“The Spirit of the Faubourg” is Hermès’ theme for the year, referencing the Maison’s iconic first flagship that still stands at its original address at 24 rue du Faubourg Saint-Honoré. You may think that it’s somewhat of a disconnect then that Lauren Clay, a visual artist based in New York, was given carte blanche to design artist windows for Hermès’ Singapore flagship. But perhaps Clay’s dream-like, almost mystical oeuvre is the perfect way to channel the Hermès spirit. Clay tells us all about it as she readies to present her first ever window to fellow artists in Singapore.
ESQUIRE SINGAPORE: The theme for Hermès this year is “The Spirit of the Faubourg”. What does it mean to you?
LAUREN CLAY: I’m fascinated by the concept of “place” and the unique qualities that a city or building holds. Sometimes we refer to this as “vibes.” The ancient Romans had a term, "genius loci," which is Latin and translates to “the spirit of a place.” This term, “genius loci,” also describes the atmosphere or character of a space. This is an idea that I’ve been inspired by for many years.
Regarding the theme “The Spirit of the Faubourg”, I aimed to capture the feeling of visiting the Hermès rue du Faubourg store, which for me, resonates with the experience of visiting Paris. The store embodies all of the beautiful aspects of Paris that we all love. I also wanted to convey the sense of discovery within the store, highlighting the various elements and unique architectural details it contains. There are numerous pieces from the collection and Hermès family history throughout the store. In my window installation, I wanted to evoke the feeling of exploring and encountering the unexpected.
ESQ: Is that how the name "The Traveller" came about for the windows?
LC: Yes. In the rue du Faubourg store, I particularly admire the main staircase— the curvature of the marble steps and the way they wrap through the different levels of the store. I aimed to capture that in the window display.
In my work, I often try to evoke the feeling of standing on the threshold between the natural world and some other realm. I think this sensation is familiar to most of us in dreams, where we encounter the familiar juxtaposed with the strange or unexpected. It’s similar to the feeling of being a traveler. I appreciate the way Hermès often captures this sensation in their storytelling.
I have a deep appreciation for architecture and ancient art history. Although I studied painting in school, my love for architecture and decorative arts significantly influences my work. The Hermès Faubourg store stands out in that regard.
ESQ: It reminds me of your work as well, because you do feature a lot of stairs in your artworks.
LC: Exactly. I frequently use stairs as a symbol in my work, drawing on art history. Many painters and sculptors have used stairs as a psychological symbol of transition. For example, William Blake’s painting of Jacob’s Ladder and Martin Puryear’s "Ladder for Booker T. Washington" come to mind.
ESQ: What's the process like in creating "The Traveller"? Was it a deviation from your usual process?
LC: This installation was slightly different. Typically, when I create an exhibition for a gallery or museum, I start by making a model of the space and studying its architecture. Usually, I consider the path and vantage points that the viewer has as they walk through the space. However, for the Hermès window installation, the viewer has one main vantage point, which in a way, gave me more freedom. I knew I wanted to create an illusion of depth and space beyond the window. I began with sketches—probably around 20 ideas that only my husband saw—before choosing one and developing it further.
ESQ: Because you're also interested in architecture, did the architecture of the Liat Tower building kind of informed how it was going to look like as well?
LC: Because I live in New York, I hadn’t visited the Hermès Singapore store before, but I studied photos provided by the Hermès team and also different views of the building from the street view on Google Maps. In planning the window, I considered the architectural features, such as the height of the window. Creating this installation felt similar to creating a diorama or tableau, which aligns with my background in painting. A window offers a controlled view, similar to a painting.
ESQ: What was the biggest challenge in designing a window for Hermès?
LC: A key challenge was finding where my artistic vision and the Hermès aesthetic would intersect. I had to ensure both worlds remained distinct while complementing each other.
ESQ: Did you also have to consider where products would be placed or how they would be placed?
LC: Yes, I had a lot of freedom—pretty much full creative license, which was exciting, like a shopping experience.
ESQ: I've looked through a lot of what you've done before and there's clearly a sense of fantasy, dream-like reality to your work. And you often use a lot of pastel colours. Has anything from your own childhood informed or influenced the use of these colours?
LC: I think my colour palette is heavily influenced by growing up in the southern part of the United States. I went to school at the Savannah College of Art and Design, in Savannah, Georgia, one of America’s oldest cities known for its beautiful pastel Victorian and colonial architecture. After Savannah, I went to graduate school in Richmond, Virginia—also an old southern city. It’s hard to explain, but both of those cities have a distinct feeling of place and history. The unique atmosphere there contrasted with my suburban upbringing and profoundly influenced my artistic sensibility. All of my work, going back to college has been influenced by that experience.
ESQ: Is there a story behind the use of the specific colours for "The Traveller"?
LC: The colour palette emerged from collaboration with the Hermès team. Some of my initial sketches were darker, but I’m pleased it evolved into brighter tones. The pastels reflect the stone and marble of the original Faubourg store and work really well with Hermès’ colour palette.
ESQ: I read in previous interviews that you also kind of tie some of your works to dreams that you’ve had. Was there a specific dream that you had for "The Traveller"?
LC: I've been studying my dreams carefully for about five years now. In my dreams, I often find myself in familiar places, like a grandparent’s house, but I keep discovering hidden doors, stairwells, or entire rooms that I didn’t know were there. I have this type of dream frequently, and I wanted to bring that sensation into the Hermès installation—that feeling of discovery and mystery.
ESQ: Have you learnt anything from studying your dreams?
LC: Definitely. Yes, I feel like a completely different person after spending five years studying my dreams. I agree with Carl Jung’s idea that dreams often reveal parts of yourself that you didn’t know were there. Dreams come from the unconscious realm—quite literally, the part of you that you’re not aware of. Sometimes the unconscious can reveal something encouraging; other times, it stings a little. But it’s valuable information, and I’ve found studying my dreams to be really rewarding.
