On the second day of Milan Fashion Week, Onitsuka Tiger is readying to show its Spring/Summer 2025 collection. Under the creative direction of Andrea Pompilio—a position that's been held since 2020—the brand has positioned itself as a sporty, fashion-forward brand beyond its signature footwear.
Each collection is often conceptualised around pieces with an edge, whether they're casual or formal-esque silhouettes. There's an inherent streetwear-leaning aspect that also serves to make the pieces easily wearable.
For confirmation of what the Onitsuka Tiger Spring/Summer 2025 collection will look like, stay tuned for the show this Wednesday live from Milan Fashion Week.
What: Onitsuka Tiger Spring/Summer 2025 runway show
Where: Milan, Italy
When: Wednesday, 18 September 2024 at 11pm Singapore time
There have been plenty of articles attempting to critically analyse Burberry's current strategy—both creatively as well as from a marketing standpoint. It has become a continuously profound struggle for Burberry, a heritage brand that has been experiencing a sort of fall from financial grace for years now, to find that balance between being fashion-forward and desirable.
The Burberry Summer 2025 runway show proved that chief creative officer Daniel Lee has perhaps found that balance after almost two years of steering the brand back to its British roots. Noticeably, there were a few design elements that Lee initiated in his first few collections that he's now seemed to forgo this time around. The Burberry Check is back in its original rendering after seasons of being skewed at an attempt to modernise the motif, while the revived Equestrian Knight Design (EKD) wasn't as prominent.
Lee likens the collection as a continuation of Winter 2024. "An easy elegance that feels inviting for summer. We want the pieces to feel welcoming, and for the wearers to feel confident," he says. Cue the much softer approach in terms of fabrications, treatments as well as colour palette—as though to say that these pieces are indeed wearable and easy enough buy into.
The fit: A lot of the Burberry Summer 2025 collection's focus is on the military aspects of the brand's heritage. It's evident from the overall swathe of pastel, washed out and weathered colourways that Lee's intention was to highlight Burberry's more utilitarian functionality. The collection's outerwear pieces remained key grounding elements and inherently made the collection Burberry. This time, trench coats were reconstructed into asymmetric jackets, a couple of slightly cropped iterations as well as multi-pocket field jacket versions. They were all season-appropriate—crafted in lightweight silk, linen or bonded wool.
The zipped elements from Winter 2024 made a return on the runway. They were featured on a number of zipped trousers styled open at the knees to further accentuate the roominess of the cut. Where pockets weren't adorned with weatherproof flaps, zipped details reinforced utilitarian elements as well as versatile styling proposals.
Overall, the collection excelled at reimagining Burberry house codes without needing to shout with bold graphics or an overuse of branded signatures and motifs. Silhouettes felt easy to wear with chic simplicity apparent throughout the collection. In some cases, perhaps, they were too simple in execution, especially when broken into individual pieces. Together though, the styling felt the most Burberry that Lee has crafted thus far.
The details: A complete overhaul of the bag offerings seemed to be intentional. The collection saw introductions of completely new styles all designed to be unlined and relaxed. The Country comes as a crossbody, bucket bag and tote in grainy leather with the Burberry Check, while the B Clip—named after its b-shaped front fastening—is a new messenger bag, tote and holdall in tumbled leather and suede with the addition of a rather stunning Burberry Check style in patchwork leather.
Three exceptional looks: The super chic opening look styled almost like a regal, royal officer; look 32's classic Burberry Check rendered in a deep hue for a truly utilitarian ensemble; and the timeless silhouette of look 47.
The takeaway: Lee has found a balance between his own leanings and Burberry's Britishness—how open customers will be to adapting remains the brand's challenge.
View the full Burberry Summer 2025 collection in the gallery below.
Burberry is the final big-named house on the London Fashion Week calendar and it's poised to bring some newness. Unlike previous runway shows by chief creative officer Daniel Lee, the Burberry Summer 2025 runway show will be staged indoors as opposed to the brand erecting a tent. Lee has also enlisted English artist Gary Hume to design the set of the show.
