Are you ready to play the game? In a new trailer for Squid Game season 2, Seong Gi-hun (Lee Jung-jae) is right back in the mix. He even has his old number! Season 1's winner knows the secret of the game that the other contestants do not, however, and he’s determined to save their lives by joining the life-or-death contest once again. Bold strategy! Let’s see if it pays off.
Squid Game season 2 kicks off on 26 December. According to Netflix, the second season picks up three years after Seong Gi-hun won the previous contest. “Player 456 gave up going to the States and comes back with a new resolution in his mind,” the streamer’s official description reads. “Gi-hun once again dives into the mysterious survival game, starting another life-or-death game with new participants gathered to win the prize of 45.6 billion won.”
Recruiter (Gong Yoo) is set to return as well, alongside the Frontman (Lee Byung-hun) and detective Hwang Jun-ho (Wi Ha-joon). “Just focus on getting out of this place,” Gi-hun tells the new contestants in the trailer. “I’ve played these games before!” For more about the future of the series (and the new killer 100-metre.
Considering that (spoiler) 455 people die in the first season, the roster of human stars is a bit bare for a second outing. Miraculously, Netflix revealed at a recent Tudum showcase that many of our favourite stars will be back. Lee Jung-jae, aka winner Seong Gi-hun, will return, entering the game once again. Some new players were announced, too, including former K-pop star Yim Si-wan, Kang Ha-neul (The Pirates: The Last Royal Treasure), Park Sung-hoon (Into the Ring), and Yang Dong-geun (Grand Prix). race in the teaser), read on.
Back in June 2022, creator Hwang Dong-hyuk confirmed to Vanity Fair that yes... there will be more games. “Humanity is going to be put to a test through those games once again,” he said. As he noted elsewhere in an AP interview, “There’s been so much pressure, so much demand, and so much love for a second season, so I almost feel like you leave us no choice.... It’s in my head right now. I’m in the planning process currently.”
Speaking to The Hollywood Reporter, Hwang discussed how season 2 is going to be a natural evolution from the concluding events of the first run of episodes. The creator made it clear that for the new season, he isn’t tapping into fan theories or what viewers have asked to see from the series. Rather, he plans to pick up where it left off and carry the story on as it was originally intended. Here’s his quote, in full:
I’ve seen many reactions from people about the show, but I don’t want to make season 2 as a response to those reactions. The philosophies I put in season 1 all naturally extend to season 2. Instead of trying to meet the expectations of viewers, I just thought about the last moment when Gi-hun turned away from boarding the plane, and I thought about what he will do next. There will naturally be a flow of events that will lead all the way to the end of the season. I can’t share any details yet, but you know that Seong Gi-hun has become a totally new person by the end of season 1, so season 2 is going to be about what that new Gi-hun is going to do and how things will unfold with this new kind of character.
There is also the theory that the second season will go deeper into the backstory of the Frontman. In particular, the story would focus on his history as a police officer. As Hwang previously told The Sunday Times, “I think the issue with police officers is not just an issue in Korea. I see it on the global news that the police force can be very late on acting on things—there are more victims or a situation gets worse because of them not acting fast enough. This was an issue that I wanted to raise. Maybe in season 2 I can talk about this more.”
In a separate interview with The Hollywood Reporter, Hwang teased that he has a few other ideas about what season 2 could look like. As he said:
I’d like to explore that storyline—what is going on between those two brothers? And then I could also go into the story of that recruiter in the suit who plays the game of ddakji with Gi-hun and gives him the card in the first episode. And, of course, we could go with Gi-hun’s story as he turns back, and explore more about how he’s going to navigate through his reckoning with the people who are designing the games.
So, in short, there are various interpretations that he could explore. As for the the star of the show, Lee Jung-jae? He hinted what’s in store for Gi-hun in an interview with Esquire. Surprisingly, following his newly red-haired character’s decision to go after the creators of the Squid Game, he said we could see Gi-hun’s “humorous side” when the series returns.
“Because Gi-hun became more serious because he has to rescue these people, I’m thinking that he would become a more determined character,” said Lee. “But if he’s just too determined, that could be a little bit boring. So I’m guessing the fun parts of Gi-hun will also come out in the next season.”