ESQ: Do you dream in colour?
LC: I do, and some dreams have particularly vivid colours, though not always. Colour is a whole other type of symbolic language.
ESQ: It does seem as well that your work mostly has this positive, dream-like energy. But I do feel that there are some darker influences in certain pieces.
LC: I'm curious what pieces you’re thinking of.
ESQ: For example, "Fix your eyes on the unseen realm" and “Lover’s Knot" I feel had darker undertones.
LC: I think what you’re picking up on is that feeling of witnessing something that is simultaneously familiar and uncanny. I'm intrigued by spiritual ideas and the realm of the unconscious, which is why I often discuss dreams in relationship to my work. I think most of us have experienced this feeling in our dreams; there’s a mysterious aspect to dreams. Carl Jung referred to it as “the numinous” aspect of dreams. The sculpture, “Lover’s Knot” is inspired by an old Scottish folk song, "Barbara Allen", which is about unrequited love and a couple who die and are buried next to each other. Out of one’s grave, a thorn bush grows, and out of the other, a rose bush, and they grow together, intertwined. It’s a folk song that influenced early country music, but there’s definitely a dark element to that reference.
ESQ: Is it important for you to keep your artwork kind of lighthearted?
LC: Given the darkness in the world, I prefer to bring light. The New York art scene can be very cynical and political, which isn’t my focus.
ESQ: It feels like your work is a collage of different ideas and references, that you then twist into your own vision. In some ways, to me, it echoes what AI does, right? Pulling out information from everywhere, and then generating an image. What are your thoughts on AI with respect to art?
LC: I find it fascinating. I’ve experimented with AI for generating ideas, and I think it’s an exciting tool. There are artists who have been successfully using it for years—like Jon Rafman. I’ve only played with it a bit but I’ve used it to inspire new concepts, feeding in images of my work and observing the results. It has sparked ideas for a few of my drawings. Sometimes it has good ideas. (laughs)
ESQ: There's this saying that likens a painting to a window and now that you've done an Hermès window, how do you feel about it?
LC: Working on this installation for Hermès felt particularly poignant because it literally serves as a window, offering a curated view into a space that is simultaneously real but impossible. Just as I do in all my work, for this project, I wanted to create a bridge between the familiar and the fantastical, allowing viewers to experience a moment of discovery.
This interview has been edited for length and clarity.
Straight out of the '80s, the Ray-Ban Wings sunglasses were favoured by pilots due to the look and quality. The brand has since brought back the style in a number of iterations, with this latest one being a combination of the original and the Wings II. It maintains the squarish frame of the latter with an elongated taper that extends slightly towards the sides for more coverage. The brow bar remains a key fixture, making the style ever-enduring.
Pharrell Williams has a penchant for softness in Louis Vuitton’s bags. His Soul Trunk East West bag is a new supple take on the Maison’s trunk-making heritage; featuring reinforced corners and a duo of straps for maximum versatility of wear. The main compartment is secured with a zipper but there’s also a magnetic closure (fashioned to look like a trunk’s clasp) for quick reach into the interior while keeping the bag closed.
The sleek appearance of the second-generation EVOA Z is a Trojan horse for the top-tier functionality that the Samsonite luggage is known for. Some of the nifty design elements: a small but mighty hanging hook is integrated right below the pull handles to hang light items, zipper pullers are fixed with magnets so that they bind together to prevent theft, and the wheels glide with maximum smoothness and manoeuvrability.
The signature embroidered Pony logo of Polo Ralph Lauren makes for a subtle statement. It calls to mind the preppy aesthetic steeped in the brand’s history. Created using precisely 982 individual stitches, the logo sits front and centre on this BetterCotton twill cap. We don’t have to tell you just how indispensable a good cap is but just know that with this particular piece, the pairings are almost limitless.
Listen, we get that the Dyson Zone headphones (you know, the one with the air purifier attachment) seemed like a joke. And to be fair, perhaps Dyson knew that too. The brand’s latest audio device removes the extraneous feature and focuses solely on the audio quality and ANC. What we got: the Dyson OnTrac that's customisable wth a range of colours for its caps and cushions.
The Reverso is a revolutionary icon that stood the test of time. This latest iteration is a throwback to earlier models including a classic chemin de fer, applied hour markers and dauphine hands. Both sides of the timepiece feature a sunray dial—one lacquered in blue and the other in silver—for a classically elegant look whichever way you choose to turn to.
The Zegna Triple Stitch is a definite winner in our books. Already traipsing the line between casual and dressy, the brand takes it up a notch with an iteration that is tailored for more outdoor pursuits. The Triple Stitch Monte (Italian for “mount”) is fitted with Vibram soles for increased traction, all the while retaining the look and silhouette of the original.
For better or worse, the Dior Sauvage has quite the reputation—you either love it or don’t quite fancy it. The Dior Sauvage Eau Forte however, would easily satisfy both camps. The essence of Sauvage is still present but reimagined in an alcohol-free formula that’s light and fresh while having the intensity of a parfum. In other words, you probably won’t be assaulting anyone’s nose with this.
The distinctive Bone ring, a reincarnation of Elsa Peretti’s iconic 1970 Bone cuff design, has to be experienced first-hand to be appreciated. Its sinewy contours make for a subtle statement, but it is also sculpted to conform to one’s finger or knuckle. There is no restriction of motion despite its size and fits comfortably like second skin.