There's been a consistent Britishness about Lee's creative direction at Burberry—rooting designs on the Equestrian Knight Design (EKD) seen above, reimagining Burberry's trench icons, as well as silhouettes that lean on familiar English heritage. It's highly likely that Lee will continue to do so, especially with teasers focusing on "born of function, grounded in heritage". The Burberry check is probably set on making a more prominent design element—but how that will look like remains to be seen.
For confirmation of what the Burberry Summer 2025 collection will look like, stay tuned for the show this Monday live from London Fashion Week.
What: Burberry Summer 2025 runway show
Where: London
When: Monday, 16 September 2024 at 11pm Singapore time
New York Fashion Week goes by fast with a number of emerging as well as established brands packing up the schedule this time around. Quintessential American brand Coach—a brand experiencing a resurgence on social media thanks to its latest slate of leather bags—is readying its co-ed Spring 2025 runway show, hoping to capitalise on the moment.
Creative director Stuart Vevers has been at the helm of the brand for more than 10 years now and consistently taps on the spirit of New York City, combining it with the fervour and artistry of its famed inhabitants as well as offering newness for a wide range of audience. It does seem like (and rightly so) that the Spring 2025 collection will be in the same vein as previous collections and perhaps with a slight skater vibe as seen in teasers. What's to definitely look out for though are the leather bags that could potentially spark another uptick in demand in the upcoming season.
For confirmation of what the Coach Spring 2025 collection will look like, stay tuned for the show this Tuesday live from New York Fashion Week.
What: Coach Spring 2025 runway show
Where: New York City
When: Tuesday, 10 September 2024 at 4am Singapore time
Moved by a photo of James Dean at his childhood home and his iconic quote—“I think the prime reason for existence, for living in this world, is discovery”. Chitose Abe weaves a tale of growth and self-discovery in Sacai SS25 Men's Show. Her youthful collection captures the essence of Dean’s early years, as models emerge from a deconstructed home, embodying the spirit of coming age.
While the collection paid homage to the classic 1950s American style from Dean’s era, Abe infused it with that Sacai twist.
(SACAI)
Abe found herself captivated by James Dean’s iconic Harrington jacket from Rebel Without a Cause. This legendary piece of cinema fashion enchanted Abe so much that she couldn't resist incorporating it into the men’s collection. The timeless appeal of Dean's style and the rugged, utilitarian aesthetic of WTAPS—a Japanese streetwear brand renowned for their military-inspired style blended seamlessly, creating a distinctive fusion that paid homage to both classic Hollywood and contemporary streetwear.
Meanwhile, Sacai collaborated with Levi’s, fusing Type I, II, and III jackets with classic denim pants to create a unique hybrid piece. Models, clutching books and sporting glasses, evoke the spirit of academia and youth—discovery in motion. With loafers trending, Sacai added their calling card to the traditional J.M. Weston penny loafers. And just when you thought it couldn't get more exciting, the Zegamadome sneaker was born. Thanks to the cutting-edge collaboration between Nike and the brand.
Sacai unveiled groundbreaking collaborations at every turn, ensuring Abe's zest for revamping remained undiminished on the runway. Hybridisation doesn’t end with Sacai.
Now in his sixth year at the Maison, artistic director Kim Jones has built a reputation for elevating Dior's menswear, seamlessly blending street style elements with the house's couture history. For the Dior Men Summer 2024 collection, Jones paid tribute to various Dior predecessors and eras, integrating their influences with a contemporary design language. Constantly challenging the notions of tradition and modernity, there's no doubt that the Dior Men Summer 2025 collection will be one that brings to the fore forgotten or lesser known elements of Dior's history.
For confirmation of what the Dior Men Summer 2025 collection will look like, stay tuned for the show this Friday. And for an even closer look at the collection, follow @esquiresg on Instagram as we bring you the action live from Paris Fashion Week Men's.