Originally published on Esquire US
Netflix shows have a certain look. I can guarantee I’m not the only one who’s noticed—but if you haven’t, hear me out. There’s a striking sameness to the streaming service’s offerings, making everything from Wednesday to Cobra Kai look like a Hallmark Christmas movie produced by The CW. Is it an intentional branding statement by Netflix? I’m not sure. I can’t tell you why 3 Body Problem seemingly shares costumes with Avatar: The Last Airbender, why One Piece looks like the Bridgertons with newly developed superpowers, or why you could absolutely convince me that the Love Is Blind pods are placed just a room away from Squid Game’s glass bridge.
And yet, with each and every debilitating binge, I find myself learning more about Netflix’s bizarre visual language. The streamer makes a point of putting every character in the brightest room imaginable. It’s more willing to throw questionably awful CGI at me than to simply film outside, and it really wants to ensure that my eyes are constantly assaulted by a kaleidoscope of colour. Choices! They were made.
But what is Netflix’s visual oeuvre, exactly? I’ve assembled a few of Netflix’s most glaring quirks below, which you’ve probably noticed as well. And if Bobby from Queer Eye designed every damn set himself, it wouldn’t surprise me either.
You can’t convince me that Love Is Blind and Squid Game don’t share a set.
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I can only describe the brightness level of a Netflix show like this: You know that Hinge guy who keeps the big dentist lights on in his apartment instead of buying a ten-dollar lamp from Ikea? That’s where Netflix lives. Someone in the C-suite must’ve watched that House of the Dragon darkness controversy go down and said, That’s never happening here! Even in a joint as dark as The Witcher’s candle-lit castle halls, I can still see the reflection of a beaming white light on Henry Cavill’s (soon to be one of the Hemsworths’) face. I’ll bet it helps the woman I saw watching The Gray Man on her phone on the subway this week, but I pray these actors don’t go blind on set.
This is the face I’d make if The Circle assigned me this room.
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I wouldn’t be watching a Netflix show if, at the end of an episode, I didn’t feel like Van Gogh had tried to paint my Roku. That decor on The Circle? Oof. If I had to spend a month locked in a hotel room with a Pink Lemonade Jungle theme, I’d go insane. (Here’s a drinking game! Have a single beer and try to figure out if you’re watching Emily in Paris or The Ultimatum.) But hey, nothing is more memeable than Netflix.
Sorry, I just had to show you another hideous room from The Circle.
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With each new show, it’s more and more obvious to me where a Netflix set ends and the green screen begins. Remember that room on Squid Game where they cut the cookies? Nothing else should make me feel like I’m back in that space, yet 3 Body Problem’s virtual-reality world is giving off major Dalgona Room vibes. Even when the characters are supposed to be outside, it still feels painfully obvious that I haven’t even left whatever soundstage Netflix rented for the month. I shouldn’t question anything’s realness unless I’m watching Is It Cake?
It couldn’t be any more obvious where the wall begins on 3 Body Problem.
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Quick, someone try to walk up those totally real stairs.
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Don’t tell me...it’s right behind me, isn’t it?
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My last example is a phenomenon I call “But What Does My Favourite Character Think?” This moment usually occurs after a shocking reveal, when everyone crowds into the frame and shares a big ol’ confused look. There’s a chance that any character on the show could be your favourite! So Netflix needs to make sure that you know how they feel about what’s going on as well. What if too many people are in one shot? That’s fine, too. Just have them line up in a row. Cobra Kai is notorious for this—even if there’s a campiness to these moments that sometimes win me over.
A classic Cobrai Kai line-up.
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Don’t move on with the plot until I see what my favourite character thought of what just happened.
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Make sure I can see everyone’s face as if they were standing for a photograph.
(NETFLIX)
The most important thing to remember is that these decisions are not that bad. I’m just lovingly ribbing the streamer. There are shows and original movies on Netflix that are actually a fit for this aesthetic. Bridgerton, for example, probably looks exactly the way it should. And after I conditioned my brain against change over several seasons, the Love Is Blind pods started looking normal to me. But not everything needs to look like this! Sooner or later, I might start thinking Wednesday Addams is on Stranger Things.
Originally published on Esquire US
Listen up, players. A robotic voice shouted into a giant dormitory stacked to the gills with 456 bunk beds. I craned my neck all the way up to the ceiling—which was at least ten Shaqs high—to catch sight of the giant piggy bank that was suspended in the air. If you're reading this, you probably know where I was. On the set of Netflix's brand-new reality show, Squid Game: The Challenge.
Did you watch Squid Game in 2021 and think to yourself, I would totally sign up for these death-defying games to win major dough? Well, I didn't. When I watched the South Korean drama—which follows a down-on-his-luck man who is invited to play a series of games with fatal consequences—I thought to myself, I would die immediately. Despite that, in late January, Netflix invited Esquire to a giant production studio in Northern London, where they had painstakingly transformed the world of Squid Game into a living, breathing space.