Everyone needs a throw-all duffel in their arsenal. This collaboration piece between Montblanc and football legend Zinédine Zidane runs high on the list of the perfect duffels. For starters, it’s incredibly roomy yet lightweight at the same time. The inside is thoughtfully designed with organisation compartments and loops, and of course, the exterior is as handsome as they come with Montblanc’s subtle Extreme 3.0 motif.
Photography: Jaya Khidir
Styling: Asri Jasman
Photography Assistants: Aliy Alam and Nowo Kasturi
It might be odd to think that something as angular as this tote is called the Rocking Horse. The name actually refers to the line’s initial bag designs constructed with a curved base that allows them to easily rock like a rocking horse, and are distinguished by the “b” closure. Its tote incarnation keeps things classic with a briefcase-like silhouette for some serious corporate-appropriate style chops.
We could all do with some added height and when it comes to heeled boots, hardly anything comes close to Hedi Slimane’s versions for CELINE. These are cut in a familiar Chelsea shape for fuss-free slipping in and off and the pointed toes immediately help to elongate the legs further. Also, peep that subtle Triomphe branding right at the ankle—an extra touch of if-you-know-you-know branding.
Gucci’s connection with London’s The Savoy goes all the way back to when founder Guccio Gucci worked as a porter at the famed hotel. The experience prompted him to found his own luggage atelier upon his return to Florence (no guesses what that eventually turned into). This cabin trolley is a nod to the very beginnings of Gucci, but of course, updated with wheels and a telescopic handle. When not in use, it makes for quite an ornamental interior piece much like a classic travel trunk.
Nothing comes close to being as classic and unbelievably versatile as a pair of leather lace-ups. You’d easily be able to dress them up or down and they go with just about anything. Tod’s may be known for its pebble-soled Gomminos but the comfort of its footwear translates even to something as sturdy as a pair of leather lace-ups. The lugged rubber sole gives it a more contemporary flair and traipses the line between formal and casual seamlessly.
The TUDOR Black Bay is an icon. And like most icons, it requires little tweaking. This latest iteration keeps all the design aesthetics with a monochromatic intent that successfully highlights every detail to perfection. The black sunburst dial is undoubtedly subtle but perfect for a timepiece you would want to put on every day, for any occasion.
RIMOWA’s Personal crossbody bag receives a new seasonal colour in a stunning shade of emerald green, and it’s quite honestly one of the more eye-catching shades in its aluminium series yet. The shell is wrapped around leather straps in a darker shade of green that matches the leather interior, and the palladium hardware contrasts beautifully against the rich hue. It could be an intimidating colour to wear but match this with neutrals for a surefire way of pulling it off.
With an Art Deco-inspired bottle design, you would think that Penhaligon’s The Dandy is somewhat of a traditional, masculine fragrance—heavy, woody and mildly overbearing to most. Yet, the fragrance surprises by being woody without that heavy lingering of intensity. The hints of warm, spicy notes cut through slightly after a while for a more balanced take on a liquor-forward scent. The Dandy is definitely more of an evening scent but its lightweight quality could just as easily be used in the day too.
Never underestimate the power of a scarf, especially one with hand-rolled trims and in colours that will never go out of style. Loro Piana updates the paisley print with bold, stark lines for a more elevated look. It’s a cashmere-silk blend that’s incredibly lightweight yet will definitely provide some warmth should you need it; or wear it loosely around the neck (in as many permutations as you could think of) to simply add a touch of irreverent elegance to an outfit.
The beauty of a Loewe candle is that the moment the wax completely burns off, the ceramic vessel can be used in a myriad of ways, all while looking like a piece of art. The latest Wasabi scent is one of the line’s more intense offerings with its green and spicy notes reminiscent of that first whiff of a spoonful of wasabi. Fair warning: this may make you crave for some sushi.
Yes, you don’t necessarily need a card case any more since everything is pretty much be done with your mobile. But neither do you need a watch nowadays too. It’s all about the aesthetics and this piece by Saint Laurent is a slim iteration with four card slots (just right). It also comes with a detachable strap you’d able to secure around a belt loop or wear around the neck as an accessory. The design is clever—the card slots are enveloped within a leather housing for added security.
Photography: Jaya Khidir
Styling: Asri Jasman
Photography Assistants: Aliy Alam and Syed Abdullah
I recently took a much-needed break from work. It was after a peak season of work and various commitments. But instead of a beach holiday to Phuket or to Japan to snowboard, I embarked on something unconventional. It’s a project that I’ve always wanted to do as one of my self-actualisation goals this year: to start my own fashion brand.
While I take much pride in my day job as a financial planner—a job that I’ve been engaged in for the last nine years—I’ve always also been interested in business and creating things that are fun and meaningful. I’ve had experience (and sometimes hard lessons aside from the successes) in building and investing in various industries. These range from F&B franchising to tourism and hospitality. But I’ve always been intrigued by the idea of building a physical product from scratch. And then weaving in the rest of the facets of a business like the financing, supply chain management, distribution, e-commerce and so on.
I have also always adored nice prints. If I’m not in my daily workwear of business casual and suits, I’ve always appreciated the fine designs of Indonesian batik. The word “batik” is thought to be derived from the
Javanese words “amba” (to write) and “titik” (dot), emphasising the meticulous process of creating intricate patterns through wax and dye. What adds meaning is how the intricate designs and motifs are intertwined with the cultural, social, and religious aspects of the different regions in Indonesia. Inspired by the rich history and timeless beauty of Batik, the idea to create a modern interpretation that resonates with contemporary sensibilities took root in my mind.
This time around, my “break off work” wasn’t so much a “brain break” but, rather, an intentional “discovery and inspiration break”. Don’t get me wrong—I still appreciate the occasional actual holiday. But a trip with a sense of purpose held a special air of excitement from the moment I stepped into the airport.
