There was absolutely no stopping the fans in Seoul, South Korea last month from capturing a glimpse of their Korean idols at RIMOWA's official debut of its new seasonal colours—Mint and Papaya. It may have been raining in the morning of the event, but fans were already forming behind a barricade; a number of astute individuals had even placed placards with their information the evening before as a way of securing a spot.
RIMOWA's list of invited celebrity guests had everything to do with the congregation of fans. It was a diverse range with third-generation K-pop idols Baekhyun and Xiumin of EXO, Rowoon (formerly of SF9), and Seventeen's S.Coups and Wonwoo, fourth-generation group Treasure's Haruto and Junkyu, Thai actor Mile Phakphum, Lewis Hamilton, and Rosé. It was also the first time that RIMOWA global ambassadors Hamilton and Rosé were brought together for the same event.
The organised chaos outside and inside—as journalists and editors scrambled for content and soundbites—the venue was a reflection of the spirited Mint and Papaya colours. Fresh and inviting, the colours were inspired by the vibrant charm of tropical destinations. Mint, a pastel shade of green, draws inspiration from the hues of buildings typical in tropical cities (a RIMOWA staff also painted a scenography of eating mint ice cream while strolling along the beach). Papaya, on the other hand, is a shade of orange reminiscent of the fruit that it's named after as well as the hue of a beachside sunset.
The duo of colours are predominantly available in RIMOWA's Essential series albeit in different combinations. Mint is available in Cabin, Check-In L and Trunk Plus sizes, while Papaya colours the Cabin, Check-In M and Trunk Plus sizes. Save for the wheels and telescopic handle on each suitcase, both colours appear on every facet for a seamless appearance. A trio of packing cubes are also offered in both colours, as well as a sticker set and luggage charms.
For those who prefer hints of the latest colours, Mint and Papaya are now part of the customisable RIMOWA UNIQUE experience. Wheels, handles, and tags in Mint and Papaya can be fitted onto RIMOWA's Classic suitcases in whatever permutation one sees fit.
But with RIMOWA increasingly becoming more than just a luxury travel accessory brand, Mint brings fresh interpretations of its more lifestyle offerings. The emblematic RIMOWA Personal crossbody bag is updated with a White Gloss polycarbonate body trimmed with Mint-coloured webbing strap as well as a Mint leather interior. The Signature range—newly introduced in November last year—adopts Mint as a Flap Backpack in a large size, and its roomy Duffle bag, with both designed to easily integrate with any RIMOWA suitcase.
So the question now is: Mint or Papaya? It's not an easy pick. Whichever you end up choosing, RIMOWA's lifetime warranty on all its suitcases (only for those purchased after 25 July 2022) guarantees that there's hardly a wrong choice.
The new RIMOWA seasonal colours Mint and Papaya are now available in boutiques.
As the warmth of the Italian summer approaches, Gucci unveils a new collection, Gucci Lido—"Lido" referring to luxurious beach resorts that are plenty on the Italian coastline. The summer-ready collection pays homage to the enchanting allure of coastal living, capturing the essence of sun-kissed days and effortless, carefree moments of the season.
The Gucci Lido campaign sees creative director Sabato De Sarno teaming up with photographer Anthony Seklaoui to capture themes of escapism and spontaneity. From swimwear to breezy resortwear, the collection offers a range of pieces that seamlessly blends luxury with comfort—the makings of a perfect summer wardrobe.
The Gucci Jackie and GG Marmont bags are refreshed in straw-effect raffia and canvas for a more laid-back aesthetic while easily set to become a summer essential. Neon-hued trims add a playful spin on the classic GG canvas that range from small accessories such as cardholders to duffel bags and luggage. And to complete the Lido aesthetic, pieces dressed in neoprene and finished with cable trims take on a more literal approach.
To bring the Gucci Lido experience to life, Gucci has erected a pop-up (the only one in the world) at The Shoppes at Marina Bay Sands. Located right outside the Gucci boutique on the first floor, the pop-up showcases the full range of clothing and accessories from the collection, as well as a number of exclusives.
The Gucci Lido pop-up is located at The Shoppes at Marina Bay Sands, Level 1 Grand Colonnade South until 19 May 2024.