Why, you may ask? Well, Netflix staged a reality competition series, called Squid Game: The Challenge, where players would compete in games inspired by the show for a US$4.56 million jackpot. 456 contestants would arrive and begin the competition mere days after we toured the set—and they'd have tough it out there for three weeks. Cut to Thanksgiving week, when The Challenge premiered to the tune of more than a million viewers in the first five days.
After releasing another batch of episodes this week and whittling down its playing field to just three players, The Challenge is gearing up for its endgame—which debuts next Wednesday. Meanwhile, those million-some viewers of The Challenge are wondering what it's actually like to live and play in this batshit world of Netflix's creation, which is where I come in. Hell, I even wondered how a reality show that removed the serious social commentary of Squid Game would even work.
So, after a comfortable (non-drugged) ride to the The Challenge's production lot, I—along with a group of journalists—were prepped to start our two-day-long tour. Squid Game's director Hwang Dong-Hyuk, also visited the warehouse that week. He was just as bewildered by the detailed recreation of the Squid Games sets as us. I asked him what it takes to win Squid Game. "You have to be lucky," he said, somewhat cryptically. Yikes. Could this possibly be the most gruelling competition series to ever exist?
When we arrived to the set, we received our green tracksuits and designated numbers. For the next two days, I wasn't Sirena He—I was 388. Afterwards, we were squibbed. In place of, you know, death—The Challenge gives each player a vest with an ink pack, which explodes when they lose a challenge.
Once we were all set with our squibs and our suits, those guards—the ones dressed in red jumpsuits and black masks—ushered us into the world of The Challenge. They were fully in character. No matter how many jokes I made about competing in the "Squib Games," the faceless guards didn't crack. In a single-file line, we arrived to the first section of the set: the giant dormitory that would house 456 people, lined with rows of stacked bunk beds. When we signed our liability waivers that morning, we were told to be careful while climbing the beds. Cut to me a few hours later, nailing my head on a bunk bed railing.
But that wasn't the most ominous line from the liability waiver. One clause claimed that the show can’t be held liable if I suffer any "emotional damage," prompting the natural follow-up question: What kind of emotional damage will I experience in The Challenge?! I'd soon find out.
Later that day, the guards led us through the pastel-hued staircase until we reached two large doors. They pushed them open, revealing the sprawling marbles set. The walls were painted in the tones of perpetual dusk, with an orange glow shining down on us. Anupam Tripathi, who played the beloved Ali from the original Squid Game was present with us. "I feel like I am right back on set," Tripathi tells me.
We wandered around in awe, exploring the replicated alleyways. But we didn't have much time—it was time to play. Just as in the original show, we would have ten minutes to play. Game rules were explained to us over the intercom, and guards handed us bags of marbles. My partner was was another journalist from a fashion outlet.
We decided to play a game from the show—the one where you put your hands behind your back, clasp the marbles in one hand, bring them in front of you, and your partner guesses which hand the marbles are in. As the countdown clock on the wall ticked away, with guards dragging losing contestants to unknown corners, the game started to feel real.
"Hurry up and pick already!" he said. His eyes constantly flickered to the giant clock looming over us.
Well, the thing was—I was taking my time to try to make him anxious. Because my partner had a tell. He held his marbles hand further behind his back than the other one. I won all of his marbles, and since I knew that a guard wouldn't actually shoot my friend, I did a little victory dance.
Our last stop of the day was to the playground—which means, of course, that it was dalgona time. The guards handed us candy tins, and I placed my palms over the box and tried to manifest a triangle shape. By some brush of extraordinary luck—just like Director Hwang said I’d need—when I opened my tin, a neat little triangle was inside. I flashed my honeycomb at the closest guard. He didn't react.
The 10-minute countdown began. I tried Player 456’s winning technique of licking the back of the dalgona to break down the edges. Almost immediately after I switched to the needle, my dalgona split and took a chunk of the triangle shape with it. Even with the best candy shape, I still lost. Patience is the name of this game. I heard my number, 388, over the intercom. And the squib? The one I was wary of all day? SPLAT! Cold, black ink spurted out all over my chest and neck. I screamed—as dramatically as possible, mind you—and keeled over in defeat.