I made a trip to Java with an Indonesian-speaking intern that I hired to communicate with the locals. We held initial discussions with potential suppliers while taking in the sights of an unfamiliar town. The lush vibrant colours of the semi-rural cafe where we met a supplier, created a sensory backdrop for our business endeavours. Visiting another at their factory allowed for a deeper understanding of their processes and values. Beyond the business meetings, exploring the town with my intern created a shared experience that went beyond the transactional nature of business.
A journey to Jakarta, on the other hand, was a voyage into the past and present simultaneously. I reconnected with long-lost acquaintances and asked for introductions to new friends and quickly gained valuable insights into the developments of the local business landscape. I explored the city’s dynamic cafe scene. It was a reflection of the city’s pulse that encapsulated the energy of its inhabitants and provided a social nexus where people converged. Coffee was the social lubricant to have these meaningful conversations over. New perspectives were gained; these could never be gleaned from a conference call or email exchange. These experiences opened up new avenues of understanding and growth.
Like threads on a loom, the venture started to take shape. The idea of building a modern batik brand isn’t just about the batik, or simply about the business—it’s an adventure in personal growth. The process of weaving my own adventure is akin to mastering the intricate dance of wax and dye. No doubt there will be challenges emerging like knots in thread, demanding patience and resilience. From sourcing materials to navigating the complexities of the market, each obstacle was an opportunity to learn and grow.
This is by no means a success story of any sort. It is simply a snapshot; a journal entry of a point in my life where I had an itch I’ve always wanted to scratch. It’s only the beginning, but I’m glad I’ve embarked on it. I’ve met amazing people along the way and found that when you approach the world with enthusiasm, more often than not, the world responds positively too.
Deep down, I think we all have this yen for creative fulfilment—in whatever form it takes. Sometimes the most meaningful trips happen when we intentionally veer off the beaten path. This is the narrative that I chose to weave for myself recently. What’s yours?
Tay's Pakar Batik is now available
Among the many designs in Bvlgari's extensive repertoire, the Serpenti is arguably its most recognisable and synonymous with the House. Think of the snake in the context of luxury watches and jewellery, and Bvlgari's Serpenti would immediately come to mind.
Like many great design icons, the Serpenti has seen a slate of interpretations over the years. The serpentine design was first birthed by Bvlgari in 1948—a watch-bracelet in gold featuring the now-signature Tubogas technique—and has seen its design as well as silhouette reworked in many different ways. Life-like (yet still with an Art Deco influence) forms are often riddled with precious stones, while more contemporary abstractions add a sense of timelessness to the piece they're shaped into.
The Serpenti Viper was introduced a few years ago. Like its name suggest, the aesthetic of the Serpenti Viper is meant to exude a more energetic and somewhat menacing appearance. It's a bolder interpretation and not in the sense that it's a statement piece—there are certainly pieces intricately decorated with precious stones—but rather, the stylistic vibe is a contrast to the Serpenti's elegant aura. Think of the Serpenti Viper as the edgier update that’s versatile enough to be worn for just about any and every occasion.
The beauty of the Serpenti Viper lies in its stylised snake scale motif. It’s an expertly rendered gradation as each link—differing ever so slightly in size and scale—curves out of the head and down to its tail. This maintains the Serpenti’s distinct enveloping lines that instantly connects the wearer and the creation in a snug embrace. Whether it’s a ring, necklace, or bracelet, each piece interacts similarly as a mark of Bvlgari’s ingenuity and craftsmanship.
Sleeker than ever, the 2024 Serpenti Viper editions enrich the series further with designs crafted in 18-carat yellow and rose golds. Some are embellished with a touch of demi pavé diamonds while still maintaining the minimalist foundation of the series. The latest necklace, for example, features a gold chain with a coiled up Serpenti Viper pendant tipped with diamond pavé, each matching the scale of its placement.
The heroes of the collection—and arguably the most versatile—are the new rings and bracelets. A new single-wrapped ring is the embodiment of the Serpenti Viper. Available in rose and yellow gold, the design includes one with diamonds as well as a pure gold body. It’s perhaps the simplest form of the series yet at the same time, able to take on a new expression when stacked with either the same hue of gold or its other iteration. The same goes for the new single coil bangle bracelets. A piece has a presence on its own but thin enough to stack for those who’d rather make a bigger impact on the wrist.
Like the moulting of a snake’s skin, the Serpenti is no stranger to evolutions as it constantly does so. But with the Serpenti Viper, the attribute is more apparent as not only is a Serpenti Viper an evolved form of the Serpenti, it also can change within its own line—a personalised impulsivity, if you will. Now that’s rather menacing, don’t you think?
The latest Serpenti Viper collection is now available in Bvlgari boutiques and online.
Cartier is set to commemorate Trinity's centennial with a pioneering pop-up experience, offering an immersive journey delving into every facet of this quintessential jewellery piece. The Trinity 100 pop-up is set to allow visitors to explore the rich history, intricate craftsmanship, and symbolism of the Trinity design. Meanwhile, they also have the opportunity to engage through interactive displays, artistic installations, and curated exhibits.
Originally designed by Louis Cartier in 1924, the Trinity has evolved into an iconic symbol recognised worldwide. Over the past century, this innovative design—comprising three interlocking rings in varying shades of gold, representing love, friendship, and diversity—has maintained its universal appeal. It's a masterpiece that has been worn by many famous faces—from Alain Delon to Paul Mescal to Jackson Wang—and was inspired by an idea from Jean Cocteau, the cutting-edge French playwright, designer and poet. Fascinated by Saturn's encircling rings, Cocteau asked his friend Louis to create a personal adornment for his little finger, transforming the intricate planetary ring system into a timeless emblem.