Travel is no longer about getting to a destination. It's become an extension of one's personality and lifestyle. For some, it's a hobby; some find it to be an essential part of living—travelling and experiencing different cultures and ways of life only make us more in touch with being human. And with all things personal, there's an increasing inclination to want accompaniments that fit in with that lifestyle.
Let's face it: we all want things that are aesthetically pleasing and work well at the same time. We invest on quality that lasts for as long as possible with the added boon of aesthetics.
The BOSS | Samsonite capsule collection is the latest entry in this no-compromise balance of style and function. Combining the sophisticated style leanings that German fashion brand BOSS is known for with the already trusted combination of form and function by Samsonite, the collection is a sleek offering of luggage meant to make one look, well, boss throughout every journey.
The base of BOSS | Samsonite is the latter's premium aluminium hardcase luggage. Rendered in an all-black exterior, it is then dressed with a subtle, tone-on-tone BOSS monogram that beautifully complements the architectural ridges of each luggage's body. An anodised finish ensures that the look stays locked in for as long as possible, especially through the many different immigration points that a piece will be subjected to throughout its lifespan.
Each piece is made to be tough on the outside, but on the inside, there's a softness brought about by a luxurious quality and feel. A soft-textured lining envelopes the interior of each BOSS | Samsonite piece, done in the former's signature camel colour. The interior is spacious with the addition of zipped compartments (removable if one has no need for them) helping to make organisation a breeze. Adjustable webbing straps help to hold everything in place with the added touch of co-branded leather handles to tie in the sophistication of every element together.
There are four sizes to choose from, each designed for different lengths as well as intensity of travel. The smallest is the cabin-sized Spinner 55 that measures 40 x 55 x 23 cm, two check-in sizes, and the Trunk that's a taller, more oblong-shape and boasts a roomy dimension of 41 x 80 x 37 cm. But whichever one ends up with, there's no denying that they all are extensions of a sophisticated, well-travelled individual.
The BOSS | Samsonite luggage capsule collection is now available in selected Samsonite stores as well as online.
You’d hardly forget your first brush with the Cartier Trinity. That initial experience of sliding the Trinity ring onto a finger is a mind-blowing gesture as the three intertwining elements take their turns to glide smoothly over the skin. It’s an unexpected sensation. You wouldn’t think that something as solid as gold would move in such a way; seemingly without friction.
It’s even more impressive to know that the Cartier Trinity was created 100 years ago. The earliest iteration of a three-band ring by Cartier was released in 1924. That included three intertwined bands crafted in platinum, rose gold and yellow gold. A bracelet was also made in the same year. Owing to the ring’s minimalist design—many variations of colours and materials were developed over the years. However, it went on to be seen on several men in the art world from the 1930s onwards. French poet Jean Cocteau was famous for stacking two rings on his little finger, while actors Gary Cooper and Alain Delon opted for one on the same digit.
It wasn’t until 1997 that Cartier officially adopted the now-iconic “Trinity” moniker for all of its three-band, three-gold jewellery. Although the first “Trinity” was seen earlier, in Vogue in 1925.
Since then, the creativity surrounding the Trinity has been limitless. Proportions of the Trinity have been rendered in a few different ways over the years, and the materials have only got more precious. In 2004, a Trinity bracelet was introduced as an XL version and paved completely with pink, yellow, and white diamonds. A 2011 version saw the use of black ceramic and white gold for a stunning monochromatic piece. And who could forget 2022’s collaboration with Chitose Abe of sacai where the Trinity was spliced into six modular creations, including one that could be worn as an earring or a ring?
There’s no reason to doubt that Cartier would up the ante for its icon’s 100th anniversary. Deviating from the roundness of its original—a shape that has stayed relatively consistent throughout the decades—the latest Trinity has been transformed into a cushion-shaped masterpiece. This rendition, while more geometric in expression, stays true to the original’s mechanics, sliding with the same naturalness. The cushion-shaped version comes in the classic and large model rings all in gold or paved with diamonds, a bracelet as well as a pendant.
Pushing the limits of its creativity further is a modular Trinity ring. This creation allows the wearer to turn the three intertwining bands into a single wide, large band. In the latter state, the ring can unfold to reveal its diamond interior and function as seamlessly as the Trinity ring we’re all familiar with. “Like a Kumiki puzzle, we envisioned the Trinity bands interlocked as one structure, and then designed in reverse to deconstruct them into three. This naturally creates multiple ways to wear the same ring, which makes this Trinity so contemporary and adds to its universality,” says Cartier’s director of watchmaking and jewellery design Marie-Laure Cérède.
