the brand continues to innovate—both in its use of materials crafted with luxurious handfeel as well as its level of craftsmanship.
The Zegna Triple Stitch is the marriage of those two facets of innovations. This is a shoe that's relatively minimal in its aesthetic. Especially when compared to the other footwear designs out there in the luxury fashion space. An existing style reworked by artistic director Alessandro Sartori in 2019, the shoes remained a staple of Zegna's wardrobe since. Sartori's directional idea of menswear, specifically tailoring, as existing in the realm of both casual and formal is extended to the Triple Stitch. It's not exactly a sneaker nor is it a formal shoe—it's neither and somewhat both at the same time.
Like every stellar silhouette, the Triple Stitch has gone through a number of variations and technical improvements since its introduction. Its signature trio of elastic crosses right at the shoe's tongue, however, have stayed unchanged albeit rendered in different colours.
The Triple Stitch SECONDSKIN is the latest and perhaps the most technical interpretation by Zegna. As its name suggests, this update feels incredibly soft and supple—like second skin. And it's not as though the Triple Stitch wasn't already a comfortable pair of shoes to begin with. For the SECONDSKIN variation, it takes it up a few notches. This time by heightening the luxurious feel of the shoe.
The inspiration for the Triple Stitch SECONDSKIN came from tapping on the durability and exceptional lightness of leather typically reserved for gloves. But to fully incorporate the best characteristics of glove leather, the Triple Stitch had to first be deconstructed. The airy, lightweight appeal of the glove leather has been put into focus with a newly designed toe counter as well as a Strobel construction. The latter is typically seen in athletic sneakers and is further improved in the Triple Stitch SECONDSKIN with fine lining.
The result is undoubtedly, the softest and lightest Triple Stitch yet. The glove leather-tanning technique imbues the shoe with a texture that offers a form-retaining feel. At the same time, it enhances the natural strength and durability of the leather. They’re attributes that one would normally associate with technical footwear. But here, just like Sartori’s menswear, they craft a new creation that looks and feel like it’s of two worlds.
It’s a new year, and there’s a good chance you’re looking for a new job. Maybe you’re pondering going freelance or starting your own business. You are not alone. Statistics suggest that a third of the workforce switches jobs every 12 months nowadays. Witnessing wave after wave of layoffs, people have learnt that companies aren’t loyal to staff any more if indeed they ever were, so why should employees display blind loyalty to their bosses?
Even here in status-obsessed Singapore, where a stable and well-paid office job has long been seen as the ideal, more and more people are looking for “meaning and purpose in what they do, not just for good salaries,” per the gahmen’s recent Forward SG report. Giving new meaning to the phrase ‘Money no enough,’ today, we want jobs that are rewarding on a level beyond remuneration—jobs we’re passionate about. Often, that means creating a job for yourself.
Many of Canadian artist Samara Shuter’s super-detailed paintings celebrate the type of peacock sartorialism seen at the Pitti Uomo menswear fair. Why the passion for men’s style? Shuter’s family has deep roots in the garment trade—she grew up amongst bolts of colourful cloth, and she says her father’s dapper dressing when she was a young girl also left a lasting impression.
“My father had an incredible appreciation for style. He had the most amazing collection of ties,” she recalls. Her dad’s struggles to support his family in various corporate sales roles, which required the Shuter clan to regularly relocate—“We moved every year or year-and-a-half; I was kinda like an army brat, it felt very unstable,” Shuter says of her peripatetic upbringing—also left an indelible mark.
So, when she set out to forge her own career, Shuter says, “It was important to me that I could do something that I love, but where I was in control.” Having seen her father suddenly lose jobs and the turmoil that caused for her whole family, she says, “It was important that what I did, nobody could take away from me.” So she became an artist. Back in the mid-’00s, Shuter took the money she’d saved waiting tables and tending bar and hired a booth at an art fair in Toronto. It was a big gamble, several thousand dollars, everything she had. “But that weekend, all the works I’d painted sold out. I couldn’t believe it.”
Three years later, Shuter was selling sufficient volume, at high enough prices, that she was able to quit pouring pints and focus on her art practice full-time.
Leading independent British bespoke shoemaker Nicholas Templeman says it was an invaluable experience mastering his craft as an employee of one of the most legendary firms in the trade. But to make the sort of shoes he was passionate about, he had to set up his own business. “I trained at an established bootmaker—I worked at John Lobb for seven years before going it alone,” he explains. “I had a great time there and there’s a lot I look back fondly on, I don’t think I could have learnt as much about shoes and bootmaking anywhere else in the world.”