At the Arts House in Singapore, the Maison will unveil a unique collaborative project titled Imagine Infinite Circles. This revolutionary initiative brings together over 100 works by creative figures from diverse disciplines and backgrounds worldwide. Each piece pays homage to Trinity, celebrating it as an endless wellspring of inspiration.
Curated by French art curator and artistic director Jérôme Sans at Cartier's request, the exquisite collection showcases 30 selected works that resonate deeply with the cultural and artistic spirit of Singapore. Through this project, Cartier aims to highlight the universal appeal and timeless beauty of the Trinity design, fostering a global appreciation for its enduring legacy.
The Cartier Trinity 100 pop-up is free and open to the public from 15 to 23rd July 2024 at The Arts House, 1 Old Parliament Lane, Singapore 179429. Appointment bookings are now available online.
Pharrell Williams made waves when he was spotted with a custom pair of Tiffany & Co. sunglasses (a stunner totalling 25 carats worth of diamonds). Now that they’re both part of the LVMH family, a proper collaboration only made sense. The Tiffany Titan by Pharrell Williams collection is iced out with diamonds against spear-shaped links that reference the Atlantean King—both an ode to his love of water as well as the neighbourhood he grew up in.
The basis of the Sulwhasoo The Ultimate S Enriched Water’s vessel is the porcelain white moon jars originating from the Joseon dynasty. The design mirrors the phases of the moon and symbolises the reawakening of skin vitality with The Ultimate S Enriched Water. What is more of a full-circle experience than having age-defying skin, right?
Smart or not, the function of a watch remains the same—tell time and save you time. Samsung’s Galaxy Watch6 does both and more with its enhanced sleep-tracking capabilities—all in one single device—that aid in ensuring you’re getting the best rest at night so you’re energised in the mornings. The Watch6 is also equipped with a larger display and is thinner in size for maximum comfort.
As part of creative director Sabato De Sarno’s first menswear collection for Gucci, the iconic Horsebit loafers get a contemporary update. Chunky soles and Gucci-branded hardware right at the toe lend a punk sensibility that’s both a question and an answer to how he sees the House: Gucci is Gucci.
Is there a better way than how you’re taking your coffee? Sttoke thinks so. Just like how one would swirl a glass of wine, Sttoke’s Swirl cup is meant to heighten the taste of your favourite brew. The two-layered design gently mixes coffee layers evenly with each swirl so that each sip makes for a balanced one. Aromatic molecules that are released are directed for a more all-encompassing coffee-drinking experience. Also, if you’re a klutz, the ceramic Swirl cup is reassuringly shatterproof.
Celebrating its 130th anniversary this year, Longmorn doubles down by sticking to its guns in its dedication to refinement and flavour. With its commitment to producing single malt whiskies that are matured for no less than 18 years, this 22-Year-Old goes beyond the years with a flavour profile that is a rich balance of hazelnut praline and signature toffee.
Considering how iconic the Quatre series is to Boucheron, it’s surprising to know that it has only been around for 20 years. This special milestone piece is the most precious iteration yet with rows of precious stones and PVD to reimagine the four distinct codes of the Quatre. It’s a knockout of a piece but yet something you’d easily wear on the daily.
Lavender is one of the oldest ingredients in perfumery and continues to be reimagined. Issey Miyake Parfums’ latest interpretation dials down the typically powdery sweet nature of lavender with Sichuan pepper and cedarwood for a warm and dry fragrance. L’Eau d’Issey Pour Homme Solar Lavender is concocted with ethically sourced lavenders from Provence so you know they’re primo.
Loewe’s Puzzle design has quickly become at the forefront of contemporary bag designs. The brand takes it up a few notches with its latest Puzzle Fold tote bag that is crafted from multicoloured raffia. The structural integrity of the design holds thanks to expert raffia-weaving, yet what’s even more amazing is the fact that the bag is still able to pack flat without any force necessary. Now, that’s craft.
The Oblique motif continues to be one that the house and its roster of creative directors return to. In its latest expression, the Dior Gravity Leather, takes the form of an all-leather rendition of the B27 sneakers. The Dior Gravity Leather is seamlessly integrated with the rest of the leather construction that it’s a case of IYKYK.
Photography: Jaya Khidir
Styling: Asri Jasman
Photography Assistants: Ng Kai Ming and Nowo Kasturi
Styling Assistant: Erica Zheng
I find myself travelling for work more and more these days. It is a strange upturn, particularly in a world that has accepted and embraced the digital office and Zoom waiting room. And, while it is always nice to see new places, I must confess that the substantial size of my carbon footprint is starting to weigh on me—which has got me thinking of ways I can try alter my behaviour to offset it in different ways.
As I find myself spending a significant amount of time in hotels, I’ve started to develop criteria for selecting places to stay at. For example, they must be conveniently located, preferably within walking distance of my main destinations, and while not necessarily luxurious, they should offer easy access to amenities.
Besides the accessibility to good Wi-Fi, the attention and friendliness of the staff will always be a factor in my return visit to a specific hotel. Then, of course, there’s the quality of the bed linen. I don’t sleep much, but I sleep fast, so I need the bed to feel perfectly comfortable.
With almost half of last year spent on the road, I have taken to making little notes detailing typical design missteps that hotels often make—regularly where cost-saving measures are prioritised or the interior designer failed to consider the comfort of guests. Allow me to share a few of my findings.
In the hotel industry’s quest for smart automation, almost every property offers a whole set of challenges when it comes to operating the lights and curtains. Some can be so frustrating that I’ve needed to try to contact the reception desk for assistance, only to not being able to find the number to dial. In one stay, I had curtains without a window behind them; rooms with a single electrical plug socket; toilets that were located more than two metres from the paper roll holder; an ashtray in a non-smoking room; and confusing multiple elevator set ups with buttons that make no sense.