But of course, celebrating an icon also means paying homage to the past. Cartier has also brought back the Trinity bracelet but this time, supersized it in an XL version with an equally maximalist ring to match. Now, how's that for a three-pronged approach to celebrating a three-band icon?
2024 is quickly becoming the year of the lapel pin as exemplified by the range seen at the recent Academy Awards. But it was two weeks prior, at another award show, that we were taken by quite an extraordinary lapel pin.
Now, we're not saying that Paul Mescal at the 2024 BAFTAs ignited a sudden re-embrace of lapel pins (and some pretty bejewelled ones at that), but the Cartier piece added to his Gucci suit was such an unexpected surprise in the best ways possible. At first glance, the sharp-edged design looked like individual pins layered atop of each other. However, they're a whole set with its connection hidden at the back of the jacket's lapel. Its name? The Cartier Libre Polymorph jacket lapel gem—crafted in white gold and decorated with garnets, onyx and diamonds.
The Cartier Libre collection isn't exactly new. As the name suggests, it's a completely free expression untethered by conventions of jewellery and watchmaking as well as Cartier traditions, and has resulted in some truly inspiring pieces by the Maison. The Polymorph collection that sits under Cartier Libre however, is the latest creative expression—a collection of watches and jewellery that all share the ability to transform.
No, they don't mechanically move and turn into something else (although judging by the debut collection, it certainly isn't out of the realm of possibility). The Cartier Libre Polymorph collection is inspired by the constant motion of nature, resulting in pieces that are flexible and draws on the Maison's passion for surprise and bringing refined creations to life.
A fine example of this is a Polymorph ring consisting of four rotating discs of white gold, onyx and diamonds. The ring imitates the movement of a solar eclipse with each disc varying in design and size. The full extent of its width can be unfolded on the hand or folded inwards to create a single focal point of a spiral of discs that seems to be in constant flow. It's a show-stopping piece and definitely looks better than a fidget spinner.
One of the collection's more curious objets d'art is a bejewelled carabiner. The precious object is smaller than the size of one's palm but is intricately riddled with baguette diamonds, brilliant-set diamonds, prong-set sapphire and emeralds. In the centre sits a rotating component showcasing a diamond-paved dial surrounded by emeralds and sapphires. At the 12 o'clock position sits a ruby, while beads of lapis-lazuli, onyx, black spinel, turquoise and chrysoprase coil around either side of the dial.
But the main point is that it's a carabiner, and like every other carabiner, it opens up. The Polymorph piece does so with a touch of a sapphire cabochon that activates the diamond-paved band bordered by rubies that it sits on. Talk about decadent.
While Mescal's lapel pin was a unique piece, this next brooch is an incomparable stunner. The panther is Cartier's insignia through and through. Hence, it's no surprise that it would make an appearance in the Polymorph collection too and this time, in quite a menacing interpretation.
Shaped like four claws of the panther, the brooch is crafted from four large moonstones and snow-set diamonds with custom-cut onyx. It sits right at the edge of a lapel, appearing to grip the and display only a hint of its power. But even then, the surprise doesn't stop there. When pressed, a hidden miniature dial is revealed. Smart, audacious and bold—a creative expression like no other.
There are of course more pieces in the Cartier Libre Polymorph collection, including a bracelet that bursts like the sun's rays. But even just these three aforementioned pieces are enough to showcase the unbridled creativity that's at the heart of the Maison. And to think that this is just the beginning.
The answer: seemingly limitless. The Dior Men Charm bag is the latest of artistic director Kim Jones’ contemporary take on Dior’s storied heritage.
Familiar motifs have taken on new forms before. We saw how Jones supercharged renewed interest in the classic Saddle bag by reimagining it with a Matthew M Williams-designed buckle. Jones also introduced sneakers into the house’s design vocabulary by featuring either the Dior Oblique or in the case of the B30, a streamlined, sporty CD logo. This time, Jones has taken things up a few notches by combining two.