Eventually, though, Templeman reached a point where to be fulfilled, he needed full creative and quality control over the footwear he made. “That’s only really possible when your name is stamped on the soles,” he says. Having his signature on the product also means Templeman is especially punctilious about quality. “I’m pretty fastidious about what I make, no shortcuts, even if, as currently, it makes the lead times longer than I’d like.”
Master watchmaker Denis Flageollet, cofounder of De Bethune and a godlike figure in the world of watches, reckons passion—and the confidence to express that passion—is an essential attribute in anyone aspiring to stand out in haute horlogerie. “I love talking to young independent watchmakers to see whether they have that spark inside them, that passion that will allow them to really grow their vision of what watchmaking can be,” he says.
“For several years now, I’ve realised I need to pass on the knowledge I have, not just to train new watchmakers for De Bethune, but to share what I know and my experiences with a larger audience,” Flageollet says. The advice he habitually gives young watchmakers is, “You have to be brave, you have to be bold. If you think you’ve got an idea, but it’s maybe a bit of a crazy idea, or it’s a bit left-field, just go and do it. The only way you’re going to know is to try it, and then see what the world thinks of it; it could be the next great idea.”
He says creatives have got to trust their instincts. “You shouldn’t be scared of not being understood. Maybe they’ll understand you in 10 years’ time—or after you’re dead! The most important thing is that you do what you believe in, what you’re passionate about.” Flageollet encourages rising watchmakers to place a bet on themselves. “I tell them to gamble, try and do something that they believe in, take a leap of faith because that ultimately is what’s going to make them happy.”
Independence is brilliant, but as any start-up entrepreneur, small business owner or freelancer will tell you, there’s also much to be said for a reliable monthly salary. However, those who choose to go the regular wage route are increasingly opting to work for purpose-driven businesses, where the sense of fulfilment goes beyond merely cashing that wonderfully predictable pay cheque.
“To be a successful organisation in the 21st century, to attract the best people, you need to be authentic,” says the co-founder of Soneva luxury resorts, Sonu Shivdasani, OBE. “You can’t be saying one thing and doing something different, because people will vote with their feet now—they don’t need the work. So if you aren’t authentic, you’re not going to attract the best people.”
In Soneva’s case, that authenticity comes down to what Shivdasani calls “a very clear focus, an undiluted philosophy” he has dubbed SLOWLIFE, an acronym standing for Sustainable, Local, Organic, Wellness, Learning, Inspiring, Fun, Experiences. “Essentially, offering luxuries, while minimising our impact on the environment and enhancing the overall wellbeing of our guests,” Shivdasani sums it up. Soneva is considered the gold standard in sustainable tourism.
The brand’s founders, Shivdasani and his wife Eva, believe a business must have a purpose beyond simply making money, if it hopes to generate high levels of employee engagement and as a flow-on effect, happy customers. “In our industry, in hospitality, the definition of luxury is the magic created by our people, the hosts—we don’t have employees at Soneva, we have hosts. And I believe that magical service has to come from the gut; you can’t train it, it has to be instilled. By having a core purpose that our hosts are aligned with, they become more engaged, more passionate.”
Preparing to open a new wing opened at Soneva Jani in the Maldives a couple of years ago, Shivdasani recalls, “We had 80 vacancies. And within a week, we had 3,000 applicants for those 80 vacancies.” When the successful candidates arrived and Shivdasani was performing their induction, he joked with the fresh hires, “You know, it’s actually tougher to get into Soneva Jani than it is to get into Goldman Sachs or Oxford—and that’s because people really were passionate about joining us.”
We’ll grant you that the prospect of working in a tropical paradise probably didn’t harm Soneva’s recruitment efforts. Nevertheless, there’s a potent lesson in the anecdote for organisations trying to engage people who’ll stay on for more than 12 months. Showing you care about something beyond the bottom line—demonstrating you care about your employees, your customers, and the world—has its advantages. Think about it, boss.
The collab between adidas and Australian fashion house Song for the Mute combines functions and looks. It may be trite but it must be doing something because this is their third team-up. For this new Song for the Mute x adidas 003 collection, Creative Director Lyna Ty reinterprets heritage silhouettes with modernist fabrication and detailing. This partnership oversees the reimagining of the iconic Country OG silhouette. This, as well as, a new apparel range that includes sportswear essentials.
