For a couple of days, a corner of the internet was speculating which same-haired celebrity Charli XCX was referencing in "Girl, So Confusing", a song from her latest album Brat. Someone who sounded like the English singer wasn't quite a fan of, but didn't exactly seem to be hating on either.
Then the new single dropped and she called it: the Internet did indeed go crazy.
As their lyrics spell out: It's you and me on the coin / The industry loves to spend
The timeline (great, I'm now said industry) will tell that the two female artists shared the era that their respective careers took off. Top the semi-simultaneous debut with certain aesthetic parallels, and comparisons (confusion, for a specific interviewer in 2014) ensued. Rather than capitalise on the drama pitting women against women, XCX took an unprecedented spin on the narrative. She worked it out on the remix.
Not to join the overnight literary students who may be dissecting the discourse and romanticising what it means to be a Girl's Girl, I'll freely admit that Lorde's echoing verses still give me goosebumps.
There's a lot more written vulnerability that reads deeper than simply driving marketing for album sales. There are no overly-poetic metaphors hiding the jealousy and self-doubt (plus weight/image struggles!) that resonate all too well with anyone who is/has been a girl.
The key visual is a clever touch too. Whether intentional or not, having herself back-facing the viewer in the forefront almost feels like she's representing Lorde, whose mutual likeness they already acknowledge in the remix.
As much as both versions depict navigating the byproduct complexities of being a girl, the issue isn't women-only. Here's a free therapy session—if we are truly at peace with ourselves, the opinion of others wouldn't do much to jeopardise that.
And that could be the point of reflection here. When we are self-assured with our egos, it wouldn't matter whether the opinion is accurate, or if the person giving it has influence.
You wouldn't fight to justify yourself by turning your own projections into a rivalry; to feel good about yourself if the outcome swings sentiment in your favour against your "foe".
This isn't the first time Charli XCX went olive-branching. In "Just Desserts", the collaboration similarly puts to bed a spat with fellow indie-pop singer Marina Diamandis. Who, as the other same-haired rumoured subject of "Girl, So Confusing", also had something to say.
As one commenter suggests, that's essentially what the song is. And perhaps that's a lesson for any trending feud, not just among the hip-hop community where beef is so very profitable.
Sure, circumstances could be different where no prior friendship was established between both parties. Yet, taking moral high ground can exist in publicly handling private insecurities. Especially with the fame-bestowed obligation to be a role model that prolific individuals often forget they have these days.
Via this commercially and culturally viral hit, Charli XCX just proved that doing so can be just as, if not more, impactful.
I can barely remember the reason behind Drake's rap beef with Pusha T the last time I did that meme review (I actually still don't, and can't be bothered to). So imagine my reaction when I discovered that this feud with Kendrick Lamar allegedly goes back to 12 years ago (K. Dot's Control, 2012).
According to most fans, subtle disses have been ongoing since, but shit hit the fan at Drizzy's First Person Shooter, featuring J. Cole. Specifically the latter's line:
“Love when they argue the hardest MC / Is it K. Dot? Is it Aubrey? Or me? / We the big three, like we started a league.”
Call me an idiot because I don't see how that's disrespect, but rap tings I guess. To which, Kendrick Lamar responded on Future and Metro Boomin's Like That:
"Motherf— the big three, n—, it's just big me"
It's funny that J. Cole has since left the chat (essentially putting out a diss track; subsequently repenting and removing it), while Drake just kept going.
First it was Push Ups, and Taylor Made Freestyle. Like a tennis match, Kendrick responds with Euphoria and 6:16 in LA. Drake returns with Family Matters, receiving Meet the Grahams WITHIN THE HOUR. And later, Not Like Us.
Drake drops The Heart Part 6, only for Metro Boomin to step in and release BBL DRIZZY, a free beat for fans to pretty much DIY their own Drake diss track.
Drake: Kendrick Lamar beats his wife and one of his kids' baby daddy is his manager
Kendrick Lamar: Drake is an absent father, hiding a daughter, a pedophile and a sex trafficker. Oh, and has disloyal friends
The internet is rightfully making the most of this trending moment, and we're just here to appreciate it all. These are the best reactions. Enjoy.
WHAT WENT DOWN, BASICALLY
GOOD MORNING SUNSHINE THE EARTH SAYS HELLO
THE WISEST MAN IN THIS
LOSE THE BATTLE, WIN THE WAR
OR MAYBE
GENUINELY
IT'S JUST NOT A GOOD DAY TO BE ON DRAKE'S SIDE
SURPRISE, SURPRISE
A TRUE INSPIRATION
FOR REAL THO
OOF
SHOTS FIRED
TRU
ANOTHER REASON TO STAN K.DOT
ME TOO, TBH
FANS TAKE THINGS INTO THEIR HANDS
GUESS THE VERDICT WAS OUT A LONG TIME AGO