Then of course there are the overly "designed" rooms where the rooms have no mirrors, or feature glass windows between the bathroom and the bedroom—unthinkable when you’re travelling with a colleague or family member who isn’t your significant other. No, open plan bathrooms are not a design error, but rather an increasingly bizarre feature of modern hotels.
Failures in hotel design are always preventable, which is fascinating when there seem to be so many of them.
The concept of design is rooted in the traditions of hospitality. Since ancient times, the hospitality industry has served at the behest of making the journey of the traveller more amenable. The development of many diverse types of Inns, hotels, brands and other services has occurred in cultures all across the world—but they always start by design conception, some of them taking years on this stage.
The initial design phase is crucial, drawing upon centuries- old traditions of hospitality. Hotels often falter due to technological obsolescence or poor furniture choices, a problem not limited to budget accommodations but also seen in luxury resorts.
Ultimately, the staff’s attitude plays a pivotal role in creating a memorable guest experience, as Eleanor Roosevelt once said, “True hospitality consists of giving the best of yourself to your guests.” When you travel, it there is no memory, there is no value. Well, it’s a good thing I’ve been keeping my notes then.
Augustinus Bader is known for its potent, science-backed skincare, and now it is extending the cellular- renewing magic of its proprietary TFC8 tech to hair. An upgrade from its predecessor, The Rich shampoo and conditioner work in tandem to revive hair that’s extra-dry, heat-damaged, coloured and/or breakage-prone. Essentially, you’d have a mane like this handsome boy pictured.
Don’t be fooled by the appearance of this backpack. This work of art is part of Berluti’s Toujours Soft series. Crafted from Venezia leather, it cuts a rather structured profile but feels incredibly soft (and not to mention, light). The softness also gives the backpack potential to be even more pliable with age. The Scritto-decorated exterior also lends a classic gentlemanly air that’s contrasted with the contemporary top-handle-backpack hybrid.
Because ideas of what makes a man have changed over the decades, it makes perfect sense for Guerlain to update some of its signature men’s fragrances. Perfumer Delphine Jelk sought inspiration from the world of spirits, transforming Vetiver, Habit Rouge, and L’Homme Idéal into eau de parfums reminiscent of infused gin, bourbon and amaretto respectively. The intensities are heightened thanks to a selection of concentrated ingredients; each of the fragrances is seductive in its own way.
How does one create leather shoes that feel buttery-soft on your feet? Zegna achieves it with the use of leather typically reserved for making gloves. Not only is the leather durable and extremely light and airy, the glove leather-tanning process gives it a form- retaining capability that heightens the luxurious feel of the Zegna Triple Stitch SECONDSKIN shoes. Your feet will thank you.
Jabra boasts that its Elite 8 Active earbuds are the world’s toughest and it’s easy to understand why. They are US Military-tested to be dustproof; completely waterproof (with the added boon of being saltwater-proof), and fitted with the Jabra ShakeGrip tech to keep your ear buds in place no matter what activity you engage in.
Say hello to the second release in The Macallan Home Collection. This particular expression is a hearty mix of sultana, rich velvety butterscotch, toasted oak, chocolate and nutmeg for that characteristically sweet and fruity palate of the Spey. But beyond the whisky, each bottle comes with a set of three limited-edition giclée prints by artist Michelle Lucking to visually transport you to the natural beauty of The Macallan's home.
It’s all in the foam with this one. The New Balance 1080V13 is fitted with a thick rubber outsole to help increase its durability in high-wear areas. There’s also its midsole that’s made for incredible comfort thanks to its bio-based Fresh Foam X material. There’s no doubt you’d be able to breeze through your daily training runs in these without needing to worry about post-run aches.
Twenty-five years ago, Bertrand Piccard and Brian Jones were the first to circle the globe nonstop in a hot air balloon. Their timepiece of choice? Breitling’s Orbiter 3, clocking in 45,633km in 19 days, 21 hours and 47 minutes. To commemorate that incredible feat, the Aerospace B70 Orbiter is dressed with an orange dial reminiscent of the balloon’s capsule and marked with the mission logo. A piece of the original balloon is also embedded within the watch itself, visible through the open caseback—a piece of history in your hand, literally, to remind you of the indomitable human spirit.
We cannot tell you just how soft Loro Piana cashmere is—it is something you will just have to experience for yourself. This fringed cashmere scarf will keep you warm, whether in an air-conditioned setting or during a winter vacay. It’s that luxe feel that’s akin to being snuggled up by a fluffy kitty. Oh, and that circular gold logo adornment adds a rather spiffy touch too.
We are all familiar with RIMOWA’s signature grooved detailing on its suitcases and accessories by now. But dig deeper into the brand’s archives and you would find the Hammerschlag (the German word for “hammer hit”) that predates the grooves. RIMOWA brought back the textured, polished aluminium series for a limited edition collection. This time, updating it with modern travel functionalities, so that it’s perfect for when you want to escape the rigours of life for a bit.
Photography: Jayden Tan
Styling: Asri Jasman
Digital Imaging and Retouching: Nguyen Tien Phuc
Photography Assistants: Aisyah Hisham and Brian Neo
Special thanks to Cat Paradise
Given the increasingly intertwined realms of fashion and design, it's expected that major fashion labels continue to expand their design repertoire into furniture during Milan Design Week. As the world's largest furniture fair, the event showcases the latest in furniture and design, drawing hundreds of thousands of visitors annually. Below, we take a closer look at a number of furniture collections and collaborations by fashion brands that were released and showcased during the week.