What: Dior Men Summer 2025 runway show
Where: Paris, France
When: Friday, 21 June 2024 at 9pm Singapore time
The Zegna Spring/Summer 2025 runway show wasn't an easy one to get to. It's about a half-an-hour drive from the centre of Milan to the industrial space and from the outside, it looked like a blank white canvas. The inside however, Zegna had it converted into a field of linen plants concentrated towards the centre. This became the runway where the models eventually stood along neat emptied out space in the midst of the field.
The linen plants, however, weren't exactly what they appeared to be. Global brand ambassador Leo Wu proved this as I witnessed him cheekily playing with one before plucking it out from its spot. It was a metal rod, varnished into a specific of shade of yellow and gave it quite a naturalistic look. Aside from the Spring/Summer 2025 collection being centred around the brand's traceable Oasi Lino—a concept that's set to continue on every Spring/Summer season—it was also about this idea of how nothing is ever really what it seems. No two things are exactly same for artistic director Alessandro Sartori, even when they looked similar on the runway.
"It is the moment to focus on how items are or can be used, on the singular ways they mould to individual personalities," Sartori says, referencing how it's the right time to expand on the aesthetic that's been crafted and established since Autumn/Winter 2021. It's evident from the fact that the models engaged for the show were as diverse as they come in terms of age, race, and even gender. And while there were some commonalities among some looks in terms of colours or even print, each look was different, brought out even more by the attitude of the model wearing them.
The fit: It's the Zegna that we've all come to adore by Sartori. The tailoring was impeccable with the kind of flow and languid silhouettes that's favoured, but at the same time, cut at the right spots such that none of the models appeared to drown while wearing an oversized polo or a drop-shoulder blazer.
Necklines were reduced further that at times, they didn't require any sort of fastening. It's a subtle tweak but emphasised this hybridisation of formal and relaxed that's become a fundamental Zegna trait. They looked at home worn under the collection's more traditional suiting to create an almost perfectly layered collar effect.
The details: The brand is through and through a ready-to-wear-first brand. At the same time, its Triple Stitch footwear has become such an icon that it may be time to expand that universe a tad further. The runway saw only one footwear adorning the feet of all the models: a new loafer referred to as Mocassin. It's designed with a slightly rounded toe and crafted long and narrow to elongate. True to form, the Mocassin was also minimally designed but again, traipsed that line between formal and relaxed.
Similarly, the brand's bags haven't been much of a focus as a whole, but the capriciousness of the collection's bags definitely drew my attention. For starters, some models (including runway closer, Mads Mikkelsen) carried a different large one on each hand. These were probably some of the biggest bags that Zegna has done in a while and definitely made to be lived in—for just about everything and anything.
Three exceptional looks: The sumptuous and unexpected pairing of deep colours in look 7; the striking printed look 24 that's essentially a shortened pyjama suit; and look 33's stunning tonal combination of yellows with trousers cut to make one look taller.
The takeaway: A truly studied approach to approaching wearable luxury fashion in the contemporary sense.
View the full Zegna Spring/Summer 2025 collection in the gallery below.
Longtime artistic director of Hermès menswear, Véronique Nichanian, has crafted such a signature look for the House's menswear collections that its Spring/Summer 2025 outing will certainly be one to anticipate. Hermès has already teased a look—a knit shirt with a dip-dye effect in a blue that reflects the sea. It does seem as though that could be the reference point for Nichanian's latest collection, or at the very least, just one element of it.
For confirmation of what the Hermès Spring/Summer 2025 menswear collection will look like, stay tuned for the show this Saturday. And for an even closer look at the collection, follow @esquiresg on Instagram as we bring you the action live from Paris Fashion Week Men's.
What: Hermès Spring/Summer 2025 menswear runway show
Where: Paris, France
When: Saturday, 22 June 2024 at 9pm Singapore time
I don't think anyone had so much of an inkling as to how the Gucci Spring/Summer 2025 menswear collection was going to look like. Creative director Sabato De Sarno left little clues, and the show invite—a set square engraved with "la misura dell'amore è amare senza misura" ("the measure of love is to love without measure")—ultimately didn't really have anything to do with geometry or math. And thank god for that because after a hectic Milan Fashion Week Men's schedule, I'm sure none of us would have wanted a problem to figure out.