At the heart of this collection lies the reinterpreted Country OG silhouette. Now dubbed simply as the “SFTM-003”, it is available in three 90’s inspired colourways. You've grey and teal, those hues are reminiscent of vintage windbreakers, and finally, in black. Each pair arrives with an additional metallic D-ring hardware combined with a custom paracord-inspired toggle lacing system. A perfect synergy and a nod to "futuristic nostalgia". Keeping to its roots, the kicks retain its beloved soft cushioning, grippy outsole and low-profile build. Finally, to cap it off, the flexible leather upper blends everyday comfort with an elevated look.
As for the collaborative apparel essentials, Ty dabbles in new textile directions and techniques in the apparel range. You've your sherpa fleece zip-up jackets that's accompanied by digital printed contrast sleeves. There are distressed jersey hoodies, an oversized blazer and press-stud track pants in a lightweight coated cotton. Rounding up the range is a custom jacquard knitwear that comes with an intricate contrasting colour-work.
Song for the Mute x adidas 003 is readily available at adidas Brand Centre Orchard, adidas VivoCity Originals B1 as well as online and the adidas CONFIRMED App.
With the release of Dune: Part Two right around the corner, the cast has been on a press tour the world over. There's no denying that they're taking the fashion seriously too. From red carpet premieres to photocalls, Timothée Chalamet and Austin Butler—portraying Paul Atreides and newly introduced Feyd-Rautha Harkonnen, respectively—have been showcasing a diverse array of looks. Each outfit chosen had been statements in their own right, and are deserving of as much hype as the movie itself.
At CinemaCon 2023, Chalamet was decked out in a grungy look as he wore an edgy leather vest by Helmut Lang over a white T-shirt and skinny leather motorcycle trousers with built-in knee pads. To finish off the biker aesthetic, a pair of pointed black leather boots was the footwear of choice.
At the casts’ appearance on Jimmy Kimmel Live!, Chalamet's edgy outfit consisted of a sleeveless black sweatshirt with grommet detailing by Junya Watanabe x Stüssy, leather trousers from Alexander McQueen and black boots. However, he switched things up with a cozy knit from Hermès during the taping.
Butler arrived in a black unbuttoned shirt, wearing a matching black pinstriped suit over, and boots. He also had on a thin silver chain necklace, proving that it's what one needs to complete any suit look.
Chalamet wore a sleeveless calf hair top from Hermès' yet-to-be-released Autumn/Winter 2024 menswear collection, matched with trousers and chunky leather boots. Butler, on the other hand, opted for something a little more relaxed with a simple white T-shirt under a grey unbuttoned three-piece by Givenchy.
The duo kept it smart in Mexico City. Chalamet wore a custom Prada suit and a black poplin v-neck shirt with what is decidedly his more experimental look thus far. The blazer was tucked in and accessorised with a double tour Prada belt.
Butler rocked a striking pinstripe suit from Saint Laurent’s Spring/Summer 2024 ready-to-wear collection with cutting shoulders. Completing the look, he opted for a gold-buckled belt—not too excessive but also not too modest.
In Paris, the Dune lead stayed rather safe with a black turtleneck and sleek leather pants (notably a recurring trend with the actor) from Bottega Veneta's Spring/Summer 2023 collection. Cartier jewellery and a pair of Oliver Peoples sunglasses completed the easy look.
Butler exuded effortless style in a monochromatic Fear of God ensemble, featuring loose-fit clothing with relaxed shoulders—a departure from his usual tailored suits. He completed the look with understated David Yurman jewellery.
Chalamet wore a custom shiny metal breastplate from Givenchy with a graphic turtleneck. He had also worn a black wool jacket featuring a notch lapel with matching wool trousers. Cartier accessories such as a platinum Cintrée timepieces from the Rééditions collection and a sizeable silver ring.
Butler dressed smart in yet another Louis Vuitton ensemble, which consisted of a sharply tailored black jacket over a crisp white dress shirt, and a striking pair of flared pants reminiscent of the '70s. He kept it easy with a pair of black dress shoes, and a ring for a little hint of jewellery.
Chalamet's fish scale wool sweater was from Bottega Veneta’s women’s collection, reiterating that clothing has no gender. And if his legs looked longer than usual, that's all thanks to the chocolate brown leather pants matched with a set of Ripley Boots by Bottega Veneta as well.
Butler was wearing a custom three-piece double-breasted suit by Louis Vuitton in an offbeat shade of grey. The unusually wide-lapel blazer and waistcoat, once again, blends a sense of timelessness with a contemporary twist that Butler tends to favour.
Chalamet reunited with designer Haider Ackermann, donning on metallic trousers that were difficult to not miss, and paired with an oversized black shirt. For accessories, he wore a custom Cartier necklace featuring invert-set diamonds in orange, yellow, brown, and white hues, designed to mimic the desert landscape in Dune.