Titled the "MCM Wearable Casa Collection", the collection by MCM was created in collaboration with Atelier Biagetti and curated by Maria Cristina Didero. This was the MCM's first time taking part in Milan Design Week, yet the collection effortlessly showcased its authenticity. MCM is known for its rebellious spirit, and this collection reimagines the role of furniture through unconventional designs that fit into the avant-garde. The collection brings the audience out of this world with its portable and multifunctional pieces in thought-provoking designs.
Longchamp held an exhibition at its boutique on Via della Spiga from 15 to 21 April, spotlighting on studio högl borowski—headed by Viennese design duo Stefanie Högl and Matthias Borowski. Through the their careful selection of materials used, unique sensory experiences are constantly being explored. Ranging from furniture to sculptural objects, studio högl borowski’s innovative pieces create new dialogues between fashion, art and design. Borowski’s fascination for craftsmanship, shapes and proportions and Högl’s love for colour, materiality and telling stories often lead to their unique compositions in designs.
Saint Laurent Rive Droite teamed up with the Gio Ponti Archives, Ginori 1735 and the Fundación Anala y Armando Planchart to exhibit the Villa Planchart Segnaposto Plates collection. Originally designed by Gio Ponti, the collection is decorated with various symbols of the villa of Anala and Amando Planchart. These traditionally crafted decorative porcelain plates are painted by hand in Ginori 1735’s Italian Manifattura. The Gio Ponti-Villa Planchart exhibition was held during Milan Design Week at the Chiostri di San Simpliciano. The limited-edition plates are now available for sale online as well as at the Saint Laurent Rive Droite boutiques in Los Angeles and Paris.
Versace opened their doors to their original Milan home and design Atelier at Palazzo Versace, Via Gesù 12, to showcase the latest Versace Home collection. The collection's designs prominently feature iconic symbols like the Medusa, Barocco, and Greca, exuding luxury in true Versace style. Visitors immersed themselves in the rich history of Palazzo Versace through an audio experience titled "Versace Home: If These Walls Could Talk". It narrated stories of the Palazzo's significance in fashion and culture, including the historic Fendace fashion show that saw the coming together of Fendi and Versace.
Bottega Veneta collaborated with Cassina and Fondation Le Corbusier to present On the Rocks at Palazzo San Fedele, focusing on the LC14 Tabouret Cabanon. Le Corbusier originally designed the Tabouret for his cabin, and took inspiration from a washed-up whiskey box. It features masterful dovetail joints and oblong openings. The exhibition showcased custom editions of the Tabouret, including a new limited-edition tribute in signature Bottega Veneta's Intrecciato. The wooden editions feature a traditional Japanese charred-wood technique, providing natural protection to the wood while revealing the unique patterns of the wood grain. On the Rocks also offered a glimpse into Palazzo San Fedele, that's soon to become Bottega Veneta's headquarters.
Hermès presented a captivating blend of contemporary home collections with iconic heritage designs, showcasing their enduring commitment to craftsmanship and excellence. Inspired by vibrant jockey silk jersey motifs, leather goods and intricately crafted blankets in subtle shades take centrestage alongside luxurious cashmere bedspreads featuring intricate patterns. The new Diapason d’Hermès lounge chair in leather and hammered aluminium, along with ethereal lamps inspired by equestrian vaulting, reflected Hermès' innovative design approach. The showcase epitomises Hermès' spirit of merging artistic excellence with impeccable craftsmanship, creating timeless pieces imbued with sophistication and style.
Giorgio Armani reopened the doors of Palazzo Orsini, the brand's historic headquarters, to present the new Armani/Casa collection entitled "Echi dal mondo" ("Echoes from the World"). Each room in Palazzo Orsini corresponded to a geographical area that inspired Armani throughout his career, identifiable by nods to different aesthetics and fashion cultures. Inspired by atmospheres, colours and shapes encountered during Armani’s travels or research, the collection is presented in settings never been seen before, offering an intimate experience. It was seamlessly integrated with Armani’s personal memories and travel mementos, weaving a narrative that celebrated creativity, craftsmanship and diverse cultural influences.
Loewe engaged 24 different artists to create a new collection of lamps as part of its Milan Design Week effort titled, "Loewe Lamps". Utilising a wide range of mediums, the collection centres around the manipulation of light. The floor, table, and suspended lamps—presented in the Palazzo Citterio—were materialised using bamboo, paper, leather, and glass into innovative forms inspired by natural and man-made objects. Among the featured artists, Genta Ishizuka's suspended lamp stood out, reflecting an organic cell with glossy lacquer layers and gold finishing.
Gucci’s creative director Sabato De Sarno’s gravitation towards Rosso Ancora was further established in Design Ancora. Curated by Michela Pelizzari, Gucci exhibited its new furniture collection at its flagship store at via Monte Napoleone, 7. Five iconic Italian furniture pieces were reimagined and customised in Gucci’s signature Rosso Ancora, featuring works from Italian design masters including Mario Bellini and Tobia Scarpa. “Through Design Ancora, Gucci doesn’t simply celebrate old icons, it creates new ones,” explains Pelizzari. “The aura emanating from the brand spotlights five pieces by Italian masters that are perfect from a design standpoint but less known to the general public.”
Designed under the creative direction of Silvia Venturini Fendi, the new Fendi Casa 2024 collection introduced new products while maintaining iconic elements like the FF logo and Pequin pattern, showcased in luxurious materials and meticulous craftsmanship. Fendi further ventured into tableware and home textiles with its new home accessories collection, featuring elegant designs in French Limoges porcelain, artisanal woven leather, and blown glass. The collection intertwined Fendi's fashion universe with exquisite home decor, offering a luxurious and distinctive aesthetic.