For a start, the Dior Charm bag features a clasp adapted from the hardware of the iconic Lady Dior in the house’s women’s universe. While the original motif consists of connected letters, D, I, O and R (of course), as mobile charms in a calculated arrangement, the Dior Charm of the men’s universe is rendered as a single plaque fashioned from the same characters, with the ‘O’ as the base. It sports an antique silver finish for a grittier look that distinguishes itself from that of the Lady Dior.
But the immediate defining characteristic of the Dior Charm bag is the Cannage motif that completely envelopes the piece. The Cannage Cosmo leather—first introduced by Jones in Summer 2023—is a slightly blown-up version of the original Cannage and translated as a whole laser-cut cage stitched onto smooth calfskin. A true testament to the skills of the Dior artisans, the topstitching is thoroughly precise and serves to enhance the encasement of the motif. In the Dior Charm’s grey and black iterations, they’re subtle and sleek; the Cannage is decidedly bold in the cognac colourway, especially against the antique silver-finish hardware.
Jones is no stranger to referencing the house’s women’s universe and transmuting these references into what would later become key motifs of Dior Men. The Dior Charm is one of those once-in-a-lifetime lightbulb moments that seem so obvious now that it’s been realised. Having it as part of a new bag like the aptly named Dior Charm bag and then combining it with an equally iconic motif like the Cannage (but once again, reworked) is genius.
The past is often revisited in luxury fashion, especially when a great deal of history and heritage are involved. But sometimes, the past whispers fresh ideas, and Jones is the reigning master of listening to them.
It has been a century since the Cartier Trinity series was first created, and the three-band style has remained an enduring icon since. The Trinity has seen multiple iterations throughout the years but the tri-gold combination is the truest representation of its spirit—now available in an XL version for an even bolder expression.
It’s made entirely out of recycled ocean-bound plastics from Indonesia, and fixing it is idiotproof, as its name suggests. You won’t need complicated tools or glue. Simply connect the five pieces and you have your very own stable stool put together with your own hands. At the end of its lifespan, the pieces can easily be dismantled and put up for recycling—circularity at its easiest.
The baseball cap is a wardrobe staple, whether as part of one’s style or deployed on days when the hair isn’t cooperating. Celine’s iteration possesses a retro charm with a denim wash that’s as striking as it is timeless. It’s a simple design that doesn’t deviate much from traditional baseball caps... but therein lies the charm—why reinvent the wheel when a slight tweak changes the game?
You can count on finding avant-garde styles at Gentle Monster any day. This pair of Memento V3 sunglasses, however, traipses the line between futuristic and familiar. The goggle shape is a reimagined classic, rendered in a modern violet hue with added metal detailing on the temples—a bold piece that’s easily wearable.
Pharrell Williams’ update of the Louis Vuitton Speedy bag is crafted from supple grained calfskin and lined with lambskin. So soft is the construction that there’s a drape to the overall silhouette. They are also available in a range of vibrant colours that are unapologetically in-your-face—a defiant swing at any mention of quiet luxury.
Made in collaboration with designer Vincent Darré, the Martell Cordon Bleu Limited Edition gets a vibrant and uplifting design to the bottle. Darré created an allegory in which the Martell iconic swift bears the universal message of warmth and generosity. Such a message certainly calls for a round of drinks with friends.
Hermès pulls off a truly playful accessory as it mixes the distinctive Kelly swivel clasp with the Kelly Multipocket To Go. With its multitude of compartments, everything can be kept organised in a bento-esque manner. The piece also comes with a versatile adjustable strap for two wearing styles: vertically and horizontally.
The slouchy Burberry Knight Bag is one of many signifiers under Daniel Lee’s era at the brand. A metal horse-shaped clip—a clever way of integrating the Equestrian Knight motif—attaches to two different parts of the bag, giving you the option to alter the shape according to whim.
Even a house as storied as Dior continues to add new branded motifs to its design vocabulary. A new circular logo acts as the centrepiece to the Buffalo loafers—a chunky, rubber-soled piece as part of the Dior Men Summer 2024 collection. This variation further exemplifies how something as traditional as tweed, can be reimagined into a contemporary piece.
Need better assistance on the green? The MARQ Golfer smartwatch may just be better than a caddy. Designed specifically for golfing, it is preloaded with engineered features that include recommendations of the types of club to use depending on the weather, as well as how best to approach each shot. Do it, embrace AI.