Butler's penchant for tailoring saw him taking on a black Sabato de Sarno for Gucci overcoat paired with a white vest. It's perhaps simple in execution but sleek and dramatic all the same.
Chalamet was seen sporting powdery blue overalls from South Korean designer Juun.J's Spring/Summer 2024 collection, in a deliberate move to twin with fellow lead Zendaya. He finished off the look with simple silver necklaces and a pair of Chelsea boots in the same exact shade, sticking true to the runway look.
Butler was also dressed in blue, opting for a Valentino suit with a silk shirt of a lighter shade. But instead of keeping to the monochromatic tones of the clothes, the footwear of choice was a black pair of dress shoes. A silver necklace completed the entire look.
For Seoul's premiere, Chalamet chose a sleek white suit paired with black leather boots, both courtesy of Gucci. Continuing his partnership with Cartier, he wore a single Cartier diamond necklace for a touch of elegance—just one of his many moments with the luxury brand throughout the press tour.
Butler kept it classic with a black pinstriped double-breasted suit layered over a white dress shirt, matching the entire ensemble with a black tie and black dress shoes.
Dune: Part Two will show in cinemas on 29 February 2024.
Many things come and go (and come again) in fashion. Yet, the elegance of formal menswear continues to stand the test of time. One may argue that there’s less of a need to be decked out in a full suit these days. But that doesn’t mean that the category has been rendered completely obsolete.
Louis Vuitton’s latest "New Formal" menswear collection reiterates the fusion of timeless elegance with modern tailoring. elevating formal staples with luxury craftsmanship. Following the Spring/Summer 2024 debut, this latest trans-seasonal instalment places a spotlight on slim suiting. Single-breasted jackets are paired with cigarette trousers for a timeless silhouette. It exudes an air of confidence and refined professonalism. Apart from being available in classic shades of black and navy, an option in white makes for the perfect fit for an evening soirée.
The Damier motif that’s been further emphasised by Louis Vuitton men’s creative director Pharrell Williams adorns everything from suiting to footwear. With a wavy motif and pinstripes cut on the bias, it add a subtle, dynamic flair. As if one needs more examples on how this isn’t your father’s idea of tailoring. Footwear styles such as the Sorbonne loafers, Varenne Chelsea boots and Richelieus in rich leather tones complement the tailored options. They prove to be key staples of the “New Formal” collection.
Formality here, however, isn’t just defined by suiting. This new instalment expands the idea of formalwear with tailored outerwear that act as complementary, timeless options. An elegant navy suede leather blouson, a beige peacoat designed with a shearling collar, as well as a parka constructed as a three-in-one piece, all offer the kind of versatility one would expect from a collection meant to be an indispensable investment. Wear them with the extensive coordinated options of the “New Formal” tailoring. Or pair them with other more casual wardrobe staples for an elegant quick-fix.
Iconic bag styles like the Keepall travel bag and the Aerogram Lock It tote suit every professional need. The Georges tote—introduced in the first instalment—makes a return as it becomes an emblem for the collection. Crafted in Millésime grained leather by Domaine des Massifs, the design is sleek, stylish, and hardy such that it makes for a brilliant alternative to an ordinary briefcase.
The suit is dead, long live the suit.
The latest Louis Vuitton "New Formal" collection is now available in Louis Vuitton boutiques and online.
Edited by Asri Jasman
Nostalagia hit the runway at the Burberry Winter 2024 show. Not only was the show's soundtrack a selection of Amy Winehouse's songs—"You Know I'm No Good", "In My Bed", "Half Time", and "Back to Black"—the show was opened by Agnyess Deyn. And if you were in your teens in the 2000s like me, Deyn would be a familiar name and figure—an English model known for her platinum blonde pixie cut and a fashion inspiration for girls and boys of the time.
The fashion served a similar platter of nostalgia. Chief creative officer Daniel Lee refocused his attention towards the military heritage of Burberry for the Winter 2024 collection with a colour palette that captured the earthy tones of the outdoors. Now that the new brand signifiers have been put in place—the Equestrian Knight Design, the Burberry knight blue and key bags emblematic of Lee's creative direction—its the coats that were reworked with a further military slant.
The fit: Trench coats took on new forms both in silhouette as well as the way they were worn. Instead of belting to accentuate the waist, the belt was tied from the back for a more minimal front. The collar was turned up and buttoned up to create a funnel neck (practical for the colder seasons). The trench coats were also dressed with the oversized epaulettes that were first introduced in Lee's debut collection for Burberry, as well as new keyring hardware that zipped up the front of the coat to the storm flap. The latter an example of Lee's penchant for decorative hardware at Burberry.