Louis Vuitton unveils a range of exquisite offerings at its Garage Traversi store in Milan. The new Bed Trunk, a modern interpretation of Louis Vuitton's original design from 1865, combines tradition with innovation. The trunk features the iconic Monogram Canvas exterior and an interior crafted from aluminium and beechwood, and transforms effortlessly into a sturdy bedframe. Iconic Objets Nomades designs like the Cocoon and Bell Lamp were also showcased, blending Louis Vuitton's craftsmanship with contemporary design. Additionally, an expanded tableware collection introduced a new beige colourway, showcasing a fusion of classic and modern aesthetics.
Led by the Singapore Tourism Board (STB), Singapore’s participation at the World Expo 2025 was an opportunity to share our nation’s story. Located at Yumeshima Island, situated near Osaka, Singapore's pavilion design is called "The Dream Sphere". It is a seven-storey bright red sphere that pays homage to Yumeshima Island’s name, meaning "Dream Island". With the tagline, "Where Dreams Take Shape", this sphere is designed and produced by Kingsmen Exhibits.
If the design looks familiar, chalk it up to coincidence. Leading Singapore-based multidisciplinary design firm, DP Architects spearheaded its architectural design. Inspired by Singapore’s endearing moniker, ‘the Little Red Dot’, DP interpreted the look of the Dream... quite literally. Conceived in line with the expo's theme of "Designing [a] Future Society for our Lives", the Pavilion aims for positive change to build a more sustainable and liveable city for Singaporeans. It's constructed around the tenets of 4Rs—renew, reuse, reduce and recycle. And staying true to the message of sustainability, the facade is made of more than 20,000 recycled discs.
Other design features of the Pavilion include its scaly exterior. It references the Seigaiha, a traditional Japanese wave motif, and Ema, a Japanese wooden wishing charm. The sphere’s colour coincides with Singapore's and Japan’s national colour. Its shape resembles the distinct silhouette of the Japanese ume.
Carrie Kwik, Executive Director, World Expo and Special Project, STB, said, “Singapore’s participation at Expo 2025 in Osaka serves as an important platform for Singapore enterprises and talents to be profiled on a global stage and a chance for companies to enhance their brand visibility and engage potential business partners. We are proud to bring Singapore to Osaka and aim to have Singapore business missions visiting Japan to network and promote collaboration between Singapore companies and Japanese guests at our Singapore Pavilion.”
Expo 2025 Osaka expects 28 million visitors over 184 days from 13 April 2024 to 13 October 2025.
A tray to put random knickknacks on doubles up as a piece of art with this version by Hermès. The printed design—a chromolitograph applied by hand to the porcelain—is referred to as “La Maison des Carrés” and depicts the process of creating a silk scarf. From design to its final destination in the boutique, every room in the maison is beautifully illustrated with clear visibility and intricate details.
Here’s the thing: no additional styling was involved in making the Rodeo bag camera-ready. The Balenciaga creation comes with two sets of magpie-esque charms to immediately add character to an otherwise plain black bag. Why? Well, it’s a prevailing Gen Z trend where bags get decorated with a multitude of charms as a way of showcasing one’s individuality. It’s rather cheekily playful, no?
Because talking about emotions (or sometimes just talking) can be a struggle, We’re Not Really Strangers serves to ease into conversations through three levels of questions and wildcards. The aim of the card game is to empower meaningful connections with existing relationships or create new ones with someone you’re just getting to know. And at the end of it, who knows, you may actually discover things about yourself or others you never would’ve thought of to ask.
Silk carrés are one of many things that are synonymous with Hermès, so it makes perfect sense for the Maison to create a bag out of one. The Banasilk—named after the Eperon d’Or Bandana design that it bears—is the first silk bag for the men’s universe and employs leather as its adjustable belt. Wear this as a fanny pack or a crossbody—either way, your items will remain secure as it’s cleverly designed with a zipped compartment that faces the interior.
The Chypre sandals is undoubtedly an Hermès classic. While it has been through many different variations over the years—shearling-lined, studded, and even crafted out of Himalayan crocodile—nothing beats the timelessness of Epsom calfskin. This particular two-tone iteration plays up the summer feels for a pair you’d want to take to every resort you’ll be hitting over the summer holidays.
You know a timepiece is significant when it’s pictured months before release on a man as iconic as Daniel Craig, and sent the interwebs in a flurry. For the first time, a steel Omega Speedmaster Moonwatch Professional is rendered with a glossy white lacquer dial and with black hands and markers for ultimate legibility. In short, a handsome timepiece to covet.
If you’ve ever felt that your backpack could do with a protective boost, look no further than TUMI’s 19 Degree Aluminum backpack. It’s crafted from super solid aircraft-grade aluminium, which means that it’s rather hefty at slightly over 4.5kg but you can’t deny that it’s a pretty good-looking design. We highly doubt anyone in public would dare attempt to stealthily steal something from you—it’s that secure.
Do you need an Hermès yoyo? Not really. Should you care for one? Perhaps. Instead of a traditional yoyo, Hermès reappropriated the wheels of its R.M.S luggage, transmuting them into a functional yoyo. Sure, it’s frivolous in nature yet at the same time, an excellent example of the Maison’s artisanship aside from its beloved leather goods and ready-to-wear.
“Meisterstück” means “masterpiece” in German and that’s what one gets with the Montblanc fountain pen. The Meisterstück celebrates its 100th anniversary this year with a range of new designs. This particular edition consists of a gold-coated cap with a lacquered archive pattern in green. The pen’s nib is also crafted from solid gold for a truly rich overall contrast that’ll make writing a luxurious experience.
The existence of the Force 10 bracelet is in itself a measure of FRED’s playful ideology—a combination of a braided steel sailing cable with a buckle. This large version takes cues from its nautical roots with a blue cord that’s further emphasised with 64 brilliant topaz set on a white gold buckle.
Photography: Jaya Khidir
Styling: Asri Jasman