Photography: Jaya Khidir
Styling: Asri Jasman
The idea of form versus function is often a conundrum that's faced by designers. Should the former supersede the latter or vice versa? Or is there a middle-ground where both tenets of design balance out each other such that there isn't much of a compromise to either? The considerations are heightened further when it comes to meeting the needs of travellers who now care more than just getting from one point to another.
For TUMI, that steely balance of form and function is best exemplified in its innovative 19 Degree Aluminum series. Launched by creative director Victor Sanz in 2016, the 19 Degree Aluminum series was a breakthrough for the performance luxury lifestyle and accessories brand as it manipulated aluminium in its own vision for the first time. Each piece is crafted with the now-signature sinewy lines enveloping the entirety of its contours—both as a bold, visual manifestation of the toughness of the material as well as an engineered element for added rigidity. It helps too that the look is as striking as it is durable.
As we said, good looks would only get a design so far, especially in the travel space. TUMI clearly knows this too. The 19 Degree Aluminum series is packed with nifty technical specs that make travelling with one—on pretty much any kind of journey—as beautiful as the intended destination. Rollers are fitted with dual-recessed, ball bearing wheels to ensure smooth, effortless glides, while the telescoping handle fits comfortably when gripped. These innovations (and more) add to the beauty of having a 19 Degree Aluminum piece as a companion—they're beautiful, and essentially so.
In the latest chapter of TUMI's "Essentially Beautiful" campaign, global ambassador and pro-footballer Son Heung-Min makes a return to introduce an expansion to the 19 Degree Aluminum family. Highlighting both the aesthetics as well as the inner-workings of the series that make it essentially beautiful, the campaign is arguably TUMI's boldest yet as Son traverses an abstract world inspired by the elements of the series. His main companion of choice? A 19 Degree Aluminum Backpack that once again, sees TUMI challenging the idea of form and function.
The backpack design is a first of its kind for TUMI, allowing the already iconic luggage design to be carried in a new way. But instead of simply slapping on leather straps to the existing design, the brand reconfigured the entire construction. The leather straps of the Backpack are connected to a leather back panel—marked with the same 19 Degree contours—that's fitted with a top handle and a sleeve meant to easily slip over extended luggage handles. The Backpack itself opens up from the top with a frame opening, while a front pocket reveals itself with the push of the leather monogram patch.
But that's far from what TUMI has to offer. The new line-up includes a Compact Carry-On that's essentially a scaled down version of the 19 Degree Aluminum, designed for travellers who prefer something smaller. It also comes with a removable file divider, making it quite an upgrade for those looking to transport documents. If not, there's the new Briefcase that's categorically sleek at every angle yet still sturdy and durable.
Form versus function? That's certainly hardly the case here.
The new TUMI 19 Degree Aluminum series is now available at the TUMI ION Orchard, Mandarin Gallery, and Marina Bay Sands stores. And check out the other signature TUMI lifestyle bag styles too while you're at it.
In 1967, Marc Bohan conceptualised the Dior Oblique motif. The longtime creative director of the House (an almost 30-year tenure) first applied the motif on a bag from Dior’s haute couture collection in 1969. Throughout the years, the Dior Oblique has been applied on all manner of pieces by the House— from ready-to-wear to luggage to even the floors of its Dior Monsieur boutique in 1974.
Fast forward to today, the Dior Oblique remains one of Dior’s most quintessential elements. It’s become a mark of the House’s creativity with a range of treatments and interpretations imagined every now and then. The latest, is perhaps one that captures Monsieur Dior’s nonconformist spirit.
The Maxi Dior Oblique revokes any decree that branded logos and motifs are dead. As its name suggests, the Dior Oblique has been blown up like never before for Dior Men’s Spring 2024 collection. Each letter of the motif now takes significant real estate on a range of travel-ready bags and accessories. The collection’s Weekender 40 bag, for example, looks exceptionally roomier with the Maxi Dior Oblique canvas construction giving the illusion of a magnified proportion.
While the Maxi Dior Oblique may look audacious in its original colourway—there’s certainly no mistaking that it’s a Dior—a second all-black option provides a more subtle interpretation but one that’s impactful all the same. The Maxi Dior Oblique is rendered in black and set against a base that’s a couple of shades lighter. When employed on a pair of high-top B23 sneakers, the canvas adds depth and dimension. The motif may not be immediately obvious at first glance, but becomes apparent at multiple angles and in motion.