To some, however, De Sarno's Gucci aesthetic may be a problem. Some might say that his sophomore menswear collection, while a more vibrant proposal with prints ripe for the season, left little to be desired; that there isn't a strong enough of a point-of-view.
Having a "point-of-view" tends to be thought of as having concepts that are singular—a look so unique and easily identifiable that it will immediately be recognisable as being Gucci. I'd argue that De Sarno doesn't lack one, but rather, it's an aesthetic that isn't targeted to just one archetype.
The setting of the runway show reflected this. The Triennale Milano is a museum of art and design where a diverse range of works are collected and exhibited. I'm not equating the Gucci Spring/Summer 2025 menswear collection to that of works of art (although the oversized shirts decorated completely with paillettes came close) but there seems to be a growing idea of the Gucci wardrobe being able to be collected throughout the season, spliced and then combined to create looks that are part of one's style. Is that enough of a point-of-view?
The fit: It's a the-city-meets-the-beach style narrative consisting of short shorts that would've been perfect for the weather during the show (Paul Mescal made an excellent outfit choice). De Sarno repeated his penchant for oversized tops with shirting left untucked, offering just a peek of the shorts underneath.
Colour-blocking was heavily utilised. In fact, this was a stark difference from the Autumn/Winter 2024 menswear collection—this was colour on steroids almost. Acid hues were paired with vibrant prints of dolphins, surfers, hibiscus flowers, and banana leaves.
The details: We do need to talk about the hardware. The Horsebit is set to be an element that De Sarno seems to be planning to drive down our throats. It's apparent on the pointed toe iterations of the Horsebit loafers that he introduced for Autumn/Winter 2024 but this time, expanding the offering with boots. Belts are also given the Horsebit treatment and with a new surprise. What I initially thought were just Horsebit belts from my vantage point were actually a combination of a double-ended snap hook closure (a hardware that has replaced the piston closure in De Sarno's Jackie bags) as well as the d-rings of the Horsebit.
A bag that could potentially be on a lot of people's wishlist would be a new crossbody bag fitted with the snap hook closure. They're slightly reminiscent of the Horsebit 1955 and that's not exactly a bad thing.
Three exceptional looks: Look 14's masterful layering of a polo over a shirt; the oversized polo shirt embellished with paillettes in look 26; and look 34's classic with a twist.
The takeaway: Once more (one last time, hopefully), it's a new Gucci that's not quite less is more nor more is more.
View the full Gucci Spring/Summer 2025 menswear collection in the gallery below.
Now that Milan Fashion Week Men's is done, we're heading to Paris where Louis Vuitton will kick things off with its Spring/Summer 2025 menswear show by Pharrell Williams. This will be Williams' third menswear show, and with the previous two taking references from cultures and experiences around the world, his latest offering may perhaps take on a similar slant. But perhaps, as "Le monde est à vous" is what the show is being called—literally "the world is yours"—it may be even bigger than before.
For confirmation of what the Louis Vuitton Spring/Summer 2025 menswear collection will look like, stay tuned for the show this Wednesday. And for an even closer look at the collection, follow @esquiresg on Instagram as we bring you the action live from Paris Fashion Week Men's.
What: Louis Vuitton Spring/Summer 2025 menswear runway show
Where: Paris, France
When: Wednesday, 19 June 2024 at 2.30am Singapore time
I hate to bring up "quiet luxury" again (have we used this term to death yet?) but that pretty much sums up the Spring/Summer 2025 menswear offering by Dolce&Gabbana. And it's not a bad thing.
The Dolce&Gabbana you see on the runway and what you eventually see people buy into tend to be different—the latter is often logo-heavy. For a few season now, the brand has slowly deviated from this, offering collections that are more subtle in branding with a focus on the silhouettes and details that are more emblematic of the brand but not necessarily what the general public's impression of the brand is like.