There she was: Younghee, the giant schoolgirl with laser eyes. The next day, we found ourselves on one end of a football field-sized playground with dozens of cameras peering in through sky-painted walls. "Red Light, Green Light" was our last challenge— and the most gruelling. Here's why: in the show, The Challenge edits the game to appear as if it's only five minutes long. Really, contestants have to remain frozen for an indeterminable amount of time, while a group of impartial panelists analyses the footage and decides who moved and who didn't.
When the countdown began, I immediately broke into a sprint. My heart was pounding hard, as if Younghee’s eyes could actually shoot lasers. When she spun her head around, everyone froze mid-stride—some unfortunate players were in a half sprint. Thankfully, I stopped my right foot planted on the ground, ready for my next step. I fought back a yawn. (Would a yawn disqualify me?!)
A voice called out the numbers of the players who were eliminated. Eventually, I reached the halfway point, clenching every muscle. Minutes passed like hours. Just as I ran past the middle of the field, I heard my number over the intercom. I had to accept my fate. My squib exploded once again, hissing and spraying my face with ink.
This is when I went full reality-TV diva mode.
"This is rigged!" I shouted in defiance, while a silent guard tried to take me away. "Check the video! I didn't move!"
When they finally managed to bring me backstage, I spied on my fellow contestants through the gaps in the walls where the production crew propped the cameras.
"The cameras caught you moving," a production assistant informed me.
"But... I don't think I moved," I insisted, though I was beginning to doubt my own recollection.
"We've got a lot of cameras and a panel of experts examining the replay. You definitely moved," the production assistant said.
Director Hwang's words rang in my head: You need to be lucky. And I just didn't have any luck. Though I'm still considering filing a formal complaint to Netflix.
Originally published on Esquire US
Broadcasted live from São Paulo, Brazil, Netflix Tudum unveiled previews for their shows throughout 2023 and beyond. Teasers range from the live-action One Piece to the announcement of Linda Hamilton joining the cast of Stranger Things' fifth season. We pore through the announcements made and present the ones that matter.
Remember the English live-action remake of Death Note? What about the English live-action remake of Cowboy Bebop? The last two adaptations didn't fair great but this is Netflix, damn it, they will perfect the formulae! And from the teaser above for the best-selling manga, One Piece. It looks to be brimming with... potential? We'll see when the full-length trailer drops next.
Speaking of adaptations...
The problems with the M Night Shyamalan-helmed movie were a-plenty: the whitewashing in its casting; the lacklustre bending; the grimdark tone of the film. Producers of the TV series will adhere more to the cartoon series... except that Michael Dante DiMartino and Bryan Konietzko, the co-creators of the original Avatar series left the TV adaptation over creative differences.
The ghost of Battle Royale returns with... a cast announcement. New players join the second season like Kang Ha-neul and Park Sung-hoon, along with last season's cast—Lee Jung-jae (hopefully without the new dye job); Lee Byung-hun; Wi Ha-jun. We did not see Jung HoYeon mentioned in the announcement. We know of her fate in the last series but a viewer could hope that through the magic of disbelief and a narrative loophole, Jung would return.
When the production of a real-life Squid Game was announced, there was a furore about the morality of staging a real-life showcase about capitalism and class systems. We doubt that Netflix's Squid Game The Challenge would kill off the losers (right?) the show came close to doing so. Reports about contestants' "inhumane conditions" came to light with some of them needing medical aid on site.
Still, we reckon there would be eyeballs to the real-life competition. But The Challenge has a steep hill to overcome as YouTube's Mr Beast came out with his Squid Game-inspired challenge a year ago.
Anthony Doerr's Pulitzer-Prize-winning book was adapted into a limited TV series of the same name. Directed by Shawn Levy (the director of Night of the Museum), we get a first look at the WWII four-parter about a blind French woman, Marie-Laure (played by Aria Mia Loberti) and a German soldier named Werner (Louis Hofmann), whose paths cross in occupied France. The series is expected to be released 2 November 2023.
A Terminator alumnus joins Stranger Things. Linda Hamilton, a badass who rivals the likes of Ellen Ripley, joins the cast for the fifth and final season of the ground-breaking series. No word yet on whom she would play but it should give the show a strong sense of female empowerment when it comes out.
Will this adaptation from Liu Cixin's seminal work redeem David Benioff and DB Weiss? Best remembered for their work behind Game of Thrones and the dead-before-it-was-made TV series, Confederate (an American alternate history where the slaves never got their freedom), Benioff and Weiss will finally make a comeback with this sci-fi series that will stream on Netflix.