But the point of the Maxi Dior Oblique isn’t solely for the brash visual of Dior’s signature. It’s an extension of the Dior attitude—of going against the grain and challenging perceptions. After all, this is the same House that proposed a “new look” that further feminised women’s fashion post-World War II.
What’s the inverse of “quiet luxury”? This is it.
The way that monograms have become such a huge part of luxury fashion is a testament to their enduring power. We may be moving towards monogram-lite fashion these days (cue all the slew of TikToks on quiet luxury) but monograms remain perennial brand identifiers. In the past few years, brands the likes of Versace, Balmain and Burberry introduced new ones—the latter initiated by former chief creative officer Riccardo Tisci.
One of creative, artistic and image director Hedi Slimane’s first undertakings at Celine was reviving its monogram.
The Triomphe Canvas was officially introduced as part of Celine’s autumn 2019 collection yet its origins date back to the '70s. Its name comes from the chains surrounding Paris’ Arc de Triomphe. The story goes that after a minor collision on Place de l’Étoile (now Place Charles de Gaulle) involving Celine founder Céline Vipiana, she stepped out of her vehicle and noticed the mirrored Cs embedded as part of the metal chains surrounding the monument. Co-opting the motif for her own, she applied it on a range of bags, accessories as well as ready-to-wear.
Slimane took this further with the Triomphe Canvas. The lightweight construction of a Triomphe Canvas piece—a canvas body trimmed with leather—makes one primed for anyone constantly on the move. Its durability is on par with Celine's leather offerings, but less precious in some ways that makes it better withstand some better over prolonged use. The leather on the Triomphe Canvas is poised to age and patina beautifully over time, while the canvas body takes on a bit more character with scuffs.
That's the appeal of the Slimane-era Triomphe Canvas. The monogram already feels timeless with each piece of the collection meticulously constructed to exude a vintage allure. Not only does this give the appearance of a vintage find, but it also paves the way for the legacy of the monogram in the vintage market. Fast forward a decade, and we're almost certain that you'd be able to find Triomphe Canvas pieces in vintage stores the world over.
The fact that it has only been less than five years since Slimane reintroduced the Triomphe Canvas, yet it's become so synonymous with the house speaks to its distinctive markings. In its classic tan colourway, the Triomphe motif is subtle; lighter colourways offer a more striking appearance of the motif. And of course, seasonal interpretations take on various forms and even artistic expressions.
But no matter what you'd gravitate towards, it's bound to be one that you'd surprisingly find more use out of than you'd think.
We're still in somewhat of a limbo with Louis Vuitton's menswear division. Pharrell Williams' first collection as creative director already made its debut during this past Paris Fashion Week Men's. But the collection will only be available in boutiques for the spring/summer 2024 season.
Of course, Louis Vuitton isn't halting any semblance of newness while that happens.
The Taurillon Monogram and Monogram Macassar collections—both featuring the maison's Monogram pattern—have been refreshed with colours that reflect the sense of vibrant energy typical of the season. Icons the likes of the Christopher backpack, Sac Plat mini as well as the Keepall 25 take on new iterations while retaining the unbridled spirit of travel that's at the heart of Louis Vuitton.
The all-leather Taurillon Monogram gets an electric blue makeover (referred to as Racing Blue) with a more muted colourway in the form of Mineral Gray. The hardware on each are done in contrasting tones with the Racing Blue iterations fitted with matte black hardware, while the latter features palladium silver hardware. The treatment is available on a slew of bags and small accessories; it's exceptionally stunning on the collection's bigger pieces such as the Horizon rolling luggage.
The Monogram Macassar on the other hand, keeps things a bit more traditional. Pops of Radiant Sun yellow leather add bold freshness, complementing the Monogram canvas base. On a number of accessories, they appear on handles as well as trims along the sides; on pieces like the Christopher backpack, they act as accents on straps and such.
What's interesting is that these new iterations of the Taurillon Monogram and the Monogram Macassar could very well be part of Williams' debut collection. Aesthetically, there's already the vibrant hues that were a big part of the runway show (and its Rihanna-fronted campaign) and done in such a way that stays true to the classic Louis Vuitton Monogram. And you can never go wrong with the staple Monogram anyway.
The latest variations of the Taurillon Monogram and Monogram Macassar are now available in Louis Vuitton boutiques as well as online.