There was a decidedly oversized silhouette employed throughout the collection, exuding a sense of warmth and protection that Lee intended. But also, an extension of a signature British aesthetic prevalent on the streets.
Duffle coats and field jackets took on more voluminous forms as they were either crafted from fleecy wool or trimmed with a burst of braided fringing. Zippers on these outerwear were extended to trousers too, with each side consisting of three zipper pulls to allow for creative manipulation. They're reminiscent of those trackpants lined with buttons along the sides that were a big part of the noughties, but here, the attention was front and centre.
The details: On the bags front, a variation of the Trench Tote bag seemed to be a key push. Constructed with zippered sides, they were available in a number of materials with the standout being the ones featuring the Burberry check. And if I'm being honest, a more superior version that the original. The Shield bag, on the other hand, received a more functional upgrade with an exterior compartment.
While the knight blue wasn't part of the colour palette, it wasn't completely stripped from the Burberry Winter 2024 collection—its Lee's coloured signifier for the brand, after all. With every step of each model, the colour peeked through from the soles of every footwear. Not that we need to be reminded of how much that colour is now a part of Burberry (there's a whole knight blue takeover of Harrods that's still going on), but perhaps it's one of those subliminal messaging cleverly employed.
Three exceptional looks: Look 7 had the makings of being the next go-to fit for every British renegade youth; the easy and comfort-first look 19 with that plush mustard vest; and look 48's moleskin trench that's cool in every way.
The takeaway: I'm inclined to say that this is the best Lee for Burberry collection yet.
View the full Burberry Winter 2024 collection in the gallery below.
The idea of form versus function is often a conundrum that's faced by designers. Should the former supersede the latter or vice versa? Or is there a middle-ground where both tenets of design balance out each other such that there isn't much of a compromise to either? The considerations are heightened further when it comes to meeting the needs of travellers who now care more than just getting from one point to another.
For TUMI, that steely balance of form and function is best exemplified in its innovative 19 Degree Aluminum series. Launched by creative director Victor Sanz in 2016, the 19 Degree Aluminum series was a breakthrough for the performance luxury lifestyle and accessories brand as it manipulated aluminium in its own vision for the first time. Each piece is crafted with the now-signature sinewy lines enveloping the entirety of its contours—both as a bold, visual manifestation of the toughness of the material as well as an engineered element for added rigidity. It helps too that the look is as striking as it is durable.
As we said, good looks would only get a design so far, especially in the travel space. TUMI clearly knows this too. The 19 Degree Aluminum series is packed with nifty technical specs that make travelling with one—on pretty much any kind of journey—as beautiful as the intended destination. Rollers are fitted with dual-recessed, ball bearing wheels to ensure smooth, effortless glides, while the telescoping handle fits comfortably when gripped. These innovations (and more) add to the beauty of having a 19 Degree Aluminum piece as a companion—they're beautiful, and essentially so.
In the latest chapter of TUMI's "Essentially Beautiful" campaign, global ambassador and pro-footballer Son Heung-Min makes a return to introduce an expansion to the 19 Degree Aluminum family. Highlighting both the aesthetics as well as the inner-workings of the series that make it essentially beautiful, the campaign is arguably TUMI's boldest yet as Son traverses an abstract world inspired by the elements of the series. His main companion of choice? A 19 Degree Aluminum Backpack that once again, sees TUMI challenging the idea of form and function.
The backpack design is a first of its kind for TUMI, allowing the already iconic luggage design to be carried in a new way. But instead of simply slapping on leather straps to the existing design, the brand reconfigured the entire construction. The leather straps of the Backpack are connected to a leather back panel—marked with the same 19 Degree contours—that's fitted with a top handle and a sleeve meant to easily slip over extended luggage handles. The Backpack itself opens up from the top with a frame opening, while a front pocket reveals itself with the push of the leather monogram patch.
But that's far from what TUMI has to offer. The new line-up includes a Compact Carry-On that's essentially a scaled down version of the 19 Degree Aluminum, designed for travellers who prefer something smaller. It also comes with a removable file divider, making it quite an upgrade for those looking to transport documents. If not, there's the new Briefcase that's categorically sleek at every angle yet still sturdy and durable.
Form versus function? That's certainly hardly the case here.
The new TUMI 19 Degree Aluminum series is now available at the TUMI ION Orchard, Mandarin Gallery, and Marina Bay Sands stores. And check out the other signature TUMI lifestyle bag styles too while you're at it.