It's a strong proposition from the very first look: a raffia jacket woven with two different colours, and with weaving techniques also reflected in an extended belt as well as woven lace-ups. Yes, it did look rather stiff on the runway but then came look 12's raffia coat that dispelled any talk about the raffia pieces in the Dolce&Gabbana Spring/Summer 2025 collection being stiff and impractical. The fluidity was there and so was the structure—in other words, splendid Italian craftsmanship.
The fit: It's difficult to not see the nod to '60s and '70s fashion in the collection—coincidentally or not, that was also when wicker-woven design pieces reigned supreme—but kept to Dolce&Gabbana's classic oversized-top look. There were some semblances of tailoring in a few looks but the overall aesthetic skewed towards the summer holiday locales of Capri, Venice, and Portofino. Sailor-collared shirting were punctuated with stripes of different widths (lending that '70s vibe), while scarves adorned looks that were made perfect for the Italian coast.
The details: Weaving is undoubtedly the central technique that the collection was built around. Dolce&Gabbana employed weaving techniques across leather and raffia. They were varied in applications as well as techniques, with some appearing like crochet, especially in a number of footwear.
What caught my eye however, were the coral embroideries that were featured quite beautifully in a number of looks. It was look 29's variation—an ivory white suit with trousers decorated with coral-hued embellishments—where I could hear the clinging of the pieces as the model walked in front of me. And considering how loud fashion shows tend to be, it was quite an experience.
Three exceptional looks: Look 15's oversized woven top matched with an equally woven bag and shoes; the monochromatic colour-blocking in look 21 with the most gorgeous shade of green; and look 38's clever use of stripes.
The takeaway: Refined, different, and subtle all the same–this is a Dolce&Gabbana collection for the discerning.
View the full Dolce&Gabbana Spring/Summer 2025 menswear collection in the gallery below.
The first thing anyone would have noticed at the Emporio Armani Spring/Summer 2025 runway show—apart from the beautiful projections of horses galloping—were the models. And not that they're unusually more attractiveor that there's quite a diverse cast (it's de rigueur for the brand), but rather, it's the fact that they're smiling. It's a known fact that models don't typically smile on the runway; any other facial expression apart from a neutral one is considered distracting. But at the Emporio Armani show, the smiles added so much more levity and underscored the ease of the collection.
Mr Armani intended to capture an escape from the limitations of city living, running off out into nature in pieces that reflected a nuanced combination of the two. The colours graduated from muted shades of wheat, sand and the like before hitting a crescendo of purple hues brought about by lavender fields. But just how much freedom was Mr Armani looking to convey? Well, let's just say that the finale was rather spirited pairings of a man and a woman—the latter a vision of spring's boldest hues. The Emporio Armani man accompanied her, dressed in nothing a pair of leather shorts matched with a leather harness, boots, and at times carrying a basket of lavender blooms.
The fit: There's no doubt that the Armani aesthetic worked exceptionally well here—no other silhouette speaks to the airiness and lightness of freedom as the Armani look. Shoulders are dropped across the board while trousers (Mr Armani introduced high-waisted variations with their top folded over) billow with every slight movement, giving air a temporary visual presence. Layering was kept to a minimal (at most an inner layer over lightweight outerwear) with bare skin being quite an important element for the season. It's not done in any vulgar way however, but rather a complement to the act of being one with nature.
The details: Leather harnesses and waists cinched with triple-tour belts (or what looked like a belt-over-belt-over-belt situation) added equestrian elements that juxtaposed the overall airiness of the collection. Sure, you'd think everything would be loose and unrestraint for a collection that's all about freedom. But therein lies a beauty in reining in—some stylistic tension is always the mark of a genius. And speaking of genius, Mr Armani is also all about the details and I spotted a tunic with stunning trimming along its front that added such fine, luxury craftsmanship.
Three exceptional looks: Look 3's super relaxed vibe topped off with strings of unrefined stones as a necklace; a look consisting of an oversized white suit decorated at random with raw edged holes; and look 65's masterful pairing of monochromatic hues.
The takeaway: An Italian Western love story of spring and its bountiful harvest of colours and freedom.
View some looks from the Emporio Armani Spring/Summer 2025 menswear collection in the gallery below.